Wer früher stirbt, ist länger tot

A really nice little story in a (for me from Hamburg) strange region (Bavaria) where strange religious believes and other superstitions drive a young, naive boy into some hilarious situations.

The actors and characters are all really great, the story and all its funny twists are as well. I especially liked the ironic view on Bavarian country-life and the dialect (which wasn't a problem at all, but my Grannie was from Munich, so I'm used to it unless it's not completely far-off), as well as the very sensitive insight into a kid's view on the world.

And most of all: It was really funny which is a rarity in German movies. But I think you can enjoy this very well if you're Non-German, as conservative, religious countrysides aren't so uncommon elsewhere. This story could just have happened with only little differences in the Middle West or South Italy or so.

I'd never have thought that a German, well it's actually more a Bavarian movie, could be this exceptional anymore. But it continues the line of rare Bavarian films that capture life in all its facets, in the great tradition of Franz Xaver Bogner's "Irgendwie & Sowieso" from the 1980s. It's true and funny, sad and heartwarming, telling a grand story with an outstandingly authentic cast, an exceptionally good soundtrack in beautiful pictures. If you want to be entertained well for an evening and you want more than just a cheap laugh, go see this movie (despite its strange title, meaning something like "The sooner you die, the longer you'll be dead") and see Bavaria beyond all kitsch!

I can recommend this movie strongly to anybody, with or without Bavarian passions / roots. I am so glad that such movies still exist - in total contrast to recent Hollywood trash.

I am not saying this as a Hollywood hater. No I do like films like "The Godfather" or "Casablanca" very much.

"Wer früher stirbt, ist länger tot" has a lot of black humor, a very good child actor, and displays funny Bavarian traditions.

And, it is a very successful combination of sad tones with funny and positive vibes.

Watch this, you won't be disappointed. Subtitles recommended for all Non-Bavarians ;-)

I couldn't disagree more with the previous commentator. I saw this movie last night at the German Film Festival in Washington DC and was absolutely blown away (as was the person I watched it with). It is one of the most beautifully written movies we have ever seen. Set in rural Bavaria, the audience follows the adventures and thought processes of an 11-year old boy (played by a brilliant actor). The plot fits together perfectly, captures you completely, makes you laugh out loud hysterically at times and cry at others. The vivid portrayal of the community surrounding the boy lets you become a part of it. There was not a moment of boredom for me, and the first thing I said to my companion after the film was that I wanted to get it on DVD to watch it again. While the characterizations are larger than life, they are the farthest thing from clichés. This is a brave movie that has some of the best treatment of both youth and death that I have seen.

This movie is about how a child growing up in a small village in the south of Germany, startled by the thought of being guilty of his mother's death, tries to find a way to find the secret to eternal life -in a funny, twisted way only possible in the mind of a kid-.

One of the great virtues of this movie is that it captures the essence of Niederbayern. Not the busty girls in Dirndls, stocky men with enormous moustaches eating Brez'n or the other usual paraphernalia surrounding the Oktoberfest: this is the REAL life in the small villages. The violent/loving affection demonstrations among acquaintances and family is there, the house interiors, the rugged language, the tell-it-like-it-is attitude, the insane tales and explanations about life told by parents to their children... Nothing is missing here.

What I resented about this movie is the lack of good acting in many of the actresses/actors and the evident US sixties and seventies' fashion and music references that seemed to permeate the director's mind. This insistence in referencing Woodstock, Elvis and hippie mysticism glitters unnecessarily in an almost uncomfortable way, polluting an otherwise amusing tale. (The kid's mother was into a hippie lifestyle while being born in 1969? Come on, she should've been more into padded shoulders and checkered patterns!) There's even a particular shot to the face of the radio DJ that seems a carbon copy of the classic "camera round trip" of the basement pot-reunions in the TV program "that 70's show".

Asides from that, it is an enjoyable movie that pays a lot of attention to detail and provides with laughs and insights into how can we perceive the world while being kids. And of course, a vivid portrait of the rural Germany, the one you don't get to see on Thomas Cooke's trip brochures.