Monamour

I watched a poorly dubbed version of what could be described as a soft porn type movie, and honestly, I kind of enjoyed it. The bad dubbing made the dialogue so awkward and nonsensical that it became unintentionally hilarious. The voice acting was completely off, and the lines often didn't make any sense in the context of the scenes, which only added to the fun. It felt like a comedy at times, as the mismatched voices and strange dialogue choices created some laugh-out-loud moments. While the plot itself wasn't anything special, the bad dub definitely gave it an amusing twist, turning what could've been a forgettable film into something more entertaining.

An Italian film, which has an erotic nature, and behind its entirely sexual level, is a story that may well be behind the scenes of real life. The title seems to be seemingly simple, and its perform in the form of cinema is surely due to the type of performance, stubborn opponents, and definite supporters. Of course, the huge audience of these films, are the followers of director's favorite genre, follows the aspects of the appearance of the film, but what can be drawn out as an important summary of the film that it really could think of, the relationship of jealousy And the harshness and its relation to the issue of sexual relations in the dimension of married life. Certainly, the kind of review of these issues depends to a certain extent on the geography of the film, so it is certainly not in the Middle East that the psychoanalytic issues in the cinema come to the attention of the cinema, as a subject of review. An issue that is not addressed in this particular community is a clearly identifiable answer, even in the sense of an important issue, and there is basically no response to it. Italy has a long history in making these films, in which it can be understood that the nature of the effect of satisfaction or lack of satisfaction and its effect on the human body and mind. Of course, each of these films has a different response to these events, but what matters is the courage to pay attention to the issue in any way to break the taboo that humans face in their subjective mental questions.

This is not Tinto Erotic Genius, this is a fragmented re edition of his last movies from "Così fan tutte" to "Fallo!" What I have noticed watching this last movie of Tinto carrier is that there is a re edition of same sex scene and stories that this time where TOTALLY fragmented and non sense. If I think about it I just see this young Ukraine actress with her bouncing ass and boobs, and that's it.

What I have to say is that I do not agree with the decision to use a WAY BAD actor in the role of the lover, especially when before him Occhipinti did. Occhipinti performance in The Key and Così fan tutte were genius and well done. INSTEAD this time actors are so bad!!! the acting is horrible, light are horrible, screenplay is stupid and horrible, photography not at all like I remember it in the past Tinto Movies and I would say the only thing to save are the paintings. that's it.

I didn't like this movie at all and I'm sorry to Tinto to which I usually give a from 6 to 8 score. This time is 3/10. He had to finish his carrier with Fallo!, this is a useless and nonsense film which I think He has done just for movie or forced by someone else who wants to make movie on him and his name.

Hopefully Tinto won't dare to make another movie.

Tinto Brass is still probably best known in the English speaking world for "Caligula", however most people don't realize that he's had quite the career up through today making soft-core erotica, the type of which hasn't been made much since about the 1970s.

What sets Tinto apart is that he has a very specific list of things that obviously turn him on such as: unshaven underarms, mirrors, infidelity, and most famously, the female rear end. All of these tend to show up in all of his films, including "Monamour". So, it can sometimes feel like if you've seen one Tinto Brass film then you have seen them all. They differ however in quality of script, actors, and scenery. "Monamour" is paint by numbers Tinto Brass. Tinto fans will find all of the usual hallmarks in this film, however little more. I am a bigger fan of his earlier films that I feel have better plots, acting, and scenery while touching upon the exact same themes as this one.

As other reviewers have commented, it feels like later day Tinto films feature female characters who are less realistic than in his earlier films, and certainly no woman in real life would ever act like the lead character in "Monamour" who basically can't say no to any man (or woman) who wants to touch her. This is pure male fantasy, making this film a bad choice I think for couples, especially when compared to Tinto's earlier films. A single male however, provided that he enjoys the same things Tinto enjoys can enjoy this film just fine, especially as Anna Jimskaia is one of the more beautiful Tinto Brass leading ladies in my opinion, and you do see a lot of her!

I watched this with my girlfriend. We've never seen a Tinto Brass movie before and just stumbled over this one at the local video store. At the backside of the cover it says "erotic-thriller" by a "cultdirector". And as we like both (erotic and thriller), we decided to give it a try.

It wasn't anything like we expected. My girlfriend hated it because of the awful sex-scenes. There was no erotic, no thriller and no plot at all, just a poor actress committed to an old mans chauvinistic fantasies. Men don't talk in this movie, the only grab the poor actress's ass, pussy or tits, which is followed by sudden sexual intercourse. And women only talk about the size of penises and the need to have sex again. This movie fells like it has been written in 2 hours after watching a porn-movie.

I'm pretty sure this was our first and last Tinto Brass 'cultmovie'-experience.