Inkheart

I must say that I am always pleasantly surprised to watch a film without expectations, or the tiniest shred of knowledge, and be completely immersed in its world. With the new fantasy adventure film Inkheart, I experienced just that. Iain Softley's cinematic adaptation of the best-selling novel by Cornelia Funke is a fun and endearing trip. I liken the story to the Neverending Story only inverted. Rather than a boy reading a book and transporting himself into it, the characters here read the book and bring both the protagonists and antagonists to them. There is of course one caveat, for whatever comes through to Earth, something must go into the book to replace it. Said replacement being our lead's wife shows that there will be a fight for her return and the banishment of those brought over, back to the written word.

A very short prologue-type moment helps orient the audience with the magic that Inkheart brings. We learn that Brendan Fraser's Mortimer Folchart is a "Silvertongue", or person who reads the written word and brings it to reality. Unknown to him until he starts reading a story to his daughter, (my one gripe is that he never found out earlier … with the horrible things he lets in later, you'd have to think something more than Red Riding Hood's cape would have come through in his past), the danger of his power isn't felt completely until two villains and a street performer from this obscure novel arrive, sending his wife Resa, (Sienna Guillory in a role I wish would have let us see more of her), into the abyss, trapped. The real story at hand begins nine years after with Folchart and his daughter who doesn't know about that past event and just believes her mother left them. Supposedly taught in boarding schools on the go—why else would she have that accent—young Meggie, played by Eliza Bennett, is an intelligent girl who follows her book repairing father as he searches for a copy of the tale that took his love away. It takes many years, but finally the copy is found; yet with it comes the rediscovery of them by that trapped street performer, Dustfinger, and the realization that Capricorn, the book's main villain, wants Folchart captured to find him power and wealth by reading aloud.

What I really enjoyed about the film is that the retrieval of Resa is not the only thing it has going for it. Sure Folchart's motivations are for that alone, but you also have the needs of those people that replaced her. Dustfinger, the ever-brilliant Paul Bettany who owns each and every scene he has here, is just a corrupted man by necessity, not a true villain, only wanting to get back to the family he left behind. This role is the most fleshed out and tragic, trying desperately to get away from the reputation that precedes him from those who've read the story yet unable to break free from the selfish coward he was written as. However, nine years on Earth has changed him; his love and need for his wife has made him into something more than a thief who wields fire and as he says to the author of Inkheart, a fun Jim Broadbent, he controls his own fate. Just the fact that he is out of the book proves that the words written are not the only truth; he can overcome whatever end awaits him on the closing pages of the novel.

But he isn't the only side character needing something. The other is Capricorn, a vile man looking to take over Earth as his own. Brought to life by Andy Serkis, the role exudes slime and nefarious doings, showing the talent of this actor most known for playing computer generated characters in Peter Jackson epics. Capricorn is a villain to the end and his flip remarks and lack of compassion make for some laughs as well as a worthy opponent to Fraser's manly man hero as he is a professional now at playing. Fraser is probably the weakest link of the film, but he does the part well and holds together those around him as the common connecting factor.

Actually, everything really does end up being pretty well done across the board. It's a fun story that may be predictable, but the characters like Dustfinger are so well formed that you find yourself needing to see how their arcs end up. Even the special effects are pretty to look at, from the wispy clouds as fictional people come to our world to the smoke monster Shadow that arrives later on. And I loved seeing some of literature's best "creatures" in the flesh, held captive at Capricorn's castle. Really, besides some shoddy bluescreen work of Helen Mirren on a unicorn, there is very little to fault in those terms. Heck, the movie even had a fantastic little inside joke for cinema/Hollywood fans with a glimpse at Dustfinger's wife left alone back home. Maybe I shouldn't have laughed when her face appeared on screen, but it was a cute surprise.

So, whether the film stays true to the novel, I can't say. All I can relate to filmgoers is that as a fan of family-friendly fantasy films, Inkheart certainly surprised me with its likability and warmth. Maybe not as successful as the classics, Princess Bride, or even 2007's Stardust, Softley still delivers one worth a look. And while Bettany and Serkis may steal the show, deservingly so, it's always nice to watch Brendan Fraser in a part that doesn't scream paycheck. It appears to be too few and far between lately, so I do sincerely hope this one becomes a success at the box office.

'Inkheart' initially gave me the impression of being just another fantasy film. However, once the premise is presented, it becomes interesting. The concept is intriguing but the plot is repetitive. Although it's not done to the point of ruining the movie, had the pacing been well maintained, this would have had potential of being a wonderful film experience. Much of the script and its execution is quite generic. The story is also lacking in depth due to convenient plot-conclusions and there are plot holes. The ending is rushed. Many of the characters and plot turns are poorly developed. For example, I would have liked to know what had actually happened to Resa and how she had ended up there. The special effects and cinematography are passable but I enjoyed the vibrant colours. The acting is pretty good overall. Brendan Fraser and Paul Bettany are good enough. Eliza Bennett is impressive. Sienna Guillory is very effective in a small role. Andy Serkis is fairly adequate. Helen Mirren and Jim Broadbent provide brilliant comic relief. Even though the film hasn't reached its potential, given the novel and intriguing concept, it manages to still be a decent entertainer for the entire family.

I only watched this movie because the trailer looked new and the idea was an interesting one. I liked the movie but throughout the first half, you get the feeling that there is something big coming up and you just can't wait till it does. The ending was quite satisfactory considering what happens.

The actors were all well chosen for the roles they portray. The bad guys led by the evil Capricorn fulfill their role as a motley crew. There is a hidden humor amongst them which does not bore. The CGI animations were very well done especially the magical creatures and alike.

Overall, I would say that if you like Stardust, you will enjoy this one. Although, Stardust is still better in my opinion.

I give it 6 only because the first half drags on a bit long and takes sometime to move onto the real story.

Mo (Brendan Fraser) is good father, happily married who has a special talent to bring personages out of books. But his wife named Resa(Sienna Guillory)has disappeared. One night he brings out various characters named Capricorn and Basta from Inkheart , a book written by Fenoglio (Jim Broadbent) whose story is set in Middle Age and plenty of magical beings. As there suddenly appears Capricorn (Andy Serkis) and Basta (Jamie Foreman), two nasties, and Dustfinger (Paul Bettany), a fire-eater. Now, 10 years later Meggie (Eliza Bennett) discovers the truth and she also has supernatural powers . Meggie along with his father and grandmother confront several fantastic adventures, dangers and risks.

This exciting motion picture displays derring-do adventure, romance ,fairy tale ,and spectacular frames with phenomenal production design. The flick gets lots of bombastic special effects including supernatural apparitions, wizards ,legendary heroes and numerous images have you on the edge of your seat. As appears the heroes of tales as ¨1.001 nights¨, ¨the minotaur¨, ¨Rapunzel¨ and several others. Riveting set pieces illuminate the full-blown adventures blending witchcraft, fairies, necromancy and turns out to be extremely amusing. Stimulating adventures of ours protagonists are complemented by a breathtaking final attraction in the castle scenes with incredible appearance of an overwhelming ominous shadow. Casting is frankly extraordinary, Brendan Fraser as impetuous hero, Andy Serkis plays magnificently a shamelessly villain and Helen Mirren as likable grandmother, and brief appearance of Jennifer Connelly as Roxanne, among others. Ideal main cast is completed by phenomenal secondary actors as US as British players. The movie packs a sensational production design by John Beard , accompanied by a glamorous cinematography by Roger Pratt filmed on location, in Italian Riviera, Liguria and Shepperton Studios, Surrey, England, including a mesmerizing photography with wonderful , marvelous landscapes . Emotive soundtrack appropriately adequate to fantasy by Javier Navarrete. The picture is brilliantly directed by Ian Softley. He's a good writer, producer and director,who achieved big time with ¨The skeleton key¨, ¨K-Pax¨, ¨Backbeat¨ and Hackers¨. Rating: Better than average. Essential and indispensable watching for fantastic cinema lovers.

Let me begin by saying I have read the book and most of the second. When I saw the trailer, there were so many elements I could not place that I presumed this film would be some combination of all three books, and almost did not see it as I had not yet read the last book. I'm glad I did not succumb to this temptation.

The movie itself is loosely based on Funke's book. That's right, "book." It is actually NOT based on all three books, but rather, just as the title implies, the initial Inkheart. The elements I could not identify were never in the book. So...If you're a book fan and are unable to separate the literary story from a film adaptation, you WILL be disappointed. But honestly, if you're looking for something that bears more than a slight resemblance to the book, you still may be disappointed by the omissions, rearrangements, and substitutions.

But do let me say that Brendan Frasier is a wonderful Mo. The casting choice of Eliza Hope Bennett as Meggie was a bit of a surprise, but she is lovely and does very well as Meggie. Paul Bettany is a beautifully tragic Dustfinger. Wow, what a performance Bettany gives! I was also surprised by Helen Mirren's casting as Aunt Elinor, but she was a capable and endearing Elinor. I was even impressed by Rafi Gavron's Farid. I can't wait to see where HIS career leads him. He has great promise. They, and the supporting cast, were wonderful. Not one stiff performance. Andy Serkis was also good as Capricorn. I can't say he was "awesome," as he was not nearly as scary as the literary version, and seemed somewhat of a victim of his own circumstances herein, but he was enjoyable, nonetheless.

If you have never read the books, however, you may find this as I did; an enchanting lovely fantasy with enigmatic characters and a slick execution style. I enjoyed this work far more than I should have, considering the plethora of WIDE variances from the literary source.

All in all, while Inkheart is a highly enjoyable film, it is NOT the book. My advice? Watch the movie. Love the movie. Then read the book and find a hundred new reasons to love it again.

It's still fun, it's still wonderful, and it's still enchanting.

It rates an 8.2/10 on the movie scale.

It rates a 3.5/10 on the adaptation scale.

It rates an 8.4/10 on the fantasy scale from...

the Fiend :.