IMDb रेटिंग
6.1/10
31 हज़ार
आपकी रेटिंग
ऑक्सफोर्ड विश्वविद्यालय में, एक प्रोफेसर और एक स्नातक छात्र हत्याओं की एक ऐसी संभावित श्रृंखला को रोकने के लिए साथ काम करते हैं जो गणितीय प्रतीकों से जुड़ी प्रतीत होती है.ऑक्सफोर्ड विश्वविद्यालय में, एक प्रोफेसर और एक स्नातक छात्र हत्याओं की एक ऐसी संभावित श्रृंखला को रोकने के लिए साथ काम करते हैं जो गणितीय प्रतीकों से जुड़ी प्रतीत होती है.ऑक्सफोर्ड विश्वविद्यालय में, एक प्रोफेसर और एक स्नातक छात्र हत्याओं की एक ऐसी संभावित श्रृंखला को रोकने के लिए साथ काम करते हैं जो गणितीय प्रतीकों से जुड़ी प्रतीत होती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 6 जीत और कुल 5 नामांकन
फ़ीचर्ड समीक्षाएं
Fresh out of the cinema I have a very good feeling about the movie. My first impression is that it is definitely worth seeing. Alex de la Iglesia (the director of for instance "El Dia de la Bestia" or "La comunidad") makes this time a mystery movie following the classical parameters. A nice plot, specially for those who like mathematics or logic in general, with intricate moves and very nice dialogs by John Hurt and Eliah Wood (who, by the way, looks like a pretty solid actor. I had only seen him playing Frodo and was a bit worried about him getting stuck on that character, not at all) who basically follow the classical thoughts about "the perfect murder" and in the philosophical search for absolute truths.
Being a fan of de la Iglesia, whose sense of humor is well known and pretty easy to recognize, I am quite happy to see that he is also able of making a genuine mystery film, with everything you expect to see on it, twisted arguments, funny characters ("Podorov", and of course, Dominique Pinon from, among others, Delicatessen) and a extremely good film-making, nice sequences, good mystery music, etc.
To me, being a bit of a geek, the mathematical references are too obvious, the series shown are too well known, they are nice nonetheless, but for instance why to talk about Fibonaci numbers (which were also in the 'Da Vinci Code' when one can talk about many other nice and funny series? On the other hand being a mystery movie's lover one always enjoys the sequences which are clear homage's to previous classics, pay attention and you'll enjoy.
Let me end up by mentioning the very nice work of Leonor Watling (you may have seen her before in, for example Almodovar's "Talk to her", her meaning she), who, apart from being a really good actress, of being extremely beautiful and attractive is also a pretty good singer! It was quite a pleasure, being Spanish myself, to see her playing an important role with such a great casting!
So, watch it by yourself, the first "serious" Alex de la Iglesia movie, and he does a pretty good job!
Being a fan of de la Iglesia, whose sense of humor is well known and pretty easy to recognize, I am quite happy to see that he is also able of making a genuine mystery film, with everything you expect to see on it, twisted arguments, funny characters ("Podorov", and of course, Dominique Pinon from, among others, Delicatessen) and a extremely good film-making, nice sequences, good mystery music, etc.
To me, being a bit of a geek, the mathematical references are too obvious, the series shown are too well known, they are nice nonetheless, but for instance why to talk about Fibonaci numbers (which were also in the 'Da Vinci Code' when one can talk about many other nice and funny series? On the other hand being a mystery movie's lover one always enjoys the sequences which are clear homage's to previous classics, pay attention and you'll enjoy.
Let me end up by mentioning the very nice work of Leonor Watling (you may have seen her before in, for example Almodovar's "Talk to her", her meaning she), who, apart from being a really good actress, of being extremely beautiful and attractive is also a pretty good singer! It was quite a pleasure, being Spanish myself, to see her playing an important role with such a great casting!
So, watch it by yourself, the first "serious" Alex de la Iglesia movie, and he does a pretty good job!
So what we have here is an British-ish kind of detective story that has an American exchange student in it. That partially, perhaps, causes a strange blend of both American and British features in the movie.
What I really love in British detective stories is that usually they are quite calm, slow and sophisticated. It creates a certain mood to the movies. However, 'The Oxford Murders' basically does its everything to destroy that mood by cinematography that just makes me want to look away. The takes are very much too rapid and hectic. I don't think it suits here at all. This American guy, played by Elijah Wood, also has some sex in the film, which I personally find too intensive for a British detective story. It just doesn't fit there. It felt awkward in this particular film. The movie was directed by a Spanish guy but I believe he knows much stuff about British detective stories if he makes one. The new stuff he tries to pull here doesn't work, though.
Of course there is some good here, too. I love John Hurt's performance. Also the strange mathematics are intriguing, everything I do understand about it whatsoever.
All in all, I'm not sure what kind of game the film makers are playing here. Everything happening on screen is happening too fast and oddly for this genre. I'd love to like this movie more but many details are too out of place and the whole movie is like a terribly played discord with an otherwise beautiful instrument.
5/10
What I really love in British detective stories is that usually they are quite calm, slow and sophisticated. It creates a certain mood to the movies. However, 'The Oxford Murders' basically does its everything to destroy that mood by cinematography that just makes me want to look away. The takes are very much too rapid and hectic. I don't think it suits here at all. This American guy, played by Elijah Wood, also has some sex in the film, which I personally find too intensive for a British detective story. It just doesn't fit there. It felt awkward in this particular film. The movie was directed by a Spanish guy but I believe he knows much stuff about British detective stories if he makes one. The new stuff he tries to pull here doesn't work, though.
Of course there is some good here, too. I love John Hurt's performance. Also the strange mathematics are intriguing, everything I do understand about it whatsoever.
All in all, I'm not sure what kind of game the film makers are playing here. Everything happening on screen is happening too fast and oddly for this genre. I'd love to like this movie more but many details are too out of place and the whole movie is like a terribly played discord with an otherwise beautiful instrument.
5/10
Philosophy, mathematics & logic, Oxford University, murder, intellectuals
all the components that one could hope for in a cerebral, cozy British murder mystery. I, like several others who have written reviews, had high hopes for what would be served up, but ended up disappointed.
The genuinely famous "Fermat's Last Theorem" mysteriously became "Bormat's Last Theorem," which was somewhat indicative of much of the flimflam & fakery that enveloped the movie. The whole production was buried in pseudo intellectualism, name-dropping (numerous mathematicians, logicians & philosophers who would probably have preferred, like Fermat, that their names had been changed to protect their reputations) and contrived clues that depended on parsing a presumed mathematical/logical series. Beneath it all there was a plot that might have qualified for a mediocre episode of Midsomer Murders or Columbo, but would hardly engage the "little grey cells" of even Hercule Poirot.
Martin (Elijah Wood) and Arthur Seldom (John Hurt) spend a good deal of their time shouting at one another (and various other people) in ersatz academic one-upmanship, apparently on the assumption that the louder you are, the more convincing your dubious thinking must be. More alarming, Martin felt compelled to dash from pillar to post every few minutes, frequently colliding with other people carrying books or papers that went flying in the air. Rather unconvincing romantic couplings and consequent jealousies seemed totally disconnected from the rest of the story. Towards the end we were even treated to a rather tepid car chase and fiery bus crash in a vain effort to heighten the drama.
This is a case where less would have certainly been more. Too much was thrown in, in an attempt to elevate a trite and poorly concocted plot with a cloak of intellectualism and atmospherics. Too many unhinged and bipolar characters were floating about. It all seemed to be a hodgepodge of distractions aimed at concealing the absence of substance.
It just never came together.
The genuinely famous "Fermat's Last Theorem" mysteriously became "Bormat's Last Theorem," which was somewhat indicative of much of the flimflam & fakery that enveloped the movie. The whole production was buried in pseudo intellectualism, name-dropping (numerous mathematicians, logicians & philosophers who would probably have preferred, like Fermat, that their names had been changed to protect their reputations) and contrived clues that depended on parsing a presumed mathematical/logical series. Beneath it all there was a plot that might have qualified for a mediocre episode of Midsomer Murders or Columbo, but would hardly engage the "little grey cells" of even Hercule Poirot.
Martin (Elijah Wood) and Arthur Seldom (John Hurt) spend a good deal of their time shouting at one another (and various other people) in ersatz academic one-upmanship, apparently on the assumption that the louder you are, the more convincing your dubious thinking must be. More alarming, Martin felt compelled to dash from pillar to post every few minutes, frequently colliding with other people carrying books or papers that went flying in the air. Rather unconvincing romantic couplings and consequent jealousies seemed totally disconnected from the rest of the story. Towards the end we were even treated to a rather tepid car chase and fiery bus crash in a vain effort to heighten the drama.
This is a case where less would have certainly been more. Too much was thrown in, in an attempt to elevate a trite and poorly concocted plot with a cloak of intellectualism and atmospherics. Too many unhinged and bipolar characters were floating about. It all seemed to be a hodgepodge of distractions aimed at concealing the absence of substance.
It just never came together.
Initially i thought its a good mathematical murder mystery movie like davinci code...
A murders happening in college by leave behind mathematical code..
There is no impressive twists and turns in this movie..
Just satisfied movie...
I had high hopes for "The Oxford Murders", a new Straight-to-DVD film starring Elijah Wood and John Hurt, and most of those hopes were slowly let down as I watched the movie.
The film follows Martin (Wood), an American who travels to Oxford to write his thesis under the legendary mathematician Arthur Seldom (Hurt), and finds an angry, pompous old man instead of the wise and caring fellow he had imagined. Disillusioned, Martin is about to return home when he and Seldom find a dead body. The rest of the film covers Martin and Seldom's race against time to find the killer, using the mathematical theories that both are knowledgeable about.
The film is pretty bland. It's characters, save the amazing John Hurt, are one-dimensional. Martin is boring and unengaging and Elijah Wood does nothing to improve his script. The same can be said of Julie Cox and especially Leonar Watling. John Hurt is the only reason I finished, really. His acting skill is not at home in the world of blandness.
You could do better than "The Oxford Murders", but if you're not looking for too much it will suffice.
The film follows Martin (Wood), an American who travels to Oxford to write his thesis under the legendary mathematician Arthur Seldom (Hurt), and finds an angry, pompous old man instead of the wise and caring fellow he had imagined. Disillusioned, Martin is about to return home when he and Seldom find a dead body. The rest of the film covers Martin and Seldom's race against time to find the killer, using the mathematical theories that both are knowledgeable about.
The film is pretty bland. It's characters, save the amazing John Hurt, are one-dimensional. Martin is boring and unengaging and Elijah Wood does nothing to improve his script. The same can be said of Julie Cox and especially Leonar Watling. John Hurt is the only reason I finished, really. His acting skill is not at home in the world of blandness.
You could do better than "The Oxford Murders", but if you're not looking for too much it will suffice.
क्या आपको पता है
- ट्रिवियाThe "Bormat's Last Theorem" that is solved in the movie, is a reference to Fermat's Last Theorem. Like Bormat's theorem in the movie, Fermat's theorem was widely considered to be (one of) the most difficult problems of the last three hundred years. It was solved fairly recently (in 1995 by Andrew Wiles). It was solved using elliptic curves, and the proof was first demonstrated at Cambridge. Like the proof of Bormat's theorem in the movie, the proving of Fermat's was a very big deal in the world of number theory.
- गूफ़(at around 14 mins) In the classroom scene, Martin announces that he believes in the number pi, and explains that by this he means the golden section, related to the Fibonacci sequence. The goof is that this number is universally referred to as phi, not pi, which is reserved for the ratio of the circumference to the diameter of a circle.
- भाव
Arthur Seldom: The only perfect crime that exists is not the one that remains unsolved, but the one which is solved with the wrong culprit
- क्रेज़ी क्रेडिटThe background to the credits sequence is a representation of a blackboard full of equations and mathematical formulae.
- कनेक्शनReferenced in Teen Wolf: The Tell (2011)
- साउंडट्रैकThe King of Denmark's Galiard
Written by John Dowland (uncredited)
Performed by The Forge Players featuring Freddie Wadling
Courtesy of Warner Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Oxford Murders?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Những Tên Sát Nhân Thông Minh
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $4,803
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,191
- 8 अग॰ 2010
- दुनिया भर में सकल
- $1,76,46,627
- चलने की अवधि1 घंटा 48 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें