On the Lot

It's a better show than some of the other more popular reality shows out there. Sure it has its problems but the work produced by the filmmakers is great and its cool to see short films get screened to a large audience for a change. It's too bad audiences don't take too well to creative showcases such as short films. Some of the filmmakers have a lot of talent and deserve some exposure. I hope it lasts the season because if people watched for the films (not for the host or the characters/tension they try to create on reality shows) then it just might pick up some steam. Is it really that hard to have an attention span these days to sit down and watch a collection of fun short films each week....This viewer doesn't think so...Give this one a chance just for the short films.

If you had actually watched past the first episode you would have seen that they eliminated everyone down to 18 contestants immediately.

But some folks apparently like to post an opinion before watching more than 1 episode.

I do agree that the reality show "Project Greenlight" was way more interesting to aspiring filmmakers because they could see a lot more of the behind the scenes stuff. And that's really dramatic all by itself.

I think On the Lot suffers from not enough "reality". Behind the scenes film-making is tough stuff, and I'd like to have seen more of that along with the finished shorts.

However, "On the Lot" is not a bad show. Garry Marshall is an oddball that throws in all kinds of jokes and then delivers a one line synopsis of why a particular film doesn't work. Sure he's goofy...but if you pay attention to those quick one line observations, you'll see why the man has made so many hits over the years.

I vehemently abhor reality TV, but was lured into "On the Lot" with the promise of seeing filmmakers at work. What I was treated to, however, was a slow-motion trainwreck that seemed to get worse with each passing episode... so of course, I found myself captivated by it! In the first episode, there was clearly potential in the show as filmmakers paired up and were forced to work together on a short film. However, I don't think the short they were working on was ever aired...

The following week, "On the Lot" became a horrendous knock-off of "American Idol," and seemed to be retooled on an episode-to-episode basis. The new format was that filmmakers would make a short film each week (it was later leaked that the shorts were made before the show debuted), and get voted off by viewers. Although it seemed like the focus was supposed to be on the films they made, the show followed the standard reality TV format of making the contestants out to be heroes (visionary Adam Stein, family man Will Bigham, underdog Jason Epperson) and villains (tempermental Marty Martin) -- anyone who didn't get lumped into such a category stood no chance. Initial host Chelsea Handler was instantly replaced with charmless, clueless eye candy Adriana Costa, who emceed the show with all of the wit and charisma of an uncooked potato. Judge Carrie Fisher was there simply to be crazy, judge Gary Marshall came off like a sexist buffoon, and each week a different Hollywood director would sit in as guest judge -- most were obviously VERY embarrassed to be there. When ratings plummeted, the show was knocked down from two episodes a week to one, meaning viewers had to wait a full week to see who was voted off (though it was clear almost from the start who the three finalists would be).

What's sad is there was obviously talent involved, and the shorts themselves were generally entertaining (I'd love to see all the shorts collected and released on DVD). The problem was that everything about the show EXCEPT the shorts was ill-conceived. And the biggest travesty is that most of the directors haven't done anything notable since the show left the air -- finalist Adam Stein, in particular, routinely turned out creative and entertaining films, yet he has no further IMDb credits.

All in all, the show's most notable for being an unsightly pimple on the face of not only Hollywood, but also reality TV, which is a shame, 'cause it could've been so much more.

If you want to see a good find a director through reality TV television show, skip this one all together and watch Project Greenlight. Or maybe even paint drying would be more interesting. They start out with fifty candidates vying for a spot directing a movie with a million dollar budget. They should have broken it down to twenty candidates before the show went on the air. There is just way too many people to keep track of. You don't care when people are sent home because you really don't know anything about them. Also Steven Spielberg produces but nowhere to be seen. They also dug up Carrie Fisher and Gary Marshall from the depths of Hollywood. Bret Ratner is also there pretending to be some kind of authority. If they were gonna make a not very good cop-buddy with one hundred crappy sequels than I say call Bret. Avoid at all costs!!

A cynical title but if this show wants to last, that is exactly what it needs to do. I watch a lot of FOX shows and the advertisements for "On-the-Lot" ran so ramped that i just had to check it out. It air right after American Idol (coincidence?) and . . . i saw no difference. Other then "singing" is replaced with "directing" it fits all other Cliché Reality Show stereotype. The Judges (who are predictable in their banter), The contestants trying to kill each other (oh the Drama!) and the host who is pretty but gets annoying after 5 minutes of hearing their voice. What sickens me the most about this show is that they could of dispensed with this Cliché bull plop and for once had a reality show that dared to actually be GOOD!!!! I am losing interest FAST in the show because of the RS crap between Movies. That's all this show should be showing is the short movies because the movies are the only thing people want to see. If you actually like a contestant enough to remember their name and face then you still won't remember them enough to actually care if they get eliminated. This show had a interesting concept but it's execution was horribly thought out. So in short: "CUT-THE-BULL OR CUT-THE SHOW!"