[go: up one dir, main page]

    कैलेंडर रिलीज़ करेंटॉप 250 फ़िल्मेंसबसे लोकप्रिय फ़िल्मेंज़ोनर के आधार पर फ़िल्में ब्राउज़ करेंटॉप बॉक्स ऑफ़िसशोटाइम और टिकटफ़िल्मी समाचारइंडिया मूवी स्पॉटलाइट
    TV और स्ट्रीमिंग पर क्या हैटॉप 250 टीवी शोसबसे लोकप्रिय TV शोशैली के अनुसार टीवी शो ब्राउज़ करेंTV की खबरें
    देखने के लिए क्या हैसबसे नए ट्रेलरIMDb ओरिजिनलIMDb की पसंदIMDb स्पॉटलाइटफैमिली एंटरटेनमेंट गाइडIMDb पॉडकास्ट
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter पुरस्कारअवार्ड्स सेंट्रलफ़ेस्टिवल सेंट्रलसभी इवेंट
    जिनका जन्म आज के दिन हुआ सबसे लोकप्रिय सेलिब्रिटीसेलिब्रिटी से जुड़ी खबरें
    मदद केंद्रयोगदानकर्ता क्षेत्रपॉल
उद्योग के पेशेवरों के लिए
  • भाषा
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
वॉचलिस्ट
साइन इन करें
  • पूरी तरह से सपोर्टेड
  • English (United States)
    आंशिक रूप से सपोर्टेड
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
ऐप का इस्तेमाल करें
  • कास्ट और क्रू
  • उपयोगकर्ता समीक्षाएं
  • ट्रिविया
IMDbPro

Die Flucht

  • टीवी फ़िल्म
  • 2007
  • 3 घं
IMDb रेटिंग
6.4/10
629
आपकी रेटिंग
Maria Furtwängler and Stella Kunkat in Die Flucht (2007)
इतिहासड्रामाथ्रिलरयुद्ध

अपनी भाषा में प्लॉट जोड़ेंIn 1944 many Germans in Eastern Prussia, like Lena von Mahlenberg, daughter of a local aristocrat, believed that Hitler would surrender and spare them from being invaded by the vengeful Russ... सभी पढ़ेंIn 1944 many Germans in Eastern Prussia, like Lena von Mahlenberg, daughter of a local aristocrat, believed that Hitler would surrender and spare them from being invaded by the vengeful Russian Red Army. He didn't and they had to flee.In 1944 many Germans in Eastern Prussia, like Lena von Mahlenberg, daughter of a local aristocrat, believed that Hitler would surrender and spare them from being invaded by the vengeful Russian Red Army. He didn't and they had to flee.

  • निर्देशक
    • Kai Wessel
  • लेखक
    • Gabriela Sperl
  • स्टार
    • Maria Furtwängler
    • Jean-Yves Berteloot
    • Tonio Arango
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    629
    आपकी रेटिंग
    • निर्देशक
      • Kai Wessel
    • लेखक
      • Gabriela Sperl
    • स्टार
      • Maria Furtwängler
      • Jean-Yves Berteloot
      • Tonio Arango
    • 10यूज़र समीक्षाएं
    • 2आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 8 जीत और कुल 1 नामांकन

    फ़ोटो

    टॉप कलाकार38

    बदलाव करें
    Maria Furtwängler
    Maria Furtwängler
    • Lena Gräfin von Mahlenberg
    Jean-Yves Berteloot
    • Francois Beauvais
    Tonio Arango
    Tonio Arango
    • Heinrich Graf von Gernstorff
    Gabriela Maria Schmeide
    • Babette
    Jürgen Hentsch
    • Berthold Graf von Mahlenberg
    Hanns Zischler
    Hanns Zischler
    • Rüdiger Graf von Gernstorff
    Angela Winkler
    Angela Winkler
    • Sophie Gräfin von Gernstorff
    Max von Thun
    Max von Thun
    • Ferdinand, Graf von Gernstorff
    Josef Mattes
    • Fritz
    Stella Kunkat
    • Victoria 'Vicky'
    Michael Ginsburg
    • Mikolai
    Barbara Morawiecz
    • Oma Herta
    Marie-Luise Schramm
    • Waltraud
    Frédéric Vonhof
    • Louis
    Beate Abraham
    • Frau Meister
    Winfried Glatzeder
    Winfried Glatzeder
    • Dietrich, the Butler
    Fritz Karl
    • Stv. Gauleiter Herrmann
    Hans Brückner
    • Stabsfeldwebel Jobst
    • निर्देशक
      • Kai Wessel
    • लेखक
      • Gabriela Sperl
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं10

    6.4629
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    फ़ीचर्ड समीक्षाएं

    9snassillahie

    It rings true

    All of my family were part Die Flucht and the film captures much of their experience in a fair degree of accuracy. I managed to watch the film with my mother before she died and she felt it was true to the story though because she was in the Poznan, their escape was on train in January 1945.

    One of my aunts was on the roads in January 1945 with her parents and grandmother. The were caught by the Soviets. Her father, my grandfather, was shot of out of hand. She said the story was accurate in the portrayal of the events.

    The one thing my mother and aunt did not like in the film was the added love story between Maria Furtwangler's character and the French POW. They felt it added nothing to the film was only a pointless distraction
    9egilkison

    Excellent film, history buffs would like...

    My comment is more directed to the previous comments from Mr. Rob Ogan.

    Mr. Ogan's comments are very accurate however there is a simple explanation as to why the Soviet war crimes where not more accurately depicted. A national shame for the crimes committed by the Nazis is still carried and will be carried by the German people for as long as Germany is a nation. Nazi war crimes are taught and discussed from the fifth grade on, with one common thought: We will never forget/It must never happen again.

    I agree with Mr. Ogan when he says "The film could have shown more Soviet atrocities to show what hell it really was for these poor people. The film shows some of the horror, but a couple of times it focuses back on German crimes, which we hear about every time we turn on the History Channel".

    However it is simply unacceptable to depict the Soviet Military accurately without making references to how the German Wehrmacht treated the Russian peasants during the initial invasion and the following pullout, of Russia. Natually such a thing would require adding another 20 or more minutes to an already lengthy film.

    My final word is this, most everyone here in Germany where shocked and at the same time pleased that Arte and BR had the courage to produce such a film. If the reader is a History fanatic, you will enjoy the opportunity to glimpse a most personal perspective of the second world war.
    8goedbier

    Worth Viewing, But Missed the Mark

    This film deals with the plight of Germany's former eastern population at the end of World War II. Most Americans are unaware of the brutal and criminal expulsion of some 14 million Germans from their homes in what is now Poland. Millions of innocent men, women and children were murdered by the advancing Red Army. The Germans tried to flee, but their treks were rolled over by Soviet tanks and they were mowed down by a hail of machine gun fire. We will not discuss how the Russians treated German women. Those Germans who did not flee were forced to either become Polish or leave their homeland. Most of them decided to leave since they were already being treated like second-class citizens (examples: German language forbidden, economic sanctions, etc).

    Many people have been waiting for a film like this to break the silence. For years no one dared mention the expulsion of the Germans. German war crimes got plenty of air time, but the evil that was brought down on innocent German civilians never seemed to be of much importance.

    The film is about a woman who, at the start, is living in West Germany. She has a daughter, and after hearing that her father is sick, she moves back to East Prussia to help him. As the story moves forward, the Russians are getting closer and closer to Eastern Germany. The family decides to build a wagon and flee, which is against the law. The Nazis did not want the people to show any signs of defeatism, so they forbade the population any type of retreat.

    The film could have shown more Soviet atrocities to show what hell it really was for these poor people. The film shows some of the horror, but a couple of times it focuses back on German crimes, which we hear about every time we turn on the History Channel.

    That should suffice for a general idea of what the film is about. No spoilers are needed here. Spoilers really do ruin a film.

    Watch the movie and learn something about German history.
    8wind_highlander

    Why are we so ashamed to understand that we are humans too?

    You see, it is different to be an American than to be a German. Americans won the war. Germans lost it. I've had to deal all my life with my father's flight from Silesia to South America running away from the Russians. You never had bombs falling on your head. You were not an East Prussian, A Silesian... You didn't live in Dresden when the bombers came. You didn't loose your home, your parents, your sons, your neighbors, your country. But my family does know because it was there.

    When I read your words, as well intentioned as they may be, I understand why the History Channel shows so many American and British WWII aces shooting down German pilots to bring peace and order to the world. Because they were right. Because they were good. Because there's no doubt that their goodness and rightness was the real goodness and the real rightness that, thank God, won over evil and reigns victorious in the world today...

    Because that's what you think, isn't it? It gives you peace and so does it to many millions more. How good you can sleep at night and teach those that were directly underneath your bombs how to behave today. Because, that's all too clear, they have still a lot to learn, a lot not to forget. Keep your righteous words coming. The world needs them. We Germans need them. We are eager to hear them. Thank you so very much! By the way... I loved the film. Though it saddened me deeply to watch it.
    ennismj

    Haven't seen it yet...

    But be weary of the only review to-date.

    One should be skeptical of any claim that a film fails in that it references the crimes of Germans during WWII. While it is high time to openly talk about the refugees from the eastern territories, the sinking of the Gustloff, the allied air raids, the non-Jewish victims of the Holocaust, and the tragic fates of individual Germans, (etc.), one must do everything to prevent collectivizing Germans as victims or undermining the last 40 years of dealing with the crimes. If Germans of the war generation are victims of anything collectively, it is of their own ignorance and aggression. While German suffering must be brought into official histories and representations of that era, so as to not collectivize Germany as a nation of absolute perpetrators (then and now), we cannot lose sight of the greater picture: the majority of Germans welcomed the rise of the Nazi party and Hitler; very few did anything to resist the regime, even after they were disillusioned by the horrors of war and the crimes of the Nazis; the crimes were silenced immediately after the war, as the average German sought to move on and rebuild. Increasingly since the 1970s, and some argue not adequately until the 1990s, Germans have attempted to come to terms with these immense failures. The price has been de-emphasizing their own suffering. But focusing on the suffering they caused first is not only commendable, but the real reason they have become a leader and example in the international community! (Imagine if our president publicly apologized to the leader of another country for past crimes he/she had no involvement in, and even bowed before him!!) Germans must avoid sentimentalization and reductionism when dealing with such topics. They must maintain a critical distance and account for the greater context of WWII, or they run the risk of oversimplifying, catering to nationalistic and xenophobic entities still present, and/or undermining all they have accomplished in the way of coming to terms with their very complicated past!! If this film manages to incorporate suffering into the greater context of perpetration, all the power to it! Those who criticize it for not being comparable to a sentimental Hollywood war film in which there is a clear distinction between victim and perpetrator/ hero and villain... well, read up on German history and stop and think about your own... The world isn't that simple, why should serious, seemingly historically accurate films be????

    इस तरह के और

    Die Gustloff
    5.8
    Die Gustloff
    A Woman in Berlin
    7.0
    A Woman in Berlin
    Schicksalsjahre
    6.8
    Schicksalsjahre
    John Rabe
    7.2
    John Rabe
    Rosenstrasse
    6.7
    Rosenstrasse
    Hunting Grounds
    4.5
    Hunting Grounds
    Die Frau vom Checkpoint Charlie
    6.2
    Die Frau vom Checkpoint Charlie
    Trainwreck: The Real Project X
    5.9
    Trainwreck: The Real Project X

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The drama's first part drew an audience of 11.18 million viewers in Germany, making it the network's most successful movie for the last 10 years.
    • गूफ़
      When riding with Magdalena in January 1945 Berthold Count von Mahlenberg quotes Hans von Lehndorf by saying "Never was the light so strong, the sky so high, the distance so powerful". These words however are in the introduction of his book "East Prussian Diary" which was released in 1961.
    • कनेक्शन
      Referenced in Neues aus der Anstalt: Jahresabschluss-Therapie (2007)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 2 मार्च 2007 (जर्मनी)
    • कंट्री ऑफ़ ओरिजिन
      • जर्मनी
    • भाषा
      • जर्मन
    • इस रूप में भी जाना जाता है
      • March of Millions
    • फ़िल्माने की जगहें
      • Bavaria, जर्मनी
    • उत्पादन कंपनियां
      • ARD Degeto Film
      • ARTE
      • Bayerischer Rundfunk (BR)
    • IMDbPro पर और कंपनी क्रेडिट देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      3 घंटे
    • रंग
      • Color
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    • योगदान करने के बारे में और जानें
    पेज में बदलाव करें

    एक्सप्लोर करने के लिए और भी बहुत कुछ

    हाल ही में देखे गए

    कृपया इस फ़ीचर का इस्तेमाल करने के लिए ब्राउज़र कुकीज़ चालू करें. और जानें.
    IMDb ऐप पाएँ
    ज़्यादा एक्सेस के लिए साइन इन करेंज़्यादा एक्सेस के लिए साइन इन करें
    सोशल पर IMDb को फॉलो करें
    IMDb ऐप पाएँ
    Android और iOS के लिए
    IMDb ऐप पाएँ
    • सहायता
    • साइट इंडेक्स
    • IMDbPro
    • Box Office Mojo
    • IMDb डेटा लाइसेंस
    • प्रेस रूम
    • विज्ञापन
    • नौकरियाँ
    • उपयोग की शर्तें
    • गोपनीयता नीति
    • Your Ads Privacy Choices
    IMDb, एक Amazon कंपनी

    © 1990-2025 by IMDb.com, Inc.