The Haunting in Connecticut

I really did hesitate to see this movie because I had not seen many that have interested me since the days of Poltergeist - one exception being The Exorcism of Emily Rose. I loved both despite the obvious difference in style.

I found The Haunting In Connecticut disturbingly fun. It definitely had its own style which at times made me wonder when the signs of it bombing were going to appear. I think that was part of why I enjoyed it because it never did disappoint me. This mixture of reality and the supernatural kept me on the edge of my seat. Was it the trauma of cancer causing so much grief for this family or the chilling(yet burning), hidden secrets of the dead in this funeral home that kept expectations from settling on one aspect or the other? The fact is both were enough to draw attention away from the other while we try to make our own conclusions.

An innocent, everyday family deals with the possible, yet probable death of young Matt, who at times suffers excruciatingly from dealing with the unknown and death that he is convinced is his destiny. Squeezed between what is and may be real was enough, but then deal with the likes of a stranger who claims to be a reverend...c'mon, this is classic stuff. You can't take all this in without suffering a little, especially when the family itself starts to fall apart when they need to stick together.

While there are some questions that may not be answered, the story itself was more than satisfying. Special effects were kept to a minimum but used effectively and when needed. Acting was not Oscar worthy but good enough to make it all seem real. Fun when you want it and scary when you need it.

It's definitely a 7/10

In THE HAUNTING IN CONNECTICUT, the Campbell family moves into a former funeral home (!) in order to be closer to the doctor of their terminally ill son. They're unaware that their new home was once the site of unspeakable acts of necromancy.

Now, the former victims of these violations are out to make their presence known.

This movie exceeds expectations. The story is engaging, the characters are believable, and the ghouls are original. Virginia Madsen plays the tormented Mrs. Campbell with the perfect balance of familial love and growing terror. Kyle Gallner is Matt, who gets one of the most memorable scenes in this or any other supernatural tale!

Definitely worth a look...

It's a "Keeps you guessing while scared," kind of a movie. We really liked it.

Basically this movie is like a more gruesome haunted house tale than the original Amityville or a less gruesome haunted house tale than the Amityville remake. However, the movie most certainly follows the flow of those two movies. I would have actually given this movie a six, but they kept trying to make out like this story was pure fact and that rather ticked me off, I mean what do they take me for a moron. I know a bit about the story it is taken from and there are so many differences it is pathetic. I realize that you have to add some stuff or the movie is going to be kind of boring, heck I am even for embellishing the story to the degree this one did, but do not have the this serious voice over telling me how this is true and have the writing at the end tell an out right lie. So what is the story you ask? Well a teenage boy has cancer and his mother is having to drive him a great distance quite often for a special treatment. Mother decides to find a place to rent closer to the place the son gets treatments so he does not have to endure the long drive in pain and vomiting. Of course, the family's financial situation is not to good so when the house with the history comes up for rent you know our family is going to make that their new stomping ground. So spooky reflections and such start to take place as well as strange visions and we even have a reverend enter the picture to give our youth guidance. So yes, the typical haunted house formula is here. Add in a pointless stretch of film where the father drinks and you have your movie, though I am betting that part of the film is actually true, but they changed so much around why not just omit that part all together as it really did not bring anything to the film. So I say add some more scares, perhaps a little gore, do not try to pass off the movie as being a reenactment or something and this film might have been really good...just like a lot of horror movies it is usually might have is it not?

2009. The year of the almost good horror film. Less then half way through this movie season we have had a whole wad of horror/slasher/thriller movies that have come so close yet haven't make the cut. Instead, so far we only have The Univited that can lay claims to being a solid entry, but lagging behind in the just-not-good-enough clan is Friday the 13th, My Bloody Valentine, The Last House on the Left and now The Haunting in Connecticut.

I have actually seen the Discovery Channel documentary of the same name and the movie is not exactly loyal, but does take numerous elements into consideration when crafting this consistently creepy but ultimately familiar ghost flick. I do enjoy a film that relies on atmosphere and character drama to build tension and a sense of dread over the Hostel philosophy that spend all your budget on fake blood is the best way to proceed. Yet, as with many fright flicks the director loses confidence in the audience to stay interested on atmosphere alone and perforates the story with boo moments and just enough clichés to make it forgettable.

Diagnosed with cancer, teenager Matt Campbell (Kyle Gallner) is suffering far more from the lengthy car rides to treatment then he is from his tragic disease. Taking charge, Matt's mother (Virginia Madsen) finds a rental property in Conneticut just a short trip from the clinic. Moving away from their hometown, Matt, his father (martin Donnovan), younger sister and brother (Sophi Knight and Ty Wood), cousin Wendy (Amanda Crew) and mother think that they have found a godsend in the old but charming property. But the home has ties to something far more satanic as strange occurrences begin to plague Matt. Is it his medication, or is something more sinister after the weakened teen?

Director Peter Cornwell builds tension very well throughout the opening half of the film, peppering the atmosphere with terrifying visions from the eyes of Matt. Like most horror films however, things begin to dissolve in the latter portions as we are introduced to the token priest, the boo moments mount and we are subjected to silly flashbacks that do nothing to heighten the mood back to its original lofty footing. Thankfully some credibility is returned in a extremely creepy climax that will make you reconsider hiring a home inspector next time you look to move.

The performances, especially from Madsen and Gallner are quite solid and they keep things grounded as best they can as things go awry. But presenting its PG rating as more of a limitation than an opportunity to raise the bar ultimately left me fairly numb, even if I checked the closet an extra time the night after.

6.5 / 10.0

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