अपनी भाषा में प्लॉट जोड़ेंA man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover... सभी पढ़ेंA man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.A man who lost his family in the September 11 attack on New York City runs into his old college roommate. Rekindling the friendship is the one thing that appears able to help the man recover from his grief.
- पुरस्कार
- 3 कुल नामांकन
- Cherie Johnson
- (as Camille LaChe-Smith)
फ़ीचर्ड समीक्षाएं
This might be the best movie to deal with the 9/11 attacks out there. At first that isn't clear, but once you are done you realize that's all that matters. Out of nowhere, a tragedy and its personal consequences.
Of course, this is also a movie about a very unselfish friendship. Don Cheadle leads this movie top to bottom (this is the Adam Sandler movie that is really a Don Cheadle movie). And his unshakeable kindness and patience with ex-roommate Sandler is beautifully rendered. Cheadle's acting has a whole range of subtle gestures and hesitations that are clearly his, beyond what any director might offer. As the successful dentist in his late model Volvo wagon, he represents what Sandler, the man suffering from loss and psychological instability, once had.
Sandler is sort of perfect as a choice in this role partly because he's cast against type and that's the dynamic of the movie--a man who should be very different from what you see. The whole time you can picture the lively loving Sandler, and not the wreck before you. He plays the part with the quirks and inwardness you might expect, and it's not quite brilliant. He ends up supporting the shine of Cheadle's lead.
Another aspect to the movie, probably not unintended, is the beauty of New York, and the romantic lure of its ordinary streets. There are no landmarks here, just regular life in regular Manhattan.
The one slight drag on the whole affair, and I'm not sure how this could have been avoided without a wholly different plot, is the attempts to bring Sandler out of his hole. One aspect is professional psychiatry, which makes sense, and is pretty well done. (I found the depiction of an accomplished shrink by Liv Tyler really good.) But the other aspect, meant I suppose to add some spice to the cast, is the nutty and sharply beautiful presence of an outlier character, a woman who just happens along first into Cheadle's world and then by extension (and some unbelievable coincidence) into Sandler's. Saffron Burrows plays the part well but it seems forced into the scene--at times funny and poignant but, as with several other minor characters like the in-laws, mostly caricatured or out of place.
Not that anything is ever quite out of place in fiction. Fiction with a strong strain of truth giving it its depth. Director and writer Mike Binder has managed to pull together a gem that refers, ever so gently, to 9/11, and to some deeply caring New Yorkers who all, as a larger group, all suffered from the attacks. "Reign over Me" did not get the attention you might have expected. It's possibly because it's such a depressing movie, whatever its upbeat moments. But it's beautifully sad, like maybe we imagine some of the best European films to be, and I really recommend it on those terms.
Of course the parallels in these men's lives are obvious, but it is actually refreshing to see men's feelings on display in a movie ... feelings other than lust and revenge, that is. Watching how they actually help each other by just being there is painful and heartfelt. Writer/Director Mike Binder ("The Upside of Anger", and Sandler's accountant in this film) really brings a different look and feel to the film. Some of the scenes don't work as well as others, but overall it is well written and solidly directed.
Sandler and Cheadle are both excellent. Sandler's character reminds a bit of his fine performance in "Punch Drunk Love", but here he brings much more depth. Cheadle is always fine and does a nice job of expressing the burden he carries ... just by watching him work a jigsaw puzzle.
Support work is excellent by Jada Pinkett Smith (as Cheadle's wife), Liv Tyler (as a very patient psychiatrist), Saffron Burrows (in an oddly appealing role), Donald Sutherland as an irritated judge and Melinda Dillon and Robert Klein as Sandler's in-laws.
The film really touches on how the tragic events of that day affected one man so deeply that he is basically ruined. In addition to the interesting story and some great shots of NYC, you have to love any film that features vocals from Chrissy Hynde, Bruce Springsteen and Roger Daltrey ... as well as Eddie Vedder impersonating Daltrey. Not exactly a chipper upbeat film, but it is a quality film with an unusual story.
There is some humor, but most of it is really only funny in comparison to the tearjerking moments, as Adam deals with his loss and Don struggles to help him. Adam plays two levels very well... when he is mentally stable he is funny and likable, but when he is, well, less stable he's powerful and dark.
I recommend it for anyone who likes intense mental dramas about difficult friendship and loss.
This is a new career performance for Adam Sandler. I like to think that my favorite director Paul Thomas Anderson was the first to see the childish, pent-up anger in his stupid comedies as something to use dramatically. The juvenility of a character like Billy Madison allows for laughs and potty humor, but also can be used to show a repressed man, shy and shutout to the world around hima man with no confidence that needs an event of compassion to break him from his shell. Anderson let Sandler do just that in his masterpiece Punch-Drunk Love and Mike Binder has taken it one step further. Sandler plays former dentist Charlie Fineman whose wife and three kids were killed in one of the planes that took down the World Trade Center on 9-11. That one moment crushed any life that he had and as a result, he became reclusive and started to believe he couldn't remember anything that happened before that day. He really delivers a moving portrait of a man trying to keep up the charade in his head while those around him, those that love him, try and open him up to the reality of what happened and what the future holds. Always on edge and ready to snap at any moment when something is mentioned to spark the memory of his perished family, he goes through life with his iPod and headphones, shutting out everything so as not to be tempted remember.
Reign Over Me is not about Charlie Fineman though, it is about dentist and family man Alan Johnson. A man that has trapped himself into a marriage and dental practice that both have stagnated into monotony, Johnson needs as much help in his life as his old college roommate Charlie does. Played perfectly by the always brilliant Don Cheadle, Johnson has lost his backbone to try and change his life. He has no friends and when he sees Charlie, by chance, one day, his life evolves into something he hasn't felt in 15 years. He revels in the chance to go out with an old friend no matter how much he has changed from the death of his family. Cheadle's character wants to revert back to the college days of hanging out and Sandler's doesn't mind because all that was before he met his wife. The two men get what they want and allow themselves to grow close despite the years of solitude that used to rule their lives. Once they begin opening up though, it is inevitable that the subject of the tragedy will creep up and test the façade they have created for themselves.
The supporting cast does an amazing job helping keep up appearances for the two leads. Jada Pinkett Smith has never been an actress that impressed me and throughout the film played the tough as nails wife nicely, but it is her final scene on the phone with Cheadle that really showed me something different and true. Liv Tyler is a bit out of her element as a psychiatrist, but the movie calls her on this fact and makes the miscasting, perfect casting. The many small cameos are also effective, even writer/director Mike Binder's role as Sandler's old best friend and accountant, (my only gripe here is why he feels the need to put his name in the opening credits as an actor when it is everywhere, considering it is his film). Last but not least is the beautiful Saffron Burrows. She is a great actress and plays the love- crushed divorcée trying to put her life back together wonderfully. A role that seems comic relief at first, but ends up being an integral aspect for what is to come.
Binder has crafted one of the best dramatic character studies I have seen in a long time. The direction is almost flawless, (the blurring between cuts and characters in the fore/ background really annoyed me in the beginning), the acting superb, and the story true to itself, never taking the easy way out or wrapping itself up with a neatly tied bow at the conclusion. Even the music was fantastic and used to enhance, not to lead us emotionally, (why after two great uses of the titular song by The Who did Binder feel the need to use the inferior Eddie Veddar remake for the end, I don't know, but it did unfortunately stick out for me). Reign Over Me is a film about love and how although it can cause the worst pain imaginable, it can also save us from regret and allow us to once again see the world as a place of beauty and hope.
क्या आपको पता है
- ट्रिवियाEvery song that's played in the background is either played on Charlie's iPod or has its album mentioned by Charlie.
- गूफ़When Charlie is in his first apartment playing the video game and the shot is from where the video screen is, the receiver/amplifier has no cables or wires running to or from it; yet when he's in the second apartment, all the RCA cables and other cables are plugged into it and it is clearly hooked up to work.
- भाव
Charlie Fineman: [Charlie looks at Alan] I had three daughters.
Alan Johnson: [surprised] I... I know.
Charlie Fineman: Geena was five. Jenny was seven, she, uh... she liked boys already. Julie was 9. She was... she was older. They all looked alike, Johnson. Like Doreen. Doreen was my wife. DT. That was her nickname. Doreen Timpleman. She had a dog, Spider. Spider... the poodle. They'd wake me up all the time, Saturday mornings, you know, singing Beatles songs to me in harmony, the four of them... so cute, so cute. Doreen never judged me... never nagged like some wives do. Wanted me to take my shoes off so I didn't wreck the carpet. That's it. Doreen and the girls were VERY female. I... I... I was the oddball, you know. Mr. Man. They adored me, Johnson...
Alan Johnson: I bet they did... I know they did, Charlie.
Charlie Fineman: With the long brown hair... except little Geena. She kept the hair short... to be different from everybody... she, um, she had a birthmark, though. Looked like a burn... but it wasn't. She always said it was gonna go away, but it... it never did. Jenny, Jenny, this one... she wanted to be a gymnast. She was such a klutz, though. I didn't have the heart to mention it as a problem. They, uh, went to see Doreen's sister Ellen and her girls in Boston, and they took Spider, because... I had to work and they didn't trust me to feed her, but that was a joke. We were all going to DT's little cousin's wedding in Los Angeles, and I was gonna meet them out there... The kids wanted to go to Disneyland, but they... they uh, were already gonna miss a couple days of school, so we had to say no. You know. So I'm going out to meet them in Los Angeles, and on the way to JFK, I'm in a taxicab and I hear on the radio...
[slowly starts to cry]
Charlie Fineman: I get there and the man tells me the plane's from Boston... another man tells me there's two planes.
[sobs]
Charlie Fineman: Then I go inside the airport and I'm watching. I'm watching on the television... and I... and I... I... I saw it. I saw it and I felt it at the same time. I thought about Geena's birthmark, and I... I felt them burning...
- इसके अलावा अन्य वर्जनA scene removed from the UK version of the film is the montage of scenes with Angela Oakhurst (Liv Tyler) consoling Charlie Fineman (Adam Sandler) with the original version of 'Love, Reign o'er me' playing in the background.
- कनेक्शनFeatured in Late Show with David Letterman: एपिसोड #14.113 (2007)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- La esperanza vive en mí
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,96,61,987
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $74,60,690
- 25 मार्च 2007
- दुनिया भर में सकल
- $2,22,42,388
- चलने की अवधि2 घंटे 4 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1