Bella

I went to the Toronto Film Festival and was looking forward to seeing J-lo's new flick as well as Brad Pitts and Sean Penn's new films as I heard one of those were probably going to win the Oscar bound Peoples choice award at the festival.I screened this unknown movie Bella in Toronto at the Film Festival because I was given a ticket to see it. After seeing the film and participating in a standing ovation with everyone else who saw it and being almost as moved by the touching Q and A afterwards I remember leaving that theater thinking that in a just world that film and those producers would walk away with every award...when I found out that it actually did...that it beat all those other films and that it is now on Oscar's radar I actually felt good about the world in general and the movie industry in particular.

I thought this was a surprisingly-good "chick flick" until the final 15 minutes when it got ultra-weeping "Lifetime Network" on us, but overall is a film which should appeal to a lot of people. Yes, it's pure melodrama but: ladies, it's so well done that it should keep your husband or boyfriend interested most of the way.

This also is beautifully photographed. Man, for a small-budget independent film with basically no-name actors, this has all the visual slickness of a Spielberg film. Also, the food in here looks so good it will have you salivating.

The main ingredient in this award-winning film is "charm," I would think. Everyone is pretty likable, there's a lot of emotion and the characters are very realistic. If you elaborated on the story, it might sound extremely boring because mainly it's a day in the life of two people. They both work in a restaurant and she gets fired for being late again and he goes after her to see if she's okay. As the day goes on, the two work out past traumas with the ending being a tear-jerker feel-good one.

For a film in which most viewers probably aren't familiar with the director or the actors, it is impressive. What's odd about this film, in addition to being interesting despite almost nothing going on, is that there is absolutely no profanity or sex, either. I suppose some could look at this movie as some sappy do-gooder type story, but it isn't. It's so professionally done that you kind of feel like a fly on the wall, content to just observing and being a part of these people's lives for a day.

Having heard that this film won at Toronto, I was anxious to see it. Although it has not yet been widely released, I was fortunate to attend at a recent sneak preview and found it to be incredibly refreshing and subtly powerful. Stylistically, newcomer director Alejandro Monteverde does a superb job pacing the story -- combining just the right amounts of character, humor, and mystery into a package that satisfies on multiple levels -- intellectually, visually, emotionally, symbolically, etc. The photography -- shot in and around the streets of Manhattan and Long Island -- is top notch, reminding me of James Crabe's amazing cinematography along the streets of Philadelphia in Rocky (1977)....and the editing, relying heavily on jump cuts, keeps the story moving along in multiple time frames to great effect.

The actors all shine in their roles, particularly Mexican superstar Eduardo Verástegui and Tammy Blanchard, who portray their particularly complex relationship -- between a cook and a waitress in a Mexican restaurant -- with finesse. Additionally, the filmmakers do an excellent job presenting Hispanic culture in a manner that shatters the ridiculous stereotypes that are often presented in mainstream television and film. The scenes taking place at the cook's Hispanic parents' house are particularly funny, charming, and poignant. Also, the film portrays some very powerful emotional moments that have tremendous staying power long after leaving the theater.

In short, this is subtly powerful film that everyone should see.

Executive Producer Steven McEveety (Braveheart, We Were Soldiers, Passion of the Christ) has put his efforts behind another sure winner, (this one without Mel Gibson)and with newcomer director/writer Alejandro Gomez Monteverde, and a cast of relatively unknown actors.

This is an intelligent and emotional film, with the action interwoven between flashbacks and the developing plot line. Because of this storytelling method, it is nearly impossible to give much detail of the story without a spoiler.

The movie centers around Nina, a young, unmarried waitress at a Mexican restaurant who finds herself pregnant and out of a job after coming in late to work several days because of morning sickness. Jose, the restaurant's chef, is taken by Nina's plight and becomes her sole confidant. Jose helps her walk through her decision on what to do with her pregnancy. In the process, he bears secrets from his own mysterious past, which reveal his tenderness and passion for her and the child she is carrying.

The film stars Eduardo Verastegui (the Mexican Brad Pitt), and Tammy Blanchard, each performing in only in their second movie role. They are excellent both individually and in their interactions with each other. You're sure to see more from both of these rising stars.

A believable script, quality acting, and effective cinematography, music, and sound kept my attention from start to finish. I had no expectations from this film and came away truly impacted--A very powerful piece of cinema. No wonder this rookie work shocked all the big name pictures to win the top prize at Toronto Film Festival.

Latest word is that it is set for release in April 2007. And don't be surprised to see this one in the running for one or more Oscars.

BELLA is a poignant portrayal of love-conquers-all that runs the gamut from spellbinding to uplifting with a firm but gentle hand as the writer tells a tale of fallen dreams that breathes life into a dying world where family, faith, and friends are re-discovered and claimed as the "ties that bind." The captivating cast as well as the crew embody the very essence of family life among the Latino community yet the writing is so cleverly crafted that it transcends the tumult and transition of recovering from shattered spirits in any family of any ethnic background. The "realness" of the plot and characters makes you feel like you're in the middle of every scene!