अपनी भाषा में प्लॉट जोड़ेंA present day car accident mysteriously sends a detective back to the 1970s.A present day car accident mysteriously sends a detective back to the 1970s.A present day car accident mysteriously sends a detective back to the 1970s.
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In some ways, it is.
When I first heard "Life On Mars" was being adapted for American television, I really didn't expect much. And when I first watched it, I was unimpressed. The British series is just SO original, and SO excellent. Who could replace the Gov? No one. Even now that my opinion of the show has changed, I still think he is irreplaceable. But that's okay! The American series has other things going for it, which I suspect largely stem from a bigger budget. The music is better, for one. Also, the attention to detail is immaculate. One of the joys of watching it is experiencing the atmosphere of 1973 New York. I also quite like Michael Imperioli as Ray perhaps he's not as funny as Dean Andrews, but he's enjoyable to watch in a grittier kind of way. I also like Jason O'Mara as Sam Tyler. He brings a lightness to the role which was absent in John Simm's portrayal. Whereas Simm was often terribly serious and painfully moral (admittedly why we loved himit is these traits which made his exchanges with Gene Hunt so entertaining), O'Mara's Sam Tyler immerses himself more in the time period. When he takes delight in 1973, so do we. One of the few elements damaged by the adaptation is DC Chris Skeltonplayed in the BBC series by the talent Marshall Lancaster. Jonathon Murphy fills the role in the ABC version and he is so extremely boring that I lament the adaptation of his character every time he appears in a scene. Finally, it's certain that Harvey Keitel has big shoes to fill but he's adequate. He's a professional and has a presence which embodies 1973 New York.
If you are a big fan of the British series, you will enjoy this show. And if you've only ever seen this adaptation, I encourage you to rent the original BBC series.
When I first heard "Life On Mars" was being adapted for American television, I really didn't expect much. And when I first watched it, I was unimpressed. The British series is just SO original, and SO excellent. Who could replace the Gov? No one. Even now that my opinion of the show has changed, I still think he is irreplaceable. But that's okay! The American series has other things going for it, which I suspect largely stem from a bigger budget. The music is better, for one. Also, the attention to detail is immaculate. One of the joys of watching it is experiencing the atmosphere of 1973 New York. I also quite like Michael Imperioli as Ray perhaps he's not as funny as Dean Andrews, but he's enjoyable to watch in a grittier kind of way. I also like Jason O'Mara as Sam Tyler. He brings a lightness to the role which was absent in John Simm's portrayal. Whereas Simm was often terribly serious and painfully moral (admittedly why we loved himit is these traits which made his exchanges with Gene Hunt so entertaining), O'Mara's Sam Tyler immerses himself more in the time period. When he takes delight in 1973, so do we. One of the few elements damaged by the adaptation is DC Chris Skeltonplayed in the BBC series by the talent Marshall Lancaster. Jonathon Murphy fills the role in the ABC version and he is so extremely boring that I lament the adaptation of his character every time he appears in a scene. Finally, it's certain that Harvey Keitel has big shoes to fill but he's adequate. He's a professional and has a presence which embodies 1973 New York.
If you are a big fan of the British series, you will enjoy this show. And if you've only ever seen this adaptation, I encourage you to rent the original BBC series.
The energetic and entertaining "Life on Mars" is a cop-show tonic for those tired of being CSI-ed five night a weeks. It's managed to craft a very watchable balance of humor and light science fiction in the frame of a traditional 1970's police story, and yet it's backed by some pretty solid acting chops from Harvey Keitel and Jason O'Mara. Yes, it's different from the British series which it takes its inspiration from, but if you can accept the premise, it makes for some pretty solid entertainment. For those of you fearing or thinking this could develop into another "Lost" with multiple incomprehensible story lines, the tenor of the first couple of episodes makes it clear that this show won't get overly weighted down by its time traveling premise.
Who can resist checking out a new series with a time-travel aspect? I couldn't - so I watched. The pilot was pretty good. The stories, however, looked as if they would get tiresome since he's perpetually in 1973. Fortunately, the show's developers leave a little hook at the end of each episode where he's flashing forward to the present time. What they they are going to do with it is unknown, but it keeps me interested and watching.
If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.
After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.
There are some similarities to Journeyman from NBC, but let's hope this one sticks around.
If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.
After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.
There are some similarities to Journeyman from NBC, but let's hope this one sticks around.
I never saw the original, but personally I love this show. Jason O'Mara does a wonderful job and is really believable. Watching the first show was such a blast from the past, it absolutely took me back to 1973 when I was in high school.
While I respect everyone else's opinions, I don't see why this is receiving such negativity. I have the first 3 recorded and watched, and am now enjoying watching the first one again. I hope this show sticks around.
And Harvey Kaitel? Wow, he's a fabulous actor, so believable as the tough guy boss. It's also so great to see Michael Imperioli in a series again, I loved him on Sopranos. Gotta say, I love the look he's got. He's hotter than ever!
While I respect everyone else's opinions, I don't see why this is receiving such negativity. I have the first 3 recorded and watched, and am now enjoying watching the first one again. I hope this show sticks around.
And Harvey Kaitel? Wow, he's a fabulous actor, so believable as the tough guy boss. It's also so great to see Michael Imperioli in a series again, I loved him on Sopranos. Gotta say, I love the look he's got. He's hotter than ever!
Keitel cannot save this awful remake of an excellent Brit series. How dumbed down are we going to go, folks? This is like taking a great novel and turning it into a Reader's Digest Condensed Book. Gone from this American version are: 1. THE MUSIC: the BBC version serves up actual smash hits from the era, many made right in the UK, while the US version largely serves up a cheesy soundtrack trying to mimic the authentic sound of the times. 2. ACTING. Period. 3. GOOD DIRECTING. Compare the time travel scene in episode 1 in both versions. The Brit version gets it right as the camera crescendos perfectly in time with the crescendo of Bowie's "Life on Mars." The U.S. version reduces that drama to a flattening camera angle change. 4. MANCHESTER, ENGLAND IN THE EARLY 70S - a much more unique canvas for the anachronisms to follow.
Oy! Watch the BBC version and skip this crap, unless you are only watching it for 1) Keitel or, 2) because you really like soap operas
Oy! Watch the BBC version and skip this crap, unless you are only watching it for 1) Keitel or, 2) because you really like soap operas
क्या आपको पता है
- ट्रिवियाWhen the series was cancelled midway through the first season in March 2009, producers had time to make the last episode the series finale, solving the mystery and answering most of the outstanding questions.
- गूफ़Green and white street signs can frequently be seen. These colors were not introduced in NYC until the mid-1980s.
- कनेक्शनFeatured in WatchMojo: Top 10 Worst American TV Remakes (2014)
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