Dek hor

"Dek hor" (Dorm) has lingered on my watchlist for a good 15 years. Each time I contemplated watching it, I'd hesitate, convinced that I'd regret having waited so long. Today, I finally took the plunge, and I was right. This film did not deserve to be kept in cinematic purgatory for so long.

"Dek hor" is a testament to the fact that a good story, coupled with actors who believe in it, can transcend even the most mediocre production values. Despite its at-times cringeworthy CGI/green screen effects and occasional framing reminiscent of 90s television films, the sheer talent of the child cast - whom I'd swear possess extraordinary abilities - elevates this film to a level of genuine quality.

It's a hybrid of coming-of-age, horror, haunting, and drama, and while it stumbles occasionally in juggling these elements, it ultimately succeeds in delivering a compelling and emotionally resonant experience.

"Dek hor" is a film that deserves far more recognition than it has received. It's a hidden gem that deserves to be unearthed and appreciated for its heartfelt storytelling and exceptional performances.

Throughout the history of Asian horror many film makers have tried their hand at the sensitive ghost story. And the genre has been done with varying degrees of success. With Dorm, Director Songyos Sugmakanan elevates the genre to pinnacle not yet reached by previous attempts, creating a film that is simultaneously tragic, and creepy.

Dorm tells the story of Chatree, a twelve year old with family issues, who begins the seventh grade at a new boarding school. The school itself is depressingly creepy, and is run by a ambiguously macabre teacher named Ms. Pranee. Chatree soon becomes bully fodder for the other students, until he meets Vichien, another boy with similar problems. As the two become close friends, Chatree finds himself drawing nearer to a dark and terrifying secret.

The secret of Dorm's success is how seamlessly Sugmakanan juggles the creepy atmospheric vibes that are typical of Asian horror, with the tragedy of Asian dramas. One of the films creepiest -and tragic- qualities is the school itself. The sterile shots of the dormitories, dining halls, pools, and washrooms help reflect the films feelings of alienation and loneliness. Feelings that all twelve year old boys with displacement issues would be familiar with, and are represented well under Niramon Ross' expert cinematography.

Along with the cinematography the film features an excellent (and subdued) score. It features slow moving orchestral pieces and haunting piano ballads. Although, this is typical of the genre, the score helps to heighten the films dramatic sense.

Couple those qualities mentioned above with Charlie Trairat's nuanced portrayal of Chantree, and you've got yourself a damn good film. In fact, you'd be troubled to find fault with any of the actors in this film. Which is saying a lot when most of your cast is young boys. And it's not just the kids that hold their weight as thespians, Chintara Sukapatana is excellent(if not sadly underdeveloped) as the scarily sympathetic Ms. Pranee.

To be truthful, while Dorm does have it's strength's it also has it's share of weaknesses. The films first 45 minutes are incredible and touches on the universal themes of childhood fear and angst. Then the film slows down to a snails pace and doesn't come back strong until the last 20 or so minutes. Also, the film has it's share of Asian ghost story cliché's but... that being said, it remains original enough in it's initial premise and delivery that the good qualities outweigh the bad.

Bottom Line- Dorm is a well done sensitive ghost story with brilliant cinematography, acting, and score. While it does have it's clichés and faults, the premise and delivery far outweigh the faults.

If I had to see this movie over and over again I will possibly like to see this movie over and over again. Ton(Charlie Trairat)'s acting looks so real in this movie and the part which is very realistic was the part when he cried when he remembered about his family when he's eating. Although we see it's not as scary or gory like shutter, Dorm can make children watch it. Not all Asian people are liking those scary and gory movies. It also makes people in Malaysia(what i'd seen) touched when the ghost(Wichien)(Sirarath Jianthaworn) looks like he really exist and when he crashed his legs and wishing for help but no one helped him. I admit that this movie is not scary but somehow it really makes people like to see it. Another thing is this movie makes people want to solve all mysteries that happened in the movie. Some examples of the mysteries are what's Pranee(Jintara Sukaphat)'s commitment with Wichien and why Ton hates his father.

While it has been generally well-received over the years, Dorm has never gained the stature that other Asian horror movies like The Eye, Ringu, and Ju-On have, even though it is well deserving of more widespread attention. It is a beautifully written, well-acted and directed coming-of-age ghost story drama, with some genuinely creepy and classical ghost story elements.

The first 1/3 or 1/2 develops as an effective ghost story in the contemporary Thai / Asian horror tradition. It then incorporates a surprisingly sensitive story about friendship, loyalty, and empathy for the emotional suffering of others. Dorm is therefore more thematically developed than most horror movies. At the same time, due to the excellent script and the consistently good judgment of the filmmakers, it manages to maintain effective ghost story elements while not giving way to maudlin or melodramatic storytelling. Highly recommended.

It was quite uncanny, a group of us were discussing making a movie about ghost stories told in schools. Sure, every school has its fair share of ghouls and goblins, and we'd thought it was interesting to have it done on film. Heck, we were actually in the premises of a school when we started to talk about it at night too. So imagine our surprise that Thailand actually made it first, and screened in local theatres no more than a month after we discussed.

Dorm refers to the dormitory of an all boys boarding school. Chatree (Charlie Trairattana) gets sent to the school by his parents, against his wishes. I believe almost everyone would be familiar with the feeling of being uprooted from one school to go to another (be it upon graduation or otherwise), where there's a sense of loss somewhat, especially with friends.

As with all new schools, the new kid on the block gets treated with suspicion, and he finds it extremely difficult to integrate into the school. It doesn't help that his initial gang of friends harbours thoughts of going all out to scare Chatree with many ghosts stories about the school (I could've sworn the toilet one was familiar territory, because I encountered something similar before), and making matters worst, the teacher (Jintara Sukphat) also becomes a key character in one of these stories, hence making Chatree wary.

Despite being the social outcast, and a recluse, Chatree befriends another pupil, Wichien (Sirarath Jianthaworn). They become fast friends, but Wichien has a deep dark secret come 6pm everyday, when he disappears. By now, you would've guessed what would happen.

Along the way, this movie somehow forgotten that it was supposed to be a horror movie. That, or the marketing folks have gotten it all wrong in promoting this flick. The horror genre is undoubtedly an extremely popular genre in Asia, one that will put folks into cinema seats, and riding on the wave of Shutter's success, it's easy to get caught up in what essential are the few and far between sense of fright that's packed into the trailer. Be warned, halfway through the movie, the horrifying moments get thrown out the window, and Dorm becomes more of a standard fare mystery. Quite a plain one actually, as the narrative gets stuck in cruise control throughout. You'll be able to guess the ending, and plot devices are thrown in only to help the movie proceed to the following scene.

But there's a fun element thrown in, which I thought was quite neat. Fans of Hong Kong horror cinema would clearly identify the "Mr Vampire" remake in Dorm, where the students congregate for one of their night movie screenings. It's a deliberate cheesy remake, but I felt this was one of the more powerful scenes that snuck up on you, incorporating the twist revelation so well, I give it the thumbs up. And yes, the twist is revealed midway through the movie in this scene, and thereafter, "horror" gets forgotten.

How's the horrifying content earlier in the movie you ask? It's not all that frightening, again relying on cheap tricks like musical crescendos to make you jump. You don't get to see much, except for shadows, sudden movements and closeups (hey, if I can survive this, so can you!). If I had a gripe, it would be with Chatree's hair continuity problem. Unless there's a barber in the school who cuts hair as good as he restores them, you'll probably get perturbed by the changes in Chatree's hair length. In the same scene. Talking to the same person. You get the drift. It's rather sloppy film-making, and the continuity person ought to get shot. The special effects department though, gets my thumbs up for its imaginary swimming pool effects. Really cool stuff there.

Horror aside, this film essentially similar to like M Night Shyamalan's The Sixth Sense, though it doesn't dwell as deep into the psyche of Chatree and the spirit. It works on another level, along the themes of friendship, sacrifice, forgiveness and closure. I'd recommend it, not as a horror movie, but a coming of age one.

P.S. the version shown here rated PG, is the censored version. Not because of anything frightening, but for a sex scene, which I thought was quite pivotal to identify who it was Chatree's father was humping. Edited away, it comes across as "so what's the big deal?"