1970 के दशक के लोकप्रिय समूह ABBA के हिट गानों का उपयोग करके अपने असली पिता को खोजने की कोशिश कर रही एक दुल्हन की कहानी.1970 के दशक के लोकप्रिय समूह ABBA के हिट गानों का उपयोग करके अपने असली पिता को खोजने की कोशिश कर रही एक दुल्हन की कहानी.1970 के दशक के लोकप्रिय समूह ABBA के हिट गानों का उपयोग करके अपने असली पिता को खोजने की कोशिश कर रही एक दुल्हन की कहानी.
- 3 BAFTA अवार्ड के लिए नामांकित
- 16 जीत और कुल 27 नामांकन
फ़ीचर्ड समीक्षाएं
I didn't use to like this movie, but as I got older I started to love the movie more. It's definitely a cheesy movie and far from perfect, but it's a fun watch with catchy songs (duh, it's ABBA). It's not too long nor too short, so it's a perfect movie to watch when you're feeling down or to watch with friends on a movie-night.
That kind of film who is so easy to define as superficial. Before you see it. Because it is only ... charming. Surprising charming. For musical scenes. For the feel of summer holliday. For impressive cast and beautiful performances. For locations. And, off course, for...ABBA. The best point - the feeling to see an old fashion comedy. And that is the serious motif. For see it. Time by time.
This movie is two hours of music and happiness. This movie is an easy 11/10 method of being happy and one of my all time favourites. There is no ingenious plot or thought provoking question, and that's fine. Just sing along and enjoy.
Mamma Mia! Does the mention of anything Abba-ish send you cringing to a corner? Or are you already joining in and dancing on the tabletops? Maybe another few drinks . . .
In short, if you are not allergic to Abba, book your tickets now. If you are, why would you be reading this? At a pinch, it is worth seeing for Meryl Streep alone, who not only throws herself headlong into every refrain with unashamed gusto, but adds a touch of class and nuance to what otherwise could be a one-dimensional adaptation. Streep vacillates engagingly between playing herself and not taking herself too seriously. Pierce Brosnan just about keeps up, and manages more expressions than he ever did as James Bond. Colin Firth and Julie Waters trail behind somewhat. Yet Mama Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic, bursting 'like Aphrodite's Fountain' into the lives of Donna (Meryl) , her lovers and friends, and her soon-to-be-wed daughter. It is the party spirit that says kick your shoes off and sing silly cheesy songs. Altogether now.
And yes there's a story. Donna's daughter Sophie is getting married. To the buff-looking Sky. Only where's her dad? She's never met him. A sneak-peek at Mom's diary shows Mom had three lovers before Sophie was born and Sophie secretly invites all of them. This is a film of threesomes. Three past lovers (Sam, Bill and Harry). Three close friends (Donna and two best pals). And, not to be outdone, Sophie meets up with two other young girls at the start of the film.
The breakneck pace still allows for brilliantly put together shots. Like Streep doing a 'Titanic' with drapes blowing in the wind. Or a pier-load of young hunky stag night crew doing a dance in trunks and deep-dive flippers. Moonlit boats and beaches to "I Have a Dream." Filmed on location, the views won't disappoint. And like a favourite song whose ending we know, the drama is in the details and execution.
As with many adapted-from-stage musicals, two young leads are played by talented singers, and the older parts by serious actors can sing well enough. Streep manages extremely well. Her performance is so professional and assured it leaves others standing. Fortunately, it is perhaps easy to paper over any cracks in musical comedy. Sweeney Todd relied heavily on Depp's charisma and stunning cinematography. Across the Universe, too heavily on the songs. Mamma Mia!, on the other hand, simply tailors everything to its joyous headlong rush. The songs fit naturally to the action. Streep even manages to sing them with her tongue firmly in cheek. She confesses to having been a "stupid reckless little slut" but then says she "grew up". (To which her pals chime in, "Well grow back down again!") The film is not without faults. There is a notable lack of chemistry between the people that throw themselves rapturously against each others' faces. Even Streep looks less than convincing in a brief lips-mash. And the men are a bit croaky in the singing department (Hugh Grant might even have been a preferable casting choice). And some of the time-line is wobbly. For instance, strange as it may seem, music from more than twenty years ago does not all come from the same era. So reminiscing about flower power (early sixties) in the same breath as a Johnny Rotten t-shirt (Sex Pistols, mid-late seventies) is either anachronistic or wishful thinking.
Sadly, I am of a generation that can remember Abba-mania. The records would shoot to number one. Yet even then few people would admit to buying them. I used to manage a night club, and Abba was great music to ask a girl up to dance. My entire chat-up repertoire at that time consisted of, "Would you like to dance?" and "Do you want to come back for a coffee?" But girls would be so happy dancing to Mamma Mia they'd say yes anyway. I'd fall in love with a new girl each week. Ah, those were the days! Now there's a new generation of Abba fans who have no need to 'come out of a closet'. Abba is retro-chique. Even Madonna segued an Abba riff into one of her songs. From karaoke to hen nights. From '70s' nights to gay dance-floors. Dress up. Camp it up. Sing it up. Get sassy and cheesy. Or, if you're old enough to remember, fly back in time to wonderful memories.
Mamma Mia!, whatever detractors might say, has been one of the most successful stage shows of recent times. Supported by the same director and original band members, the movie may well reach the similar fan bases. Or just the party spirit in all of us.
In short, if you are not allergic to Abba, book your tickets now. If you are, why would you be reading this? At a pinch, it is worth seeing for Meryl Streep alone, who not only throws herself headlong into every refrain with unashamed gusto, but adds a touch of class and nuance to what otherwise could be a one-dimensional adaptation. Streep vacillates engagingly between playing herself and not taking herself too seriously. Pierce Brosnan just about keeps up, and manages more expressions than he ever did as James Bond. Colin Firth and Julie Waters trail behind somewhat. Yet Mama Mia! is a roller coaster of emotion, careering colourfully from the blue waters of the Adriatic, bursting 'like Aphrodite's Fountain' into the lives of Donna (Meryl) , her lovers and friends, and her soon-to-be-wed daughter. It is the party spirit that says kick your shoes off and sing silly cheesy songs. Altogether now.
And yes there's a story. Donna's daughter Sophie is getting married. To the buff-looking Sky. Only where's her dad? She's never met him. A sneak-peek at Mom's diary shows Mom had three lovers before Sophie was born and Sophie secretly invites all of them. This is a film of threesomes. Three past lovers (Sam, Bill and Harry). Three close friends (Donna and two best pals). And, not to be outdone, Sophie meets up with two other young girls at the start of the film.
The breakneck pace still allows for brilliantly put together shots. Like Streep doing a 'Titanic' with drapes blowing in the wind. Or a pier-load of young hunky stag night crew doing a dance in trunks and deep-dive flippers. Moonlit boats and beaches to "I Have a Dream." Filmed on location, the views won't disappoint. And like a favourite song whose ending we know, the drama is in the details and execution.
As with many adapted-from-stage musicals, two young leads are played by talented singers, and the older parts by serious actors can sing well enough. Streep manages extremely well. Her performance is so professional and assured it leaves others standing. Fortunately, it is perhaps easy to paper over any cracks in musical comedy. Sweeney Todd relied heavily on Depp's charisma and stunning cinematography. Across the Universe, too heavily on the songs. Mamma Mia!, on the other hand, simply tailors everything to its joyous headlong rush. The songs fit naturally to the action. Streep even manages to sing them with her tongue firmly in cheek. She confesses to having been a "stupid reckless little slut" but then says she "grew up". (To which her pals chime in, "Well grow back down again!") The film is not without faults. There is a notable lack of chemistry between the people that throw themselves rapturously against each others' faces. Even Streep looks less than convincing in a brief lips-mash. And the men are a bit croaky in the singing department (Hugh Grant might even have been a preferable casting choice). And some of the time-line is wobbly. For instance, strange as it may seem, music from more than twenty years ago does not all come from the same era. So reminiscing about flower power (early sixties) in the same breath as a Johnny Rotten t-shirt (Sex Pistols, mid-late seventies) is either anachronistic or wishful thinking.
Sadly, I am of a generation that can remember Abba-mania. The records would shoot to number one. Yet even then few people would admit to buying them. I used to manage a night club, and Abba was great music to ask a girl up to dance. My entire chat-up repertoire at that time consisted of, "Would you like to dance?" and "Do you want to come back for a coffee?" But girls would be so happy dancing to Mamma Mia they'd say yes anyway. I'd fall in love with a new girl each week. Ah, those were the days! Now there's a new generation of Abba fans who have no need to 'come out of a closet'. Abba is retro-chique. Even Madonna segued an Abba riff into one of her songs. From karaoke to hen nights. From '70s' nights to gay dance-floors. Dress up. Camp it up. Sing it up. Get sassy and cheesy. Or, if you're old enough to remember, fly back in time to wonderful memories.
Mamma Mia!, whatever detractors might say, has been one of the most successful stage shows of recent times. Supported by the same director and original band members, the movie may well reach the similar fan bases. Or just the party spirit in all of us.
I did enjoy this romp in the Greek Islands and was surprised at how well Meryl Streep sang. It's light, full of froth and bubble and perhaps has some aspects of Grease and Bollywood in it. The reason the music works I feel is that they haven't really messed with the arrangements of the songs keeping them generally faithful to the Abba originals. But Pierce Brosnan's vocal efforts were abysmal, almost laughable. Perhaps it was meant to be a send up of the original songs all the way through but he really did manage to mangle the vocals in my opinion. If you have seen the musical on stage you will know what to expect and there are some funny moments in the film and the Greek islands are as always a superb backdrop for the action.
क्या आपको पता है
- ट्रिवियाPierce Brosnan had no idea what the project was about when he signed on. The producers told him it was being filmed in Greece, and Meryl Streep was starring. Brosnan said he would've signed on for anything involving Streep, describing her as "that gorgeous blonde I fancied terribly in Drama School."
- गूफ़Just after Tanya and Rosie arrive, Donna takes the laundry down and says "You'd think they would figure out a machine that would make the beds." Her mouth doesn't move during part of the sentence.
- क्रेज़ी क्रेडिटAfter the final scene of the movie Meryl Streep, Christine Baranski and Julie Walters appear on a sound stage in matching 1970s glam-rock costumes and sing "Dancing Queen". When they finish Meryl 'asks' the audience if they want an encore. The three ladies are then joined by Pierce Brosnan, Colin Firth and Stellan Skarsgard who are similarly attired. Along with Amanda Seyfried and Dominic Cooper, they provide a rendition of "Waterloo" as the main credits roll.
- इसके अलावा अन्य वर्जनStarting August 29, 2008, it was released in select theaters under "Mamma Mia! The Sing-Along Edition". Like Hairspray, the film was released in theaters with the lyrics at the bottom of the screen for audience participation.
- साउंडट्रैकI Have A Dream
Written by Benny Andersson & Björn Ulvaeus
Performed by Amanda Seyfried
Courtesy of Universal Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
Everything New on Netflix in July
Everything New on Netflix in July
No need to waste time endlessly scrolling — here's the entire lineup of new movies and TV shows streaming on Netflix this month.
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