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When Nietzsche Wept

  • 2007
  • PG-13
  • 1 घं 45 मि
IMDb रेटिंग
6.4/10
5.1 हज़ार
आपकी रेटिंग
Armand Assante in When Nietzsche Wept (2007)
Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.
trailer प्ले करें1:59
1 वीडियो
8 फ़ोटो
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंViennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.Viennese doctor Josef Breuer meets with philosopher Friedrich Nietzsche to help him deal with his despair.

  • निर्देशक
    • Pinchas Perry
  • लेखक
    • Pinchas Perry
    • Irvin D. Yalom
  • स्टार
    • Ben Cross
    • Armand Assante
    • Joanna Pacula
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.4/10
    5.1 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Pinchas Perry
    • लेखक
      • Pinchas Perry
      • Irvin D. Yalom
    • स्टार
      • Ben Cross
      • Armand Assante
      • Joanna Pacula
    • 43यूज़र समीक्षाएं
    • 4आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • वीडियो1

    Trailer
    Trailer 1:59
    Trailer

    फ़ोटो7

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार16

    बदलाव करें
    Ben Cross
    Ben Cross
    • Josef Breuer
    Armand Assante
    Armand Assante
    • Nietzsche
    Joanna Pacula
    Joanna Pacula
    • Mathilda
    Michal Yannai
    Michal Yannai
    • Bertha
    • (as Michal Yanai)
    Jamie Elman
    Jamie Elman
    • Sigmund Freud
    Andreas Beckett
    Andreas Beckett
    • Zarathustra
    Katheryn Winnick
    Katheryn Winnick
    • Lou Salome
    Rachel O'Meara
    Rachel O'Meara
    • Frau Becker
    Yzhar Charuzi
    • Hush Man
    Ilan Charusi
    • Carmen Barman
    Tal Fructer
    • Girl by Pianist
    Silvia Terzieva
    • Mrs. Fiefer
    Ivaylo Brusowski
    • Mendel Fiefer
    Axl Brusberg
    Ventsislav Slavov
    • The Father of Josef
    Ayana Haviv
    • Singer - 'Hymnus an den leben'
    • (बिना क्रेडिट के)
    • निर्देशक
      • Pinchas Perry
    • लेखक
      • Pinchas Perry
      • Irvin D. Yalom
    • सभी कास्ट और क्रू
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    उपयोगकर्ता समीक्षाएं43

    6.45.1K
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    फ़ीचर्ड समीक्षाएं

    6imccullo

    Fritz forgets his whip

    Occasionally ridiculous in the dream/hypnotherapy sequences and borderline slapstick bio-pic in others, 'When Nietzsche Wept' somehow remained compelling enough to have me sit right through to the end despite an unconvincing father of psychoanalysis still having to show ID for the age of consent (Jamie Elman as Freud) and Katheryn Winnick as cigar chomping proto ladette femme fatale Lou Salome.

    There is very little exploration of Nietzche's philosophical ideas here but instead his incredibly prescient innovation in the realm of psychology as seen through the prism of the incipient discipline of psychoanalysis in Vienna circa 1882. Ben Cross is brilliant as the likeable albeit conveniently repressed and commensurately flawed Dr Breuer, adrift in a loveless marriage, a materially successful career but bereft of passion, danger or excitement in his unfailingly dutiful life. Things start to resemble the relationship between poets Verlaine and Rimbaud at this point (see Agnieszka Holland's 'Total Eclipse' from 1995) with Nietzsche advising Breuer to throw off the shackles of his unthinking conformity and embrace his freedom. Nietzsche certainly never did this, having died a virgin (despite being portrayed in a whorehouse) and was an invalid for most of his adult life on a pension paid for by academia. Whether Breuer actually makes this existential plunge is open to debate as the Director would have us believe this whole extended sequence was under Freudian hypnosis. Armand Assante was assigned one of the most thankless casting gigs of all time by being asked to portray the most innovative and radical thinker humankind has produced in over a thousand years. My gut feeling, on a personal level is that when Friedrich Nietzsche entered a room, that room got larger i.e. Assante exudes a cynical but palpable personality consistent with what he sees as his remit but I suspect Nietzsche was silent, inscrutable and withdrawn which is clearly anathema to cinematic portrayals. The movie is based on Irvin D. Yalom's 1992 novel which I haven't read but is purportedly concerned with the idea of limerence which as an idea is about as robust as 'gender' in 2023.
    8noooneh3

    So wonderful, but fiction so you have to know

    The first thing to make you judge well is that you know this movie is built on a fiction novel just like "The last temptation of Christ", so it's not real and not meant to say anything about the real Freud or Bruer or Nietzsche themselves.

    you just have to fall deep into this good story and be sure it's a very touching one, as you know how a very strong man can cry over a moment, one moment.... nothing like you ever can expect.

    I found the dreams amazingly directed as you know most directors make silly dream scenes, and the music also was just a very wise pick since nothing made but just picked from known and famous classics, that made it closer to the ear.

    i suggest it as a-must-see movie
    5agacyb

    Disappointingly melodramatic interpretation

    I read the book several years ago, and didn't remember much of it, beyond being fascinated by the psychological-philosophical explorations of the legendary characters and intrigued by the migraine issues that Nietszche and Breuer attempt to solve. But the book is deeply intellectual, and it was difficult to imagine it translated to the screen. Unfortunately, the director's interpretation falls very limp indeed, despite valiant attempts by a cast of worthy actors.

    Melodrama substitutes in most scenes for subtlety and quiet depth. Two-dimensional beauty in the female characters substitutes for the much harder to convey inner beauty.

    I found the heavy-handed artificial accents maintained by all to be especially distracting, if not constantly irritating -- the thick German/Austrian/Russian accents were like bad scenery pulling the focus from any authentic expression of the characters. The wisdom of Nietszche is disappointingly obscured in this mediocre effort.

    "And if you gaze for long into an abyss, the abyss gazes also into you."
    7rooprect

    Wacky blend of history, philosophy & full-tilt comedy

    This movie is surreal. Literally, it has a lot of surrealistic scenes to mess with your mind, but also the whole presentation is surreal because there are so many bizarre angles. At its heart, it's a sober portrayal of depression and humanity's discontent (so you'd think it would be slow & heavy). But mostly it's humorous, at times as silly as the movie "Airplane!". It also features historical references, but you can't help feeling that the writer is being deliberately playful, distorting facts right before our eyes with a wink and a smile. In all, I think it's an entertaining experience, especially if you don't take it too seriously.

    It definitely has the qualities of a period piece romp, like maybe "Casanova" (2005), "Molière" (2007) or one of my faves, "Impromptu" (1991) about Chopin. But "When Neitzsche Wept" has a more subtle tone which prevents me from saying it's intended to be a comedy like the others I mentioned. Also, don't expect a biopic because it's not really about any particular man so much as it's about everyman's internal struggle between passion (freedom) and logic (duty).

    This film takes a somewhat light-hearted approach to a very dark subject, and I think that's what makes it unusual and clever. It's entertaining and digestible, but also there are a few powerful monologues delivered by Neitzsche (Armand Assante) that I had to rewind and hear again because they seemed to appear out of nowhere. Then suddenly we're back to a crazy scene of a redhead woman in diapers jumping around a crib. Don't worry, it all makes sense; it's just... surreal!
    Vincentiu

    Introduction to an era

    It is not a great movie. It is not a masterpiece. It may be boring and fake at first sight. But... A film about a Nietsche. Not very different of the philosopher. The character is seductive, power and Armand Assante is brilliant in his skin. The atmosphere is carefully recreated. Colors, gestures, social conceptions are pieces of a small visual museum. So, the movie is a good introduction to understand the shadows of XIX century end. For look the existence with the eyes of men of a special way to discover the essence of to be. Certainly, the film gives only sketches of great people. Lou Salome is more than strange muse of a philosopher and Nietsche is prophet in another sense than the character. No bad, no extraordinary. Only good subject of reflection. And introduction to cultural scene.

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    संबंधित रुचियां

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
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    • भाव

      Josef Breuer: How could I have given up everything?

      Nietzsche: You'd given up everything long before you met me.

      Josef Breuer: Yes, but now I have nothing.

      Nietzsche: Nothing *is* everything. In order to grow strong, you must first sink your roots deep into nothingness. Learn to face your loneliest loneliness.

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      Courtesy of 5 Alarm Music

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    अक्सर पूछे जाने वाला सवाल15

    • How long is When Nietzsche Wept?Alexa द्वारा संचालित

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      • 2 अगस्त 2007 (इज़राइल)
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    • चलने की अवधि
      • 1 घं 45 मि(105 min)
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