Fatal Deviation

I don't know how the Irish martial arts cinematic scene is doing, these days, but I would not be surprised if the last 17 years have not been enough time to recover from this debacle. To be certain, FATAL DEVIATION – apparently the first Irish martial arts film – is a no-budget feature that deserves some slack given its obvious limitations, but I just couldn't find any fun in it to justify a higher rating. This is a simple movie made with the most basic means, but unless you like "bad" films for the sake of badness, I can't recommend it to you.

The story: A young martial artist (James Bennett) returns to his hometown to avenge the death of his father at the hands of a murderous drug lord (Michael Regan).

The only substantial thing the film has to its credit is its lead star. James looks great and has some cool moves, and I was genuinely surprised to realize that he's had nothing resembling a solo career since this picture...but then I remembered that the world already has a Jean-Claude Van Damme. Admittedly, no Caucasian karate star can avoid being compared to Van Damme, but both Bennett and the filmmakers go out of their way to make this as much of a JCVD homage/knockoff as possible. Bennett's character (1) must avenge a family member, (2) enters a tournament, (3) is trained by a master, (4) performs the splits, (5) performs helicopter kicks, and (6) must topple an unbeatable opponent.* Aside from such general resemblances, there are several blatant lifts from HARD TARGET, and man! – does it ever look silly to see these guys trying to ape John Woo's style without a penny to their name.

However, the vast majority of the film is unambitious to a fault. On one hand, I commend the filmmakers for knowing their limitations and keeping the plot as basic as possible, but on the other, it's disappointing that they did not exploit the creative freedom intrinsic to indie filmmaking a little more. But perhaps I am asking for too much, because these guys really don't have much to work with: there isn't a skilled actor among the cast and the technical limitations of the filming equipment are apparent in every poorly-lit and color-blinking shot. The fight scenes are the only aspect captured with anything resembling flair, but despite their quantity, few fights are filmed well enough to stand out and few fighters other than Bennett have enough screen time to make an impression.

Despite its short runtime, FATAL DEVIATION has a meandering pace that makes it a chore to watch, and the odd pop-polka soundtrack certainly did not help me pass the time faster. Simply stated, this movie is no triumph. While I would be delighted to see James Bennett headline another feature, I desperately hope for any kind of a budget for the poor guy.

*Credit to the original "Van Damme Checklist" belongs to Jason of Amazon.com.

I was once seen walking around with one shoe on, upon being asked if I lost a shoe, I responded "No, I found one." This transexisential thought-process was a result of watching this film.

How James 'Jimmy' Bennett hasn't went onto further his career in Hollywood is more to do with his beliefs that he wishes to remain in Ireland and boost the Irish film economy.

All the classic ingredients of an amazing action film are contained in this mementous masterpiece: amazing CGI effects that were partly done on a Commodore 64, insane stunts, a beautifully narrative and the jaw-droppingly stunning Paudie Greene as the leading lady who, for some factual movie trivia, actually came 12th in the Limmerick Rural Lovely Gurls competition in 1997. It even stars Mickey Graham. The seminal pop-singer and 'Nice One' from Boyzone. Mikey shows why he replaced Colin 'Feckin' Farrell in the line-up and shows he can compete with anyone in front of the camera.

This film was touted for the foreign film award at the Oscars and rightly so.

From now on I will no longer be wearing my Megadeth t-shirt, but will be wearing the Fatal Deviation t-shirt I got for signing up to the fan club.

Thank you, Fatal Deviation....the lessons learned from this film can, if watched by more people, boost this country's economy single-handedly out of recession and allow me to continually drink Dark Destroyers while watching this film.

Ultra-cheapo Irish martial arts movie, shot on VHS with amateurism running through it from head to toe. If the slightly threadbare Irish aspect of 'Father Ted' ever raised a smile then you should definitely give this a look.

There's nothing in this film that you could consider in any way professional or competent. The acting stinks, it's badly dubbed, the action scenes are arthritic, the dialogue feeble, the direction barely qualifies as such and the whole thing makes very little sense at all.

However.

I don't think I've ever seen anything quite as entertaining in my life, and not even in a "so bad it's good" sort of way. It's impossible to explain - but it works, it just works. A quite amazing movie.

There's rumoured to be a 10th anniversary festival this year in the village of Trim where it was made. If it pans out, I'm there - if only to meet the incredible James Bennett!

After being released from the utter hell of St Claude's reform school, taciturn badass James P Bennet returns home to his village to find out what happened to his father, and to take on the local kingpin, who conducts his international crime cartel from a caravan and has Mikey from Boyzone as a coke snorting henchman.

The P in Bennet's name obviously stands for "Punch the head off ya" as that's pretty much all he does, be it in field or pub. Watch in amazement as Bennet trains in slow mo to no less than THREE montage sequences. Gape in awe as he beats the bejaysus outa track suit garbed thugs in Londis supermarket. Gasp in incredulity at the tournament held among bales of hay, in which about 30 people attend. Drop your jaw at the awesomely sound FX-d cruddy fight scenes.

In short it's a nigh on craptasterpiece that fully deserves this term I just made up. See it now, preferably drunk. And NEVER kidnap James P Bennet's squeeze...

To call this just a film would be tantamount to calling Da Vinci just a mere artist or Scorcese an amateur.

I believe this film has the ability to change lives and should be introduced into School Ciriculums to combat drug-abuse, underage smoking and drinking and would also eradicate underage pregnancies.

The lessons learned in this has already made me stop smoking 100 Mayfair before breakfast, and I've even stopped drinking 3 bottles of Frosty Jack a day, which is around 20% of my daily requirement of Frosty Jack.

The lessons learned in this masterpiece, if viewed by our representatives in Parliament definitely has the power to stop wars and allow some form of united world socialism.

Bless you Shay Casserly, and Jimmy Bennet for introducing me to what can be accomplished with shared vision and a beautiful philosophy that underlies this masterclass of film-making.