Always san-chôme no yûhi
- 2005
- 2 घं 13 मि
IMDb रेटिंग
7.7/10
2.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंTeenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postw... सभी पढ़ेंTeenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.Teenage Mutsuko comes to Tokyo for work but ends up at a repair shop. She befriends the owner's family. Neighbors Hiromi, writer Chagawa with admirer Junnosuke strive alongside them in postwar Tokyo's evolution.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 30 जीत और कुल 5 नामांकन
Pierre Taki
- The Ice Seller
- (as Piêru Taki)
फ़ीचर्ड समीक्षाएं
10peerah
This piece of great film work took Japan by storm, and once I saw it realized why it had turned out that way. The film is immensely nostalgic and filled with bits of memorable moments that would send you bursting out with laughter while tears are still continuing to fill up your eyes.
The plot is austerely simple, yet the characters are smartly introduced and thoroughly elaborated. It's ultimately easy for us to believe that the Third Street community and those characters are real. The relationships between them are reasonably developed and eventually leads to a powerful and heart-wrenching-yet-warmly ending.
This is not a regular tear-jerker. Emotional scenes are not forced in as in any other movies, but effectively and strategically put into the right places, resulting in a gradual and natural emotional building.
The music and photography are flawless, and tremendously help with the holistic ambiance of the film. Acting is also impeccable.
Truly a worth-seeing gem for movie lovers. Another delicate Asian craft which has all the qualities that Hollywood mainstream movies still lack of.
The plot is austerely simple, yet the characters are smartly introduced and thoroughly elaborated. It's ultimately easy for us to believe that the Third Street community and those characters are real. The relationships between them are reasonably developed and eventually leads to a powerful and heart-wrenching-yet-warmly ending.
This is not a regular tear-jerker. Emotional scenes are not forced in as in any other movies, but effectively and strategically put into the right places, resulting in a gradual and natural emotional building.
The music and photography are flawless, and tremendously help with the holistic ambiance of the film. Acting is also impeccable.
Truly a worth-seeing gem for movie lovers. Another delicate Asian craft which has all the qualities that Hollywood mainstream movies still lack of.
ALWAYS SAN CHOME NO YUHA is a warm-hearted, good intentioned story of Japan after the world war as a group of characters deal with the wonders and disappointments of the day. A young girl (Maki Horikita in one of her most winning roles) is good at bicycle repairs, but it seems she's been hired to fix autos; a struggling writer finds himself saddled with having to raise of orphaned boy who has few expectations or dreams; a bar hostess saddled with debts has an uncertain future;; and a doctor is haunted by memories from before the war, when his family was still alive.
The children in the story seem to be the focus of the screenplay, a real-life symbol of the future Japan.
The movie almost seems to glow from within, giving a feeling of optimism and warmth in spite of the small crises that appear from time to time. The film can feel a bit slick as the plot moves from one set-up to the next - but it's also carefully written and quite artfully composed. In the background, we periodically see vistas a Tokyo Tower being built in the background - a symbol for the growth of a new Japan- and its this hardy spirit of survival that animates the story.
The children in the story seem to be the focus of the screenplay, a real-life symbol of the future Japan.
The movie almost seems to glow from within, giving a feeling of optimism and warmth in spite of the small crises that appear from time to time. The film can feel a bit slick as the plot moves from one set-up to the next - but it's also carefully written and quite artfully composed. In the background, we periodically see vistas a Tokyo Tower being built in the background - a symbol for the growth of a new Japan- and its this hardy spirit of survival that animates the story.
This film has a nostalgic feel even for those who have not lived in that time period, and at no time does it feel forced or unsympathetic. This film has a lot emotion - it will make you laugh, it will make you cry.
Beautiful, simple and fantastic movie about everyday difficulties and joys. Saw it twice and wept as much the second time. Although over two hours long there was never a second of boredom. Extra cred for making Tokyo in 1958 so realistic, still without skyscrapers and metros! Characters was very well chosen. Even the kids are real professionals here!
The main plot is about two stories waved together skillfully. A young "has-been" novelist meets a young boy who was abandoned and is been forced to take him in for the time being. A girl from the countryside takes a job in the big city, Tokyo, at what she thinks is a big automobile company (Suzuki auto). But nothing is what it seems! It's about love beyond family ties, but never the less easy.
The main plot is about two stories waved together skillfully. A young "has-been" novelist meets a young boy who was abandoned and is been forced to take him in for the time being. A girl from the countryside takes a job in the big city, Tokyo, at what she thinks is a big automobile company (Suzuki auto). But nothing is what it seems! It's about love beyond family ties, but never the less easy.
The emotions I had while watching the movie warmed me up. Even though ordinary events happened, it was very nice that the movie told about it. I'm very excited about the manga and other movies in the serie. it was a great movie with its acting and artistry.
क्या आपको पता है
- ट्रिवियाThe "Chagawa Ryunosuke" character is named after real-life author Akutagawa Ryunosuke. The Kanji characters of both names are nearly identical.
- गूफ़Just before opening title, Ippei spins the propeller of his toy plane clockwise. When he releases the plane, the propeller is spinning clockwise. The propeller was powered by an elastic band - releasing it would cause the propeller to spin counter-clockwise. The error was noticed in post production but couldn't be fixed without re-shooting the entire continuous one-shot or re-doing the CGI. They decided to leave it in hoping no one would notice (though they revealed the goof in the director's commentary).
- कनेक्शनFollowed by Always zoku san-chôme no yûhi (2007)
- साउंडट्रैकALWAYS
Performed by D-51
Lyrics by Yasuhide Yoshida
Music and arrangement by IKUMA
Strings arrangement by Naoki Ôtsubo
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Always: Sunset on Third Street?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Always: Sunset on Third Street
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- JP¥1,40,00,000(अनुमानित)
- दुनिया भर में सकल
- $3,86,75,638
- चलने की अवधि2 घंटे 13 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें