Truands

I just don't understand... Where is the story, where are the characters ? Well, this is a strange movie. I'm still wondering whether is was good or not... This could have been a classic but the characters are so flat: They all live for the same things (i.e. drugs, alcohol, money and Hungarian whores) they get doing some "business". None of the characters seems to have something unique or original. The story is really completing this. Whith no-personality-characters you get a no-personality-story or just a no-thing. On the other hand if you really haven't got anything to do today. Just go. There is a lot of dumb mafia guys shootin' and drinking all film long. Really interesting ;-) Fortunately I didn't pay for the cinema so I can't regret it !

A French gangster film set in Paris with a very thin plot, lots of blood & gore, little or no character studies or plot lines, violent misogynist sex. I kept watching this and waiting for a plot to emerge. It didn't happen. The film starts with episodes of the various factions or gangs involved. One gang member is imprisoned. From then the film simply becomes a series of killings and murders until few of them are left. Reservoir Dogs it is not. Meserine it is not. Ronin it is not. The screenplay appears merely to be a pastiche of the best and worst of American gangster genre. The characters here are portrayed as cold violent individuals. Some characters have no apparent place within a thin plot - just filling up road kill. All this violent mayhem in a capital city and not a single policeman in sight? I found this film to be without much merit and not one that I would watch again, or indeed recommend.

A Parisian crime-boss ensures that nobody ever double-crosses or undermines him or his business by using extreme methods. He ruthlessly deals with any of his gang who he even suspects of wrong-doing and similarly deals with other gangs trying to muscle in on his territory. However, his activities have not escaped the notice of the police.

An action-packed but empty film. We have the usual assortment of gangsters, doing gangster stuff, including torturing and murdering people and being involved in extravagant shootouts, and the usual edginess of this characters. So far, so good, as the characters and their methods seem set up for a decent crime-drama.

However, that's all there is: edgy characters, murders and shootouts. The plot is largely non-existent and superficial at best. The background setup IS the plot. There's no arc to the story or the characters: things happen (largely, people get murdered) but that's it - there's no buildup to it and nothing developing from it.

Disappointing.

Paris Lockdown: this one-man army of a wet paper bag of poor excuses of a wannabe gangster film, this is as empty as a crêpe Suzette in a nunnery on a Sunday morning. As rich as poor taste goes, yes there's boobs, bottoms and nodding heads galore but takeaway the sleaze, the flying bullets and the flash cars then all we have done is landed on the square that tells us to "Go Back To GO, do not collect £200...start again".

This is as deep and meaningful as gutters will allow it to rise, while an insight of Parisian lowlife drug smugglers, pimps and killers, there is just nothing to add to the narrative. Nothing. The characters are living the life of a one-dimensional caricature. We are given a so-called gang leader who simply is not memorable, and his pet dogs are just as easily put-down and unmissable as the whole sorry affair.

The entire episode here seems too have been pulled out of any sequence in their life, it is a Soap Opera of blood and thugs. This is a basic rise and fall of a Paris crime boss who lives his life whoring, shooting and, again, shooting. The development of these people is as far as your next bus stop to Plainville, even the Robert De Niro look-alike and his greased-up hair looks too pastiche, too…already done.

Frédéric Schoendoerffer, director, has placed the action in the seedy side of town, the bars, strip joints and night filled streets of Paris, France, Europe and to be fair, any self respecting Parisian gangster seeing this sad debunkle would be, allegedly, embarrassed.

With just a touch of bewilderment, this crime-caper has no direction apart from up. It is not a poorly made film, it's, forgive the pun, executed well, nice offensive language, great looking girls and mean mothers' doing their job, only too well. Some nice, forgive the pun, once more, location shots and bad attitudes, the odd torture sequence, done very nicely too, ouch. However, it is the putting together of this work that to make any coherent sense a plot, let alone a sub-plot would have been acceptable.

These guys are hard-core but when the spotlight of the good-cop, bad-cop is shining on their sorry backside, it is the whole main feature that will give the game away and get you busted, sent-down and sent to solitary

I love french films, especially crime thrillers, and films of this type. Dobermann by far and away is the best film of this type that i have ever seen. I bought Paris Lockdown hoping for more of what i'd seen and loved in Dobermann. I was left feeling let down by Paris Lockdown. I just didn't 'get it' at all - i don't actually know what they were trying to achieve with this film. Any chance of really showing and fleshing out the characters and story seems to have fallen by the wayside - which is a shame because it could have easily been a classic. The only decent character and acting was done by Benoit and Tomer. I don't know really... i'm pretty open minded but i'd have a hard time recommending this. This will probably sit on the shelf, or in the loft, for a long time now.