एडम सैंडलर और केविन जेम्स, यानी चक और लैरी, दो पक्के दोस्त और साथी फायर फाइटर हैं, जो ब्रुकलिन फायर स्टेशन की शान हैं. चक अपनी जान बचाने के लिए लैरी का अहसानमंद है. इस अहसान के बदले लैरी चक ... सभी पढ़ेंएडम सैंडलर और केविन जेम्स, यानी चक और लैरी, दो पक्के दोस्त और साथी फायर फाइटर हैं, जो ब्रुकलिन फायर स्टेशन की शान हैं. चक अपनी जान बचाने के लिए लैरी का अहसानमंद है. इस अहसान के बदले लैरी चक से एक बहुत ही बड़ी चीज मांग लेता है: यह कि चक उसके "डोमेस्टिक पार्टनर" होने का नाटक करे ता... सभी पढ़ेंएडम सैंडलर और केविन जेम्स, यानी चक और लैरी, दो पक्के दोस्त और साथी फायर फाइटर हैं, जो ब्रुकलिन फायर स्टेशन की शान हैं. चक अपनी जान बचाने के लिए लैरी का अहसानमंद है. इस अहसान के बदले लैरी चक से एक बहुत ही बड़ी चीज मांग लेता है: यह कि चक उसके "डोमेस्टिक पार्टनर" होने का नाटक करे ताकि उसके बच्चों को उसकी पेंशन मिल सके.
- पुरस्कार
- 14 कुल नामांकन
फ़ीचर्ड समीक्षाएं
OK the plot is unbelievable and a little silly, but it's a comedy! Give it a go. If you love meet the parents, dumb and dumber, there is something about Mary and Kingpin, you will enjoy the show. If you have a cinematic bypass and love politically correct left-wing tripe then this one isn't for you. Its as simple as that!
I laughed out loud on more than one occasion. There are a few amusing cameos (my favorite being Dave Matthews as a flamboyant personal shopper). But I think the overall joke hit to miss ratio is probably something like 1 in 10. Sandler and James are just fine in their roles, but they didn't have much to work with. The story doesn't really work- way too many holes, even for a comedy. I think the movie just loses it's touch by going back and forth between overly general, unflattering depictions of homosexuals and sloppy attempts to make Chuck and Larry folk heroes to the gay community. All if it is done in such a way that none of it is believable. The movie is never quite as funny as it should be, and nowhere near as touching as it's desperately trying to be.
I NOW PRONOUNCE YOU CHUCK & LARRY is a decent time-passer but not a whole lot more. I think most of the problem is that the film makers could have either played the film straight (so to speak) and tried to make it profound or they could have simply played it for laughs. BUT, trying to do both at the same time (like this movie did) tended to lessen the social commentary as well as take away from what could have been a much funnier film. In other words, playing this middle ground, in hindsight, probably wasn't the best idea. As a result, when the film tried to be serious and make gay-positive assertions, it came off as forced and half-hearted.
Considering that the film came out two years ago by the time I wrote this review and by now there are a bazillion reviews already, I won't summarize the film's plot. Instead, let's focus on what I liked. Sandler and James were both very good in the leads--I have no complaints there other than they tried way too hard to make Sandler some sort of stud. If he were NOT a movie star, there is no way he'd be able to get the girls he got in the film (especially pretty and very young Jessica Biel). Some of the supporting actors were very good. I liked Ving Rhames, Dan Aykroyd, the amazing dancing kid and that crazy dancing hobo. However, a few of the supporting actors sucked. Steve Buscemi's character was a caricature with no depth whatsoever as were all the non-gay positive characters--they were one-dimensional and were more like stereotypes than people. Also, how in the heck did Rob Schneider get away with such an awful and offensive performance?! Having him play a Japanese man (badly) hearkens to the days of Sidney Toler and Warner Oland (both Westerners) playing 'Charlie Chan'. I thought those days of having non-Asians play Asians (very broadly) were over--one of the positive aspects of political correctness. Now it is a little-known fact that Schneider's mother is a Filipino, but he still doesn't look the least bit Japanese and his character was MORE over the top than Peter Lorre's 'Mr. Moto'--and was a lot like Brando's impersonation of a Japanese man in TEAHOUSE OF THE AUGUST MOON or Mickey Rooney's in BREAKFAST AT TIFFANY'S (ugghh!!). With Schneider's Moe Howard-like wig, thick classes and buck teeth, he simply is a walking stereotype.
Overall, it's a decent time-passer you can watch if you have Showtime. Otherwise, it's very easy to just skip this one.
क्या आपको पता है
- ट्रिवियाWhen Chuck confuses David Spade for Jessica Biel in the playboy bunny outfit, in the shot from behind, it's actually Biel herself in the outfit.
- गूफ़In the firefighter scenes, the firefighters are seen riding on the back of the ladder truck. Firefighters have been banned from riding on the outside of the trucks for decades.
- भाव
Captain Phineas J. Tucker: Gentlemen, I have a very simple policy. What you shove up your ass is your own business.
- इसके अलावा अन्य वर्जनA kiss between the two main characters (both male) were cut from The United States version of the film to obtain a PG-13 rating.
- कनेक्शनFeatured in 2007 MTV Movie Awards (2007)
- साउंडट्रैकSeven One Eight
Written by Matt Goias, Keith Grady
Performed by Fannypack
Courtesy of Tommy Boy Entertainment
By arrangement with Shelly Bay Music
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- I Now Pronounce You Chuck & Larry
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $8,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $12,00,59,556
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,42,33,750
- 22 जुल॰ 2007
- दुनिया भर में सकल
- $18,71,34,117
- चलने की अवधि
- 1 घं 55 मि(115 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1