Odette Toulemonde

"Odette Toulemonde" is a beautiful masterpiece of film-making. I'd say it has a definite creative kinship to "Getting to Know You" directed by Joan Carr-Wiggin. These films are amazing deftly-done blends of diverse filmmaking technique perfectly balanced in single works of movie-making art. Marvelous film. Highest-recommendation.

In some ways a remake of Amelie, in others very different indeed, with a layer of fantasy added to the surrealism of the earlier movie, and a Dennis Potter tendency to break into song at the drop of a hat, or even a feather. In Odette's case it is the songs of Josephine Baker which inspire her. Unlike Amelie, Odette is no longer young, but a widowed middle aged mother of two late teens, who struggles to keep her head above water. She is in no way chic, in fact quite the reverse, with a serious taste for all things kitsch. She is not from Montmartre, not even Parisienne, but a resident of Charleroi, a Belgian city south of Brussels famous only for its heavy industries of coal and steel. Style points seriously lacking in her life, and escapism into trashy fiction is what keeps her going.

Then when she least expects it, her life changes, and to tell any more would be a spoiler. Cynics amongst us may hate it, but the journey she travels as a result is reaffirming of optimism in life, and tells a story that wealth and fame are illusory bubbles, and that those who chase them are in for a surprise when they burst.

Watching it I was reminded of Adrian Henri's beautiful little poem, with the line "Love is a fan club with only two fans". Watch it.

This is typically the kind of feel-good movies that only the french can do. I think they're just good at building characters. Most American wanna-be feel-good movies sound fake and formated, besides a few masterpieces such as Forrest Gump.

French movies, with much smaller budgets, manage to create true atmospheres, poetry and character sublimation.

I think Odette Toulemonde (which could rather be translated by "Emily Smith" or "Mrs Anybody") precisely shows these 3 criteria.

And above the love-story stands an intelligent and subtle demonstration of the vacuity of snobism, elitism, and condescension.

In other words being rich and famous may lead you to a love-less life, and money can't buy happiness. It all sounds naive or puerile, but the director's talent, the solid script with lots of poetry and humor, and above all the amazing performances of both lead characters justify the same vote I gave to Amélie.

It's better to live with remorses than regrets, thus be happy and enjoy life !

French cinema distinguishes itself, and let's admit, sometimes annoys because of excessive intellectualism and philosophical commitment, but often stands out for products like Odette Toulemonde, having no pretence of intellectualism, but being just enjoyable, naif, and truly lovely. The overall atmosphere is one of being out of reality (although some prosaic hints are to be found, for example in the difficulty of a single-mother to raise her children, in a context of material difficulties), of having one's head in the clouds, never wanting to come down to the earth, of living in a kind of space-time suspension, pervaded by the, maybe, too easily optimistic trust that everything will work out, in the end.

To be honest, some interesting messages are not to be understated: don't take yourself too seriously, happiness will come when you really believe in it and are ready to accept it, it is your attitude to life that makes things good or bad, and not vice versa. Not to mention that irrational miracle which is reading, that sound and deep communion created by the writer between the reader and the fiction, capable of shifting us away from reality and moving us to another, unreal but more emotionally authentic world.

But what really gets the viewer is the delicate and odd character of Odette, naif but intelligent enough to understand that life is a miracle to be tasted and enjoyed and that there's no point in persisting in feeling pessimistic: just smile and life will smile at you.

I am a big big fan of "Le fabuleux destin d'Amélie Poulain". In fact, it's one of my favorite movies of all time. A friend told me about Odette Toulemonde and since she loves Amélie too, I got the DVD and just watched it.

And I am feeling very sorry and most of all disappointed now. While the movie was clearly inspired by Amélie (to say the VERY least!), it never ever gets there. Not even close.

The story is totally made up nonsense. It's actually SO made up, the characters are SO two-dimensional and uninteresting, the whole thing is SO senseless and boring it actually started to hurt physically.

And while Audrey Tautou is just totally cute and lovable and Amélie Poulain is a multi-faceted, well constructed character, Caterine Frot - sadly - has no comedic talent whatsoever and her character Odette Toulemonde is dull, uninteresting and flat.

The acting in general is way beyond terrible, so at least it's not Caterine alone that makes this movie an epic fail in my book.

Forgive my rave, but I expected something soooo different - especially since it tries so hard to "be" Amélie. I realize, that (reading the other comments) not very much people will agree with me, but nevertheless it's how I feel.

And oh, I got a DVD for sale, if you are interested ;-)