The Dead Girl

An atmospheric sextuplet of stories revolving around The Dead Girl makes for an intriguing, if unnecessary diversion from your standard murder mystery. Starting with this basic concept, Karen Moncrieff, the writer and director, will show how those associated with this corpse react around the event. In loosely connected stories, this body becomes either foreground or background material to each scenario's more personal, character-based meditations. What turns out is an interesting and eerie slice of independent ensemble drama, more effective as distinct portions then the muddied whole it will add into.

Those going into the movie expecting a hard fought thriller will definitely be disappointed, but people who enjoy more low key fair might have found their sleeper hit of the moment. The Dead Girl reeks of professionally depressive performances. No more ensemble work then a collection of different short films thrown together, casting here nevertheless will make this feature far more attractive then it could have been. Everyone is at their subtly bleak best, and right from the start with Toni Collette's haunted presence one knows the film will be a showcase of silence and darkness from a worthy cast, perhaps at the expense of things like facts and plot.

Those who will enjoy The Dead Girl most are those who bask in cinematic gray areas. Nothing will attempt to be solved or moralized by detailing the grim reality of this murder. Instead viewers have six dark little tales which are more character study then interlocking mystery. For sheer foreboding ambiance alone, The Dead Girl is worth a watch; film's creepiest fade out in recent memory should distinctly heighten a lasting aftertaste.

Arden (Toni Collette) is a painfully shy and isolated living her cruel bed ridden mother (Piper Laurie). One day she finds a dead girl in her yard. She becomes the talk of the town and is asked out by the creepy bag boy Rudy (Giovanni Ribisi).

Leah (Rose Byrne) is a dutiful fragile daughter. Her parents (Mary Steenburgen, Bruce Davison) is still searching for their missing daughter for 15 years. Leah suffers from the oppressive need to find her sister.

Ruth (Mary Beth Hurt) and Carl (Nick Searcy) are a fighting couple with a storage place. She finds some troubling things in one of the storage lockers.

Melora (Marcia Gay Harden) has come to L.A. looking for her runaway daughter last seen as a 16 year old Krista (Brittany Murphy). She befriends Krista's former roommate Rosetta (Kerry Washington).

Usually a multi-storyline movie like this can be a problem. The common trouble happens when some of the story really disappoints. The good news for this movie is that every story is compelling with great actors. The movie starts with the amazing Toni Collette and never really declines in the class of acting. Director/writer Karen Moncrieff has crafted a very simple story. It's the powerful acting that elevates the movie.

Does anyone really read the 'last' pages of these reviews? I'll take that chance, and simply say that I agree with most folks in here regarding this fine film.

Just got a chance to see it last night and in a word, this movie is simply: Outstanding.

The performances are flawless and there isn't a single scene that doesn't ring true. It grabs you emotionally and never lets go. The fine score is equally effective.

Do yourself a favor. Put this high on your list if you haven't seen it yet and do so very soon.

The story brought memories of an old television cult series called Twin Peaks. A dead, blonde girl's body is being discovered in the grasslands of an idyllic village, and this provides the catalyst for the movie as the plot unravels to tell of the stories that centers around that discovery. In summary, it had a total of 5 short stories all inter-weaved through a fragmented timeline, and a host of characters in those stories who have one way or another, played a part in the girl's life, during when she was alive, and after.

The Stranger stars Toni Collette as the woman who discovered the body, and how she gets thrust into the media limelight, yet yearning for that freedom to flee from her domineering mother. The Sister tells of a pathologist's inability to fight on and continue her family's believe that her missing sister is still out there somewhere, and not to throw in the towel and give up hope. The Wife will manage to rile you up, with the story of a neglected wife, and her hopes for reconciling with her estranged husband, who prefers gallivanting late at night to spending time with her, and of course, with her decision to protect her husband's secrets to losing him for sure altogether when revealed. And The Mother reminds you that a mother's love knows no bounds. Hurt by her daughter's disappearance, the worse case scenario happens, and Mum has got to heal old wounds. It's a touching short, and I thought one of the most powerful amongst the rest. And rounding it up, like the last pieces of a jigsaw, is The Dead Girl's story, where we see a foul mouthed Brittany Murphy bringing it all on.

The movie had excellent performances all round by the ensemble cast, and it doesn't have any big bang moments to shock and awe. It's a dramatic story, rather than a mystery- thriller-whodunnit. I was glad that it didn't go down the torture porn route, although it could have, but didn't need to. Leaving it where it is will already allow your imagination to run wild what the outcome will be. However, this might serve as a let down to some as it might seem that it failed to want to bridge the missing gap in the timeline. Fragmented timeline and multiple, parallel stories do seem to be the rage these days (Babel anyone?), but it all boils down to how much of a story you can make out of a single drop in the pond. That's what The Dead Girl feels like, with the stories the inevitable ripples that fan out.

You Are My Sunshine looks like a song very popularly used in end credits, and so far I had thought that it was a simple childhood nursery song. But when used in this context, it had a profound depth telling of longing and missing, that everyone has their own sunshine that they hold very dear to. Recommended movie, especially if you're into the fragmented timeline fad.

This movie is about five different people finding out about the dead girl and is dividing into 5 chapters. The Stranger, The Daughter, The Mother, The Wife, and finally The Dead Girl. and it mostly revolves around the dead girl and how people in the movie deal with it since related people are interwoven around the murder of the dead girl played by Brittany Murphy who does a great job with the role that is given to her on the last act. Although every actor and actresses bring great acting to this movie, each chapter is shot a bit differently, the difference is slight but if you pay attention to the movie you can see it, which is actually a good thing. This is a dark tale and has a dark atmosphere to it but is still intriguing at the same time, this was like watching a puzzle get put together with every chapter adding a piece to the mystery. But if your expecting a movie that is a thriller, you will be disappointed cause this movie is far from being a thriller. But what it is, is a haunting and intriguing film that is worth checking out. Every actor and actress put on a good show without going over the top, and I found that Brittany Murphy's performance was noteworthy.

7.5/10