Eagle vs Shark

"Eagle Vs Shark" is the story of two people considered 'losers' by society and how they might...just might...be right for one another. On one hand you have Jerrod, a twelve-year old boy trapped in a man's body who enjoys making candles, plotting revenge on the school bully that ruined his life and playing the video game 'Fight Man'. On the other hand, you have the fragile Lilly who sings songs about tangerines, lets people walk all over her and dreams about how Jerrod (a regular customer at the fast food restaurant where she works) may one day love her.

Creating a quirky, whimsical movie featuring two geeks who are awkward and barely able to function in society is difficult to pull off but New Zealand film maker Taika Watiti manages it. What makes this movie different to many others which focus on similar characters is that "Eagle Vs Shark" never stoops to mocking its characters despite the opportunity to do so. The audience is invited to share in their hopes and defeats, rather than stand back and laugh at their offbeat behaviour. It is a romantic comedy about two characters who are ill-suited to the genre (Lilly wears her shark costume while lying in bed with Jerrod for example).

Whilst both leads are magnificent, Loren Horsley is the real find here. With her wide innocent eyes, crooked smile and shy demeanour, she creates a character which you can truly connect with. Jerrod may be a complete jerk and oblivious to everyone around him but you never doubt that Lilly truly loves him. She's the type of girl who fades into the background of any room and Horsley manages to convey her joy and heartbreak in a way that you really want her to have a happy ending. Jermaine Clement as Jerrod is a lot harder to warm to because of his actions (and inactions) throughout the movie but ultimately you come to share Lilly's faith that the two are right for one another.

It's hard to avoid the comparisons to "Napoleon Dynamite" when reviewing "Eagle VS Shark". The deadpan deliveries of the characters in both movies is similar and the tone is almost identical. It's safe to assume that if you hated "Napoleon Dynamite" then you're absolutely going to loathe "Eagle VS Shark". Everyone else should give this movie a chance. Like the characters it features, it's not perfect but, like love, it's an uplifting experience.

Awkward. Quirky. Wonderful.

Recommended.

I really liked this film, I went into thinking it was going to be an off beat comedy with no real substance. Surprisingly it was not only a comedy it actually had a plot and significant character ark. I think that is what really separates it from Napoleon Dynamite which also explores outsiders. In this film the characters grow and recognize things about themselves. The humor is still very much there and the actors do a great job with their characters. There is also some really cool cinematography and animation in the film that was an unexpected bonus. The scenery was really amazing it made me want to go to New Zealand! I would highly recommend this film. It was really entertaining for me and I really liked the accents!

Taika Waititi's directorial debut is a warm, fizzy & eccentric delight concerning two socially-awkward misfits and covers their wickedly amusing yet strangely alluring journey to finding love. Expertly blending elements of comedy, drama, tragedy & romance into an oddball yet heartfelt mix, Eagle vs Shark finds the then-new filmmaker trying to carve his own narrative voice and is a sincere effort by all means.

Also written by Waititi, the premise is simple, the stakes are small, the characters are quirky, and although the story comes pierced with themes of loss, longing, neglect & alienation, the witty approach & lighthearted treatment still makes it a fun & fascinating sit without diluting the emotions brewing beneath the surface. Waititi walks a fine line here and deftly balances the emotional beats with excellent comedic touches.

The idiosyncratic characters are sketched with heart & presented with compassion, plus the inadequacy in their persona only adds to their humanity. Jemaine Clement plays a bum geek with panache and is able to find tenderness in his selfish & petulant character. Loren Horsley is in as the shy, wistful girl with a crush on our dweeb loser and chips in with a sweet, silent & endearing performance that stands out with surprising ease.

Overall, Eagle vs Shark is somewhat rough around the edges & required more polishing but it nonetheless makes for a simple, funny & whimsical rom-com, thanks to Waititi's apt direction and brilliant inputs from its leading duo Finding humour in tragedy, making sure that dramatic & comedic bits remain in sync at all times, and commencing the debutant filmmaker's journey on a promising note, this small, light & satisfying indie is definitely worth a shot.

Eagle Vs. Shark is a quirky comedy from New Zealand, with "Flight Of The Conchords" Jermaine Clement, and a cast of unknowns.

It's a very funny film, with some good directing and a decent score. My only quip is it feels like it's been done before...(read more)e. The wall paper and tapestries remind instantly of that legendary Garden State scene, there's animation of the Michel Gondry arts and crafts vein, a little blonde girl who very much resembles a certain Little Miss Sunshine, a leading man doing his best Napolean Dynamite, and a leading lady playing a dotting, kind hearted, quite woman ala Miranda July in "Me and You etc". Yes there all here including a soundtrack of obligatory indie pop, I heard a Devandra Banheart cover of "Body Breaks".

That being said, the movie works. It's funny, painfully awkward, mean, and consistently goofy. Loren Horsley gives a terrific performance as "Lily" the films hero, who is at the beginning of the film for reasons never clearly expressed absolutely in love with clueless uber-loser Jarred. The two get together at an Animal Dress up party, and all's well until Lily discovers Jarred is planning to get revenge on a man who bullied him in high school (which seems to be his only really coherent thought). So its off to Jarred's home town, and uncertain revenge and love.

Jarred is ridiculously unlikable, and Lily has the loving patience of a saint, it's the sheer awkwardness of the performances which make any of this believable, the little ticks like the compulsive lying, the monotone speech, awkward stance, clothes, droll humor. The performers really drive home the story well which in the hands of others could have been God awful.

Though writer/director Taika Cohen has borrowed a lot of elements from other films working in similar fields, he does so naturally, with a poise, grace, and nerdiness, left out of a lot of the quirky, funny, hip, indie rom-coms. Nothing brilliant, but a solid comedy, that plays better to absurd than it does thoughtful, but I laughed all the way through, and would recommend to others, if it sounds like the thing for you. It's pluses easily beat out it's minuses.

I'm not really into actors, or following "the stars', but Loren Horsley's performance here was really kind of enchanting, and I would definitely be interested in seeing her again. "I am...Dangerous Person..."

Greetings again from the darkness. While comparisons to "Napoleon Dynamite" are inevitable, writer/director Taika Cohen/Waititi actually delivers much more depth than the cult classic from Idaho. The multiple story lines involve family relationships, one on ones, self-esteem and self-discovery. Of course it may also be one of the quirkiest films of all time.

Of the two leads, Jemaine Clement as Jarrod and Loren Horsley as Lily, Clement's role is much flashier, but Ms. Horsley steals every scene. She is such a delight and a curiosity on screen. Her crooked smile and expressive eyes are exquisitely charming and as a viewer, we immediately embrace her desire to be loved.

Most of Mr. Clement's role is gearing up for his big revenge fight against the high school bully. As with most things in his life, he doesn't handle the moment very well, but it does become his moment of awakening.

The family relationship issues are complex and handled very realistically as very little is actually said amongst the individuals. Body language speaks much louder than words. Don't miss the director in the flashbacks as Jerrod's "perfect" brother Gordon.