Vilniaus getas

This movie is different than most of WWII related movies. It is not as serious as other movies which makes it unique and perhaps worth watching. Although it has fairly good storyline, it is definitely not as strong as movies such as the Pianist. There is no strong character growth and it is hard to tell who is really the main character. However, it is interesting to watch how the story incorporates drama, musical, and some light humour all into a war-themed movie. I was bit disappointed in the acting, especially the voice acting. The audio almost sounds like as if it was dubbed because the voice you hear does not really go with the character. I would have rather liked if they just spoke in German, not in English. One of the main reason I watched it was because of Heino Ferch. Unfortunately, his acting seems bit artificial when compared to his acting in der Untergang and der Tunnel.

Overall, it is a good film that could have been better.

I saw this film when I spent some time in Vilnius. Not long before I head spent some time in the genocide museum in the Lithuanian capital and I was fascinated by there history, especially during WWII. Since this movie was spoken in English, and everyone was talking about it I went to see it in one of the big theaters.

It added to the experience to be in the city where the story took place, but regardless, it was very well done, it just seemed to be unsure whether it was a musical, play or war movie. That made it very original but also confusing at times. I see it as a lighthearted approach of something good during very bad times. Meaning that the tone of the movie switched often and took the audience of guard, which is a great thing, but it should have been done more subtle.

I must add that the acting was superb, and my hat's off to Hülk, great performance!

Very good work, i must confess i've not seen another work of this director beside this movie.

The good. The main characters are very well shaped, the artist crew, it-s so real, i have several friends that are actors, dancers, and singers, and the environment is so alike, i can see the director really knows how it is, how it feels. The Nazi guy, is the main actor, so sensitive and so unsure of what he is really doing, he was just 22 for god's sake. The end is magnificent the final performance of the main actor!!! the masacre, and at the end, there is no need of act, there is no need of keep the appearances... he could really choose what he wanted, her music and left the teather for the actors entrance.

The bad. When the girl singed looked fake, she did not breath as a singer does, she should have worked on making that look real.

First of all, I had to say if you don't finish it you would never feel its goodness. Pianist described the Warsaw Ghetto from a pure view of a Jew. Schudler's list described from a view of a German with Humanity. Both are not enough. This movie shows a German (Nazi) Officer's mental struggling between evil and an artist. Between ghost and human. The same time, a Jew police of Ghetto also struggles mentally the same way, protecting and saving Jewish lives by killing and taking Jewish lives. If you were educated for a long time that the Jew are not human beings, and your nobel duty is to vanish them, but finally you found what you have been taught and told may be wrong. How pain you would be? The same thing as if you are a Christian, you found the Gospel of Juda is true?

When you reach the point, the Jew Police is taking "the third child" from each pair of parents for killing while assigning "the second child" to some parents with only one. You will feel what a "job" he is doing. And I can never imagine if I have a job like this.

Strong Recommended.

I saw this movie in Mexico City, of all places, on Cinemax. At first I wasn't sure what to make of it, but I think that's why I liked it so much. You were never sure who to trust; who was good and who was bad (though, obviously, the Nazis were easy to categorize as the bad guys). The movie is really about Gens and the position he is in between the Nazis and the Jews. It really isn't clear whether he does the right thing; indeed, it isn't clear that there IS a right thing to do. In this way I thought the movie was more three-dimensional than "The Pianist," in which we know that our hero is an innocent victim. Here, Gens could be an innocent victim or he could be a ruthless opportunist. Or he could be both. In my opinion, that is what makes a character interesting.

What impressed me the most about this movie, however, was the music. Please, if anyone could find a soundtrack for it, let me know. It was a great combination of opera, swing, and tango, and captured the passion and drama of the times. While it could be argued that "The Pianist" was, in Adrian Brody's own words, about how a man's love of music saved him during horrible times, that movie had almost NO music at all. This movie is a much better illustration of the theme of music and art being mankind's salvation.

To me, a good movie is one that makes me think, one that rattles around in my head long after it ends. This movie passes the test, as I've been thinking of it on and off for several days. Yes, it is an odd blend of humor, drama, and horror, but I thought its uniqueness and depth made it a great film.