IMDb रेटिंग
4.8/10
16 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.A news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.A news team is sent to Burundi to capture and bring home a legendary 25-foot crocodile. Their difficult task turns potentially deadly when a warlord targets them for death.
- निर्देशक
- लेखक
- स्टार
Ernest Ndlovu
- Shaman
- (as Ernest Ndhlovu)
Lika Berning
- Rachel
- (as Lika van den Bergh)
Jaqui Pickering
- Newscaster
- (as Jacqui Pickering)
फ़ीचर्ड समीक्षाएं
Based on a true story? No. It's an action B movie about an American TV crew hunting for a huge crocodile for a TV program. The plot is frankly exactly what I seek in a movie. I like these simple to-the-point stories with cool action, attractive women, cool guys, nasty bad guys, and a huge monster. It's simple and something I, as a dude, just enjoy watching even though it can get very stupid and silly. But unfortunately even I, who this movie is basically made for, really dislike the movie. The plot works, but the editing and camera work is horrible. Scenes are shown by short 1 second shots. Then we get 20 new shots, each lasting a second each with a new weird angle. Shot from the ground up or with the camera angled to the side. And it just rushes at you and never shows the full picture of the event. When they are packing the huge cage in the boat we only see part of the cage for a few seconds. We don't see the full scenery. It's so irritating. I was enjoying the story about the crocodile hunting people and the bad guys in Africa killing people who went against them. All that is really cool. It's just pathetically badly edited. It's an unwatchable mess. Even the shots of the crocodile only last seconds at most. The director never cares to stay in any one scene or shot so you don't get to see anything.
Of course the decisions taken in this movie are completely stupid too. At one point they are attacked by the crocodile that then kills a man. Instead of driving away or hiding they go to a hut that is built on top of the lake where the crocodile lives. Why are they trying to get themselves killed? That's never clear. The script writer just needed them there so now they are there. No real person would go to the most dangerous place you could find. Of course more people die. And even after it happens they still stay there.
There is also a scene with the cameraman standing maybe 2 meters from the shore. Instead of calmly walking out of the water he stays in the lake and looks for the crocodile alone until he spots it. Why is he trying to spot it after seeing it kill people? It's never explained. He just seems to not want to leave the lake. Of course the crocodile finds him and hunts him. Like, what are these people thinking?
There is also a scene where the female journalist instead of fleeing away in a car goes into the lake again to take a small dog with her. The dog is actually not in any danger as such at that moment, but you know the crocodile eats people so once she jumps into the lake she knows it's coming. This is after tons of people have died in front of her and she was nearly killed tens of times. This are the decisions made in this movie. They are really stupid, but I could have tolerated them at some level if I could actually see them. But the editing messed that all up.
Of course the decisions taken in this movie are completely stupid too. At one point they are attacked by the crocodile that then kills a man. Instead of driving away or hiding they go to a hut that is built on top of the lake where the crocodile lives. Why are they trying to get themselves killed? That's never clear. The script writer just needed them there so now they are there. No real person would go to the most dangerous place you could find. Of course more people die. And even after it happens they still stay there.
There is also a scene with the cameraman standing maybe 2 meters from the shore. Instead of calmly walking out of the water he stays in the lake and looks for the crocodile alone until he spots it. Why is he trying to spot it after seeing it kill people? It's never explained. He just seems to not want to leave the lake. Of course the crocodile finds him and hunts him. Like, what are these people thinking?
There is also a scene where the female journalist instead of fleeing away in a car goes into the lake again to take a small dog with her. The dog is actually not in any danger as such at that moment, but you know the crocodile eats people so once she jumps into the lake she knows it's coming. This is after tons of people have died in front of her and she was nearly killed tens of times. This are the decisions made in this movie. They are really stupid, but I could have tolerated them at some level if I could actually see them. But the editing messed that all up.
After a noted scientist is killed by what can only be described as some sort of beast an expedition is sent to track it down. Dealing with their own problems, conflicts, and the fact they are in country torn part by civil war.
The film starts as a typical monster flick with an intense death scene and a hint of political agenda. It then proceeds to be a typical creature feature with some decent gore and terror, but the political agenda brought up subtly in the beginning resurfaces and the film becomes mismatched. Fans of gore and horror will have fun with the gore and horror, but the political theme is sorely out of place. It is hard to say that it is irrelevant, because if it was well developed it could serve as a decent metaphor.
Godzilla, for one, is a monster metaphor - the bastard of the nuclear age. Here that is what the film tries to do with Gustave - the HUGE killer croc. It fails - whether it is noble failure or pathetic failure is ultimately up to you - but the failure to intertwine themes and idea throughout the movie results in this mismatching. Things just seems to appear out of nowhere, like a long sequence where the main beast literally disappears from the film. It was right there in the previous scene, but for a while it is gone. Then it is conveniently back for the conclusion. In a funny way this seems to be a monster horror flick from the Sci-Fi channel that has the seriousness of "Blood Diamond" here and there. That just doesn't work, folks. Metaphors and themes must be a pervasive presence to work. --- 4/10
Rated R: graphic violence/gore and profanity
The film starts as a typical monster flick with an intense death scene and a hint of political agenda. It then proceeds to be a typical creature feature with some decent gore and terror, but the political agenda brought up subtly in the beginning resurfaces and the film becomes mismatched. Fans of gore and horror will have fun with the gore and horror, but the political theme is sorely out of place. It is hard to say that it is irrelevant, because if it was well developed it could serve as a decent metaphor.
Godzilla, for one, is a monster metaphor - the bastard of the nuclear age. Here that is what the film tries to do with Gustave - the HUGE killer croc. It fails - whether it is noble failure or pathetic failure is ultimately up to you - but the failure to intertwine themes and idea throughout the movie results in this mismatching. Things just seems to appear out of nowhere, like a long sequence where the main beast literally disappears from the film. It was right there in the previous scene, but for a while it is gone. Then it is conveniently back for the conclusion. In a funny way this seems to be a monster horror flick from the Sci-Fi channel that has the seriousness of "Blood Diamond" here and there. That just doesn't work, folks. Metaphors and themes must be a pervasive presence to work. --- 4/10
Rated R: graphic violence/gore and profanity
I admit it, I have a soft spot for monster movies. Maybe it's the kid in me who watched all the old "creature features" at a young age, or maybe it's the fact that no one has really made a serious monster movie since...well, you tell me. That being said, "Primeval" is no work of genius, and like most mainstream films, is loaded with clichéd moments that we've seen in better movies. However, when compared to the films that pass for horror today, this one has surprising bite (no pun intended) at certain moments. The main complaint here seems to be the misleading advertising campaign of the film, hyping it up as a tale of serial killer in rural Africa. Of course, the actual story details an American news team (the brooding male leader, the hot female sidekick, and of course, the token black guy who serves mostly as comic relief) traveling to the war-torn Burundi to film and hopefully capture Gustave, an enormous crocodile who has eaten hundreds of people. Naturally, things go wrong, and the river soon runs red. An interesting aspect of the movie is the inclusion of a warlord in the plot, adding a second threat to the protagonists (Gustave is, of course, their first threat). This risky move sometimes works and sometimes doesn't, but I applaud the filmmakers for trying something new at least. What really redeems the film however are a few key scenes that are surprisingly atmospheric (something most modern horror films have forgotten), well edited, and increasingly suspenseful. Without giving too much away, the croc itself is better than one may expect from this kind of a movie. The cast does what they can with a strictly average script, yet for the most part, manage to elicit some interest and sympathy. The final act is a bit of a disappointment, but by that point, it's already been a fun, exciting ride, and one doesn't really care. In short, "Primeval" is strictly what many of us go to the movies for: popcorn entertainment. I myself had originally gone to see "Pan's Labyrinth" but as the shows were sold out, my friends and I eventually decided to give "Primeval" a go. I wasn't dazzled, but then again, I wasn't expecting to be. It's simply fun, escapist entertainment, and despite what any film snob will tell you, there's nothing wrong with that. Just shut your brain off and you should have a good time.
This movie seems to suffer from a low budget. The writing is okay. The plotting was okay. The actors are okay. The special effects are weak. All could have been better. This movie could be compared to Anaconda, but replace the snake with a killer crocodile. Swap out South America and see Africa instead. Unlike Anaconda, Primeval makes a social statement about the political unrest in Africa. In the back drop of filming a crocodile documentary, political unrest and murder is happening all around them. Where this movie suffers is the pacing. It starts out slow and isn't even interesting until the crocodile appears. Once the crocodile appears, that's really all you may care to see. Unfortunately, the special effects are too obvious and the crocodile acts fake and looks fake. It's only at this point that the movie even gets up to the quality of Anaconda which also had fake looking effects.
Orlando Jones as Steven Johnson brings a welcome light touch of humor to an otherwise serious movie. Brooke Langton as Aviva Masters brings a welcome touch of beauty to a dirty and unattractive African setting. The other characters aren't quite as appealing.
This movie is worth seeing, but just barely. Wait for the DVD.
Orlando Jones as Steven Johnson brings a welcome light touch of humor to an otherwise serious movie. Brooke Langton as Aviva Masters brings a welcome touch of beauty to a dirty and unattractive African setting. The other characters aren't quite as appealing.
This movie is worth seeing, but just barely. Wait for the DVD.
"Primeval" doesn't really bring anything new to the man-eater genre that hasn't already been seen in movies such as "Crocodile" or "Alligator", or "Jaws" for that matter.
The storyline is simple and straight forward; a group of people go looking for a massive crocodile named Gustave in Africa. But nature being as nature is, the roles quickly turn and the people find themselves to be preyed upon by the crocodile they set out to find.
While the movie is entertaining enough, it just didn't stand out from so many other movies in the same genre. And as such, it was but a mere mediocre movie experience.
As for the acting, well then I am not a fan of Dominic Purcell, not even by a long shot. So it didn't go well with me that he was in the lead. Jürgen Prochnow, however, is always a treat to have in a movie.
The cutting and editing of the movie could have been much better, and many scenes with the crocodile were just abruptly cut and then jumped on to the next scene.
If you enjoy man-eater movies, then "Primeval" is adequate entertainment, just don't get your hopes up too high.
The storyline is simple and straight forward; a group of people go looking for a massive crocodile named Gustave in Africa. But nature being as nature is, the roles quickly turn and the people find themselves to be preyed upon by the crocodile they set out to find.
While the movie is entertaining enough, it just didn't stand out from so many other movies in the same genre. And as such, it was but a mere mediocre movie experience.
As for the acting, well then I am not a fan of Dominic Purcell, not even by a long shot. So it didn't go well with me that he was in the lead. Jürgen Prochnow, however, is always a treat to have in a movie.
The cutting and editing of the movie could have been much better, and many scenes with the crocodile were just abruptly cut and then jumped on to the next scene.
If you enjoy man-eater movies, then "Primeval" is adequate entertainment, just don't get your hopes up too high.
क्या आपको पता है
- ट्रिवियाGustave was named by Patrice Faye, a herpetologist who has been studying and investigating him since the late 1990s. Much of what is known about Gustave stems from the film Capturing the Killer Croc, which aired in 2004 on PBS. The film documents a capture attempt and study on Gustave.
- गूफ़Errors in crocodile biology: Crocodiles don't roar, they have no vocal cords (although they do hiss). They also can't see from underwater at night, nor can they swallow underwater.
- भाव
Steven Johnson: You know what? This crocodile's like O.J. Simpson. He messed up when he killed that white woman.
- कनेक्शनFeatured in WatchMojo: Another Top 10 Horror Movies Inspired by True Events (2014)
- साउंडट्रैकNi Wakati
Written and Performed by Kalamashaka
Courtesy of Kalamashaka and World Music Network
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Primeval?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Gustave
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,05,97,734
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $60,48,315
- 14 जन॰ 2007
- दुनिया भर में सकल
- $1,52,91,277
- चलने की अवधि
- 1 घं 33 मि(93 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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