Hana yori dango

I first saw Meteor Garden and I liked it a lot but this Japanese Live Version is far better. Acting wise, the cast pretty much gave justification to all the characters they played. I specifically, enjoyed watching Mao Inoue and Jun Matsumoto's performance. They pretty much showed the characters as I imagined then while reading the Manga and at some parts I also would go reminiscent of the anime version. It's a perfect blend.

Jun at first seemed a bit too skinny as compared to Jerry Yan who first played the role of Tsukasa but watching from the scene when F4 was first introduced (EP1)there was a certain air about Jun that just made him a very convincing Leader of the Notorious F4.

Mao made an excellent Tsukushi. She played the HYD heroine with the right kind of spunk, which her Taiwanese counterpart, although quite good in her own way, lacked. Her interactions with both Jun and Shun were really impressive. I loved her acting and her way of ranting at Tsukasa for beating just about anyone or everyone, and, her family for making her go to a private school that they could not afford....

The Tsukushi, Rui, Shizuka love triangle was also nicely depicted with Tsukasa just waiting on the sidelines for Tsuky.

Nanako Matsushima who played Tsubaki (Tsukasa's older sister),she was hip and funky. Acting, wise she was as always, very awesome. She played the tough and yet loving sister to her affection-deprived little brother. She also shed some light to her confused and baffled love-sick kid bro.

Megumi Sato, played Sakurako very well, she was able to manage the good and the bad sides of her character. She makes a pretty nasty villain one minute and then a sweet naive friend in a quick sec.

All in all HYD is a great story to explore and this live version is considerably remarkable, given the fact that they were able to show a lot in just 9 Episodes, which basically leaves us HYD fans wanting more... I have to say they have brilliant writers whom I would have to say was able to bring the Manga and the anime into a mix of wonderful fusion. Great production, wonderful cast with a great deal of talent... what more can you ask for? well, maybe a sequel wouldn't be too much to ask, don't you think?

By the way the back ground music they used specially with scene done in the school reminded me so much of Hedwig's theme from Harry Potter.

I discovered Hana Yori Dango and I was really stunned by it. What a wonderful series,while it was short lived,(9 episodes only), a sequel is coming in 2007 so I cant wait!I loved all of the characters specially Makino Tsukushi.What it is also great about the series is that depicts life in present day Japan and you get to see how the Japanese society deals with the concepts of love,drama, money...I really feel bad after seeing Tsukushi struggling to adapt to a higher place in society after she meet Tsukasa.And the final episode made me cry!!!!Now I am really looking forward to the sequel! Highly recommended!!!!

Nearly all girls like the fairy tale of Cinderella and her prince. An interesting fact is East Asian girls don't like the prince who is amazingly nice throughout the story. Instead, they want the prince to change for them. They would be really happy if the prince became maturer because of them. If you didn't understand this, the change of Mr Darcy in Pride and Prejudice by Jane Austin was a perfect example.

You can find those traits in so many East Asian drama, movies and manga, for example, Princess Hour, Itazura Na Kiss, A Love So Beautiful and etc. Be careful, those princes don't have to be rich to be considered as a prince. A "prince" is just a representation of a guy that made girls feel he is superior in some perspectives to them.

The mange Hana Yori Dango is a perfect example of an East Asian fairy tale. That's why you can so many drama, film versions of this story. In my opinion, this Japanese version is the best of all, after watching other versions. Other versions all had some weakness, either lack of money to show luxury or the screenwriter didn't understand the essence of the manga, so he or she turned the story into a boring love story.

This drama is a perfect example of turning a manga into a drama. I never realized how good this drama was when I watched it more than 40 times in one summer until I read the manga a few weeks before. This drama followed the story of the manga, but the screenwriter slightly changed the timeline. It worked so well in this drama.

The screenwriter of this drama was definitely a genius at crafting the characters, especially in terms of Makino's family. When I was reading the manga, I felt Makino's dad and mom was terrible. But the screenwriter turned them into two cute, lovely parents.

Another character modified so well in this drama was Hanazawa Rui. The screenwriter smartly deleted the basketball race, which really changed the impression of him being a manipulative playboy.

The Korean series from 2009, "Boys Over Flowers," was my first introduction to this story. I loved it so much that I decided to also view the Japanese version that had come out a few years earlier. Now, I'm not sure which version is my favorite. Although the stories are virtually identical, there are enough differences to make this a worthy viewing even if one is already familiar with the basic plot line.

THe Korean version is more glamorous, with beautiful sets, exotic locales, incredible fashion on display, and the actors are more physically beautiful, which enhances their aura as a group of super-cool, privileged young men. But the Japanese version stands out because the heroine and main rival to the primary love interest are much more demonstrative and direct with their feelings. We feel the heartache and confusion all the characters feel as they deal with this love triangle. And, without extended back stories for the supporting characters, there's more time to devote to developing the relationship between the main characters. My advice, see both versions.

The production crew of Hana Yori Dango probably watched Meteor Garden, noted down all its faults, and ironed them out in this surprisingly satisfying 9-episode drama. This series is eye candy, with expensive cars, enormous mansions, restaurant-like canteens, beautiful people, branded clothes and products...highlighting the tremendous wealth of the students at Eitoku High School and especially F4, the four richest guys in Japan. The soundtrack sounds quite Stepford-Wives-ish, but is captivating and sets the mood for the show (which is very different from MG).

I admit I began watching HYD with a bit of prejudice, having been on the MG bandwagon for two years, but my attention was completely caught by the first five minutes. After that my love for it escalated all the way...it was a vibrant, funny, heartbreaking, exciting, suspenseful show that left me wanting more and more after each episode.

Inoue Mao carried off the role as Makino Tsukushi expertly. Although I normally hate the 'kawaii' gang, I couldn't help loving her. All her expressions and actions were spot on...it isn't so hard to understand now why Tsukasa loved her so much! Sada Mayumi and Matsushima Nanako were stunning in their roles as Shizuka and Tsubaki respectively. Oguri Shun gave a very solid performance as the quiet, deep-thinking Hanazawa Rui (though I have to confess here that I still prefer Zaizai as Hua Ze Lei).

But it was Matsumoto Jun who amazed me the most. I scarcely expected much of him after seeing his pictures (skinny and short!) but was astonished to find, after three episodes, how much I enjoyed him as Doumyouji Tsukasa. He displayed all of Tsukasa's rage, arrogance, pain, insecurity, and cuteness flawlessly. What he lacked in height and build he made up for in acting. My image of Tsukasa has forever changed from Taiwanese F4's Jerry Yan to Matsujun (an admirable feat indeed!) I am eager to watch more of his shows.

I highly, highly, highly recommend HYD to any HYD anime/manga and MG fans. It is truly an excellent series that surpassed all my expectations. I only wish there were more episodes!