Kenneth Williams: Fantabulosa!

A lot of my childhood was spent lying in front of the wireless listening to Round the Horne or Hancock's Half Hour or watching Carry On films. Probably the most famous line in comedy "Infamy! Infamy! They've all got it infamy!" still makes me laugh.

This is a rare insight into the man behind the comic figure and the whole production is a brilliant mix of tragedy and comedy right down to the final quotation from the coroner's court read in four different voices by Michael Sheen. He was brilliant in the role. Most of the other members of the Carry On team were so-so and their Kenneth Horne was very good but Michael Sheen carried the show and there should be an award of some sort for him.

It left me feeling "wow". To quote Kenneth Williams, to the cynic who says 'life is a joke' the only response can be 'Yes, well let's make it a good one.'

An unassuming but thoroughly satisfying film that looks at the fascinating man behind the pursed lips and waspish tongue we all know from the Carry On films. The film shows us a man both appalled and aroused by his homosexuality. a man desperate for love who pushes away any advances that may bring him a moments fleeting happiness.

He befriends playwright Joe Orton who is everything Williams wishes he was: virile, self-confident and relaxed with his sexuality. But it is Orton's partner and murderer, Kenneth Halliwell, with whom he shares the quietly desperate despair that characterises his life. Like the man himself this is very funny but also tragic. It plays to the best qualities of British film-making; well scripted. character driven and unflashy. Worth your time

Let me start off saying that I'm not a big fan of gay-themed movies. Let's just say: it's not my parking lot or, as they might say in Britain, it isn't my cup of tea. But I wouldn't let this film pass me by, mainly due to the leading actor and considering that I grew up with the original "Carry On"-films.

During the 1980's, the "Carry On"-series (under the moniker "Ist ja irre", roughly translated as "It's insane") was rather popular in Germany. Especially the Cleopatra-, Spying- and Camping-episodes were re-broadcast on TV numerous times. Of course, due to the often incompatible sense of humour, the German synchronization was changed quite a bit, often adding additional lines of dialog and jokes, possibly making the films even goofier. And of course, Kenneth Williams was the comedian that carried almost every film.

Don't expect "Fantabulso!" to be the story of the "Carry On"-films. Though obviously taking an inevitable part in the storyline, the film focuses almost exclusively on Williams and the tragic persona he must have been in real life. A man both driven by ambitious and a sense of narcissism (and that's putting it conservatively), yet too weak to fight off his inner demons, feels of inferiority, doubts or even coming to healthy terms with his sexuality. More so, there is very little – we might even say "none at all" – glamour, as one might expect from a person who was as popular in his heyday. Instead, seeing him ride his bike, living a completely mundane, middle-class lifestyle, we'd never guess that Williams was once a comedian celebrated beyond his locality. Which may have to do with British mentality and lifestyle; here even superstars tend to live rather regular lives off stage, unlike other countries, say the USA, where anybody who has even made an appearance in a reality show will not only pretend to be a diva, but be hyped as one as well.

Not surprisingly, most viewers, apart from the hardcore-fans, knew little to nothing about the cast and it really wasn't until "Fantabulosa" that I personally learned more about this tragic figure of British TV. There had been a similar tragic actor and comedian here in Bavaria, namely Walter Sedlmeyer (whose life-story was turned into the slightly similar film "Wambo", but unfortunately didn't have the benefit of a convincing lead-actor). Hugely successful and respected during his lifetime, considered a national icon and archetype in southern Germany, this changed in the late 1980's, when Sedlmeyer was found murdered and his secret life as a homosexual and tastes for s/m came to light.

We could conclude that "Fantabulosa!" has more than a few moments of length and, especially to those who are not familiar with many of the characters and occurrences, might even seem a tad boring. The reason that this never really is the case, is without doubt Michael Sheen, an incredible veritable actor, who has managed to enrich almost all films he starred in, be it in major roles or as support. It is telling when the actor looks nothing like the subject he portrays, but has the viewer convinced within an instant, that he IS Kenneth Williams. The body-language, the tone of voice, the quirks – Sheen is Williams in everything but physical appearance. To mind comes another biopic, namely Oliver Stone's "The Doors", which had people originally complaining that Val Kilmer looks nothing like Jim Morrison, but who got convinced otherwise at the moment that Kilmer (literally) entered the stage. Sheen's performance alone should be worth the price of admission, whether you're interested in Kenneth Williams or simply want to watch an outstanding performance.

7/10

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

Kenneth Williams was arguably the most iconic star of the Carry On films, with his distinctive campy mannerisms, voice and facial expressions, along with a stuffy, uptight on screen persona that seemed to accompany it. But while he basically played himself on screen to great effect, behind the scenes he lived a solitary, troubled existence, as his diaries, which this TV film is based on, bared fruit to, leading up to his (fairly) early death at the age of 62.

I've only just been getting into the Carry On films in the last year or so, but it didn't take me long to figure out which one my favourite star was, or who, it seemed, would have lived the most dramatic life behind the scenes and made the most interesting subject matter for a TV film. Fantabulosa (which, it seems, was a bizarre phrase Williams blurted out a premiere he attended!) plays less like a dramatisation of Williams's life and more of a dark, personal take on his diaries in which he seemed to have written his final thoughts. The colour is appropriately drained out through-out to match the darkness of the content. Possibly before his star ascended to the heights that it would do, Michael Sheen took on the lead role here and, if the film possibly didn't hit the mark quite like it could, the same certainly can't be said of his performance, which seems to be an inspired piece of method acting indeed. He does literally become Williams, getting his voice spot on and his mannerisms just north of perfect. The character he brings to life is a fussy, fastidious man, stuffy and uptight who could well come off as unlikeable to those around him if he hadn't been...well, him. Although he doesn't come off as the most bearable of people, his manic comic persona is enough to pass him off to others. The film also charts his struggles with his sexuality, which he seems to regard as a dirty, disgusting thing in general, confining himself to a solitary, lonely existence with only his mother and a neighbour for company. He is portrayed as a Howard Hughes type character, afraid of germs and spraying things like bedsheets down, as well as not sharing his toilet with anyone to maintain 'hygiene.'

Somehow, the film doesn't feel all the sum of it's parts, but for an exposure of Williams's darkest inner thoughts and a great performance bringing him to life, it's well worth watching. ***

I saw this very emotionally painful portrayal and it was fascinating. The conflict between the public and private faces of Williams and the pressure he was under is illuminated in a way that even those who knew something about him would be surprised. The cast acted superbly, but Michael Sheen was outstanding. I only realised it was him when I saw the earlier comment. He looks completely physically different in this role, from any other role I have seen him in or as himself. Williams autobiography differs markedly from his diaries,as represented in this film. The film is at times distressing to watch, because of the emotional anguish displayed. However, it is a worthwhile experience and a film that can be recommended highly.