Bushi no ichibun

So this is suppose to be Yôji Yamada's final movie in this style of samurai trilogy, the previous two films being "The Twilight Samurai" and "The Hidden Blade". And this final installment is absorbing as the previous films to some degree but also lacks the entertainment value like the previous films as well. Although this trilogy is sort of dry in some aspects. This however has slightly more of a modern feel to it compared to the previous 2 films in this trilogy. But it's still a bit slow paced and dry at times, this trilogy isn't for everyone but it does have it's target audiences. The protagonist is played by Kimura Takuya which I was hesitant with, but he played his role pretty well. The progression of the story could have been paced a little quicker, but I can understand why it takes the slower route. But still the slow pacing really makes this movie dry and sort of dull at times. This movie is also very far from being action packed despite it having samurais, but what it does have is drama and emotions. And wanting to know what happens next kept me attached to this story, despite the pacing being so slow at times. If the pacing was slightly quicker the movie would have been better in my opinion and would keep majority of the audiences attention, so the main flaw in my opinion is the pacing. Overall it's a pretty good final in this trilogy although the story has nothing to do with each other besides the fact that it all revolves around samurais, it's worth at least a watch.

7.6/10

Others have commented on the story so I will skip the synopsis.

The story is about human drama, and the unusual talent the main character has that leads to bombastic climax. This is typical Shuhei Fujisawa's style, and this story is no exception.

What took away from the story compared to other Shuhei Fujisawa based movie is the poor acting by Takuya Kimura. His impatient and jittery personality shows in his acting, and the poor ways he speaks the dialog all takes away from the proper mood of the story. As the member of SMAP - a Japanese idol group, his acting DNA was bread for more modern situation, and probably isn't a good match for a period drama like this one. I couldn't get the feeling that this was a samurai living several hundred years ago. His poor dialog skill also was evident in more recent movie Uchuu Senkan Yamato as well. Another period piece starring his SMAP colleague Shingo Katori's "Zatoichi The Final" was also a flop, attesting to the mismatch of SMAP member with samurai movies.

So the main focus was weak, but the movie still has quality all its own. The sword fight scene was superb like other Fujisawa novel based movies. As a samurai movie, this is still one of the best in recent years, and is recommended along with other Shuhei Fujisawa movies such as Hisshiken Torizashi, and Hana no Ato.

A young samurai, married to a beautiful woman, accidentally becomes blind for life. This is the intimate story of what happens to this couple in mid-nineteenth-century Japan. Finding personal honor, love for oneself and for the woman one loves, finding a purpose for living. Director Yamada tells us this with an increasingly engaging and intimate narrative style. In my opinion very refined in the feelings it wants to convey, accurate in the scenic reconstructions of daily life of the time. Worth seeing if you liked, also by Yamada, Twilight of the Samurai (2002) even if it does not reach the depths of story, feelings and direction.

A low-ranking samurai, jaded with his dull daily routine, finds himself tested to the core when his food-tasting assignment leaves him blind.

Yoji Yamada's project exploring samurai in transition expands, having had an outing in Twilight Samurai. That movie had Hiroyuki Sanada in the starring role, and the constantly under-achieving Takuya Kimura was always going to be a hard sell in this role for some. However, he stands up competently here. Shinnojo wakens blind and immediately becomes suicidal. He is granted a healthy stipend of rice from the authorities, and the slow dawning of its true price inexorably works on Shinnojo, eventually becoming too much to bear. This delicately paced transition is plotted by Kimura's expressions, from self-loathing to acceptance to vengeful warrior, with loving husband always present.

Kaori Momoi parades her usual quirky genius, but Rei Dan as loving, loyal wife Kayo is the stand-out performance here. Kayo's burden proves equal to her husband's, and Dan earns our sympathy as the compromised spouse.

The film doesn't quite achieve the delicacy and pathos of Twilight Samurai, but it does add another dimension to the humanistic portrayal of the samurai that is Yamada's trope. For that reason alone, Love and Honour is worth checking out.

Do we need to know everything? Would our lives be better if there were certain things we didn't know? These are matters addressed in this story of a samurai family and life in feudal Japan. It was the duty of certain lower level samurai to taste the food before serving it to the lord of the clan in case it might be poisoned. When Shinnojo Mimura, one of the food tasters, eats some tainted sashimi of an off-season shellfish, he falls ill. After a period of unconsciousness, he awakes to find that he is unable to see. At first, he tries to hide the fact from his deeply loyal wife, Kayo, for fear of worrying her. When she understands that, she protests that she is his wife and it is her duty to worry for her husband. However, when she learns from the doctor, who has withheld the truth from his patient, that this blindness is permanent, she also avoids telling her husband, in order to spare his feelings. There are certain truths that are better for us not to confront. Gossip, however, is another matter. What happens when Mimura learns his wife has been seen in the company of another man? Which is more important, love or honor? That is the dilemma Mimura is faced with in this poignant film. It is a fascinating look at life, duty and honor during the samurai era and well worth watching.