Eagle vs Shark

Sundance Film Festival Grand Prize nominated film Eagle Vs Shark is a romantic comedy with a twist from New Zealand director Taika Cohen. The film tells the story of two socially awkward misfits; Jarrod(Jemaine Clement), a depressed video game store clerk and Lily(Loren Horsley), a quiet fast food waitress as they fall in love and go to Jarrod's home town where he is planning to get revenge on a high school bully. It is hard not to compare Eagle Vs Shark to US indie hit Napoleon Dynamite as both films' main characters have some similar mannerisms and much of the humour is created from that, however this film has a lot more going for it than the indie success story from Idaho. The character of Jarrod is very well acted and generates a lot of big laughs, but it is the excellent performance from Loren Horsley as Lily that truly makes the film. The audience really cares for her and she is what takes a good comedy film and makes it a great film regardless of genre. Eagle Vs Shark is a very funny, well acted and excellently written film and I would urge anybody to see it if they have the chance.

I just saw Eagle vs. Shark twice. I went to see it once, and thought it was so awesome that I bought a ticket and went to the very next show. I already know this is going to be one of my favorite movies.

Plain and simple, this is a very awkward love story. It doesn't have a complicated plot, it doesn't have any complicated special effects, but what it does have in abundance is comedy. If you're a fan of Monty Python, The Young Ones, Kids in the Hall, The State, Andy Kaufman, Top Secret, Will Ferrel, 1970's SNL-- this is for you. It's that kind of humor. If you're a fan of films Epic Movie, Eurotrip, Dukes of Hazzard or more mainstream types of humor-- this is not for you.

The second time watching it, I laughed almost harder than the first time, because I kept finding even more details in the background to laugh at. I can already see myself quoting this film with my friends: "I'm too complex!" "She went to a lesbian party." And details like the crazy burger (where the bun is on the inside and the hamburger patties are on the outside) are just so priceless. I want to have an Eagle vs. Shark party and make crazy burgers with everyone, play fightman, and chuck shoes at my friend with a helmet.

But the main surprise of this film is also how emotional it is too. I was laughing out of my seat for the first half hour, then I was completely floored by how much I actually cared about these characters. In this love story-- you see these people who are absolutely perfect for each other (or perhaps absolutely wrong for each other), as they drift apart there's a true feeling of sadness for them. Most comedies of this wackier sort don't actually make me care about what was happening, and both times through I really felt for them.

But the best part is the ending. You might think this film is going to wuss out-- and it's actually unbelievable what happens. I won't ruin it for you, but if you were like me, and an hour into the film had predicted what was going to happen-- you are mistaken! This film ends with a bang and is just incredibly fulfilling. I'm smiling just thinking about it.

I cannot wait to see what their next film is, because it's the ultimate movie for my tastes. At the very least, I look forward to seeing this film over and over again at midnight screenings and on DVD.

I saw this movie last night for the AFI Dallas Film Festival. I bought the ticket for this one on a whim and boy am I glad I did. I was expecting something quirky silly as the only New Zealand/Australian films I'm really familiar with are Muriel's Wedding and Strictly Ballroom. What I saw was a very cute film about two geeky people trying to find happiness and meaning in their life through love.

It's very easy to be sympathetic towards Lilly, not only is she funny as an awkward person, but she's actually very sweet and quite beautiful when she stands mesmerized by her love interest, Jarrod. And I swear I think I knew Jarrod in High School! I mean, seriously. He looks and acts very similar to someone I went to school with. So much so, that nearly every time he opened his mouth I had to giggle.

The movie had similarities to Napoleon Dynamite in that it starred the same type of awkward social outcasts. But I enjoyed this movie more than ND simply because it focused more on the hope and happiness of Lilly than on angst and anger of Jarrod (who is very similar to the attitude of ND).

Taika Waititi's directorial debut is a warm, fizzy & eccentric delight concerning two socially-awkward misfits and covers their wickedly amusing yet strangely alluring journey to finding love. Expertly blending elements of comedy, drama, tragedy & romance into an oddball yet heartfelt mix, Eagle vs Shark finds the then-new filmmaker trying to carve his own narrative voice and is a sincere effort by all means.

Also written by Waititi, the premise is simple, the stakes are small, the characters are quirky, and although the story comes pierced with themes of loss, longing, neglect & alienation, the witty approach & lighthearted treatment still makes it a fun & fascinating sit without diluting the emotions brewing beneath the surface. Waititi walks a fine line here and deftly balances the emotional beats with excellent comedic touches.

The idiosyncratic characters are sketched with heart & presented with compassion, plus the inadequacy in their persona only adds to their humanity. Jemaine Clement plays a bum geek with panache and is able to find tenderness in his selfish & petulant character. Loren Horsley is in as the shy, wistful girl with a crush on our dweeb loser and chips in with a sweet, silent & endearing performance that stands out with surprising ease.

Overall, Eagle vs Shark is somewhat rough around the edges & required more polishing but it nonetheless makes for a simple, funny & whimsical rom-com, thanks to Waititi's apt direction and brilliant inputs from its leading duo Finding humour in tragedy, making sure that dramatic & comedic bits remain in sync at all times, and commencing the debutant filmmaker's journey on a promising note, this small, light & satisfying indie is definitely worth a shot.

Greetings again from the darkness. While comparisons to "Napoleon Dynamite" are inevitable, writer/director Taika Cohen/Waititi actually delivers much more depth than the cult classic from Idaho. The multiple story lines involve family relationships, one on ones, self-esteem and self-discovery. Of course it may also be one of the quirkiest films of all time.

Of the two leads, Jemaine Clement as Jarrod and Loren Horsley as Lily, Clement's role is much flashier, but Ms. Horsley steals every scene. She is such a delight and a curiosity on screen. Her crooked smile and expressive eyes are exquisitely charming and as a viewer, we immediately embrace her desire to be loved.

Most of Mr. Clement's role is gearing up for his big revenge fight against the high school bully. As with most things in his life, he doesn't handle the moment very well, but it does become his moment of awakening.

The family relationship issues are complex and handled very realistically as very little is actually said amongst the individuals. Body language speaks much louder than words. Don't miss the director in the flashbacks as Jerrod's "perfect" brother Gordon.