The Air I Breathe

First-time director Jieho Lee has brought us the next installment of the multiple stories genre threaded together as though fate and coincidence are the name of the game. This type of narrative has been around for a long time, most definitely before Robert Altman's Short Cuts, but at least there is an example from 15 years ago, and I can't rack the brains for an earlier one at this time. The most well known to those out there today is of course Oscar-winner Crash. Lee's The Air I Breathe, based on an ancient Chinese proverb that life can be broken down into the four emotional cornerstones of Happiness, Pleasure, Sorrow, and Love, is not as good as Haggis' film, and I think even that one is overrated. It's not that I disliked this one, I actually found a lot that I really loved, unfortunately, there's more that feels overdone, overwritten, and absolutely unrealistic. One thing you can't fault it for, however, is the superb cast and acting.

Some of the dialogue is almost too obvious, at times having answers repeat all the words in the question…just a bad redundancy as though the audience might not comprehend a short answer. These characters are so important in the scheme of each other's lives that everything out of their mouths needs to be so well crafted that it becomes stiff. The delivery, though, is almost consistently superb. Brendan Fraser is great in a rare serious role, the kind of stuff that began his career. Very stoic and deliberate in all he does, you begin to feel for him as the stone façade starts to falter. Due to the story-structure going out of order, we see some of this emotional evolution before the catalyst for it, but once that event occurs, it makes everything before it make more sense and I actually think it was handled well as a result. Even his ability to see the future was utilized in a realistic way that it never felt like a gimmick, just a skill he had and used. The best actor, again as almost always, is Forest Whitaker as a by-the-books successful man who has finally realized that his pristine life is devoid of true happiness. No material needs can fill the void of actually living, whether living wealthy or poorly, it is the act of adventure and excitement that is necessary to enjoy. His final reaction of pure adulation is the best part of the film and it happens about twenty minutes in.

One would think that a story as involving as this would have pretty equal billing for all roles, but that is not true. Whitaker and Kevin Bacon are underused while Fraser is involved at almost every turn. Andy Garcia, however, is the one that stays the most constant throughout. As a hardnosed bookie/gangster, nicknamed "Fingers," Garcia shines, something that usually doesn't occur with him of late. He is good at this type of role and it was nice to see him sink his teeth into it. Even Sarah Michelle Gellar had her moments, although few, to show that maybe she can do more than Scooby-Doo and every year's Japanese horror remake. Mention also needs to go to Clark Gregg in a small, but funny role, and Emile Hirsch as Garcia's nephew, appearing to be a pawn to the plot, but in actuality becomes a role with payoff.

As far as the style went, I can't complain too much. The correlations between each thread is well conceived if not totally contrived to benefit the story. I enjoyed the transitions, especially at the start with multiple layers and progressions. I can't quite recall if that is the only part in which it was used, though. The music was also a help; very Explosions in the Sky-like, the score enhanced each moment it was used. In the end, the film just couldn't keep its bloated, heavy-handed script up. Even utilizing the four emotions as vignette titles (something used similarly in the superior The Dead Girl) was so obvious that it became laughable. Each instance made you know first thing that they will be the exact opposite of that title despite the lead thinking they were—happiness was really depression, pleasure was really regret, sorrow was really vanity, and love was desperation. Every emotion is more of a backhanded overview that is manipulated in order to serve the tale, rather than allowing the tale to serve the emotions that are supposed to be back-boning it.

A clumsy clerk (Forest Whitaker) overhears the conversation of three coworkers in the toilet about a fix in a horse race, and bets a large amount. He loses the bet and owes the money to the dangerous and powerful mobster Fingers (Andy Garcia). A gangster (Brendan Fraser) has the ability of foreseeing the future and works for Fingers; he is assigned to collect money for the boss with his troublemaker nephew Tony (Emile Hirsch) and is beat up by a gang. The manager of the pop-star Trista (Sarah Michelle Gellar) loses her contract to Fingers without her agreement and she is threatened by the gangster. A doctor (Kevin Bacon) seeks a blood donor that might have a rare blood type to save the life of his passion (Julie Delpy).

The weird and overrated "The Air that I Breath" uses four tales – named "Happiness", "Pleasure", "Sorrow", "Love" - that entwines characters and situations around the powerful and omnipresent gangster Fingers. The stories are unpleasant and the power of Finger is exaggerated – how could a famous pop-star be intimidated by a criminal the way Trista is? The attraction of this forgettable movie is the non-linear screenplay that hides a poor and boring story and the great cast. My vote is six.

Title (Brazil): "O Ar Que Eu Respiro" ("The Air that I Breath")

First of all, this film did have problems. There were a lot of flaws, and some of the coincidences seemed stupid and irrelevant, but it does not fail to show emotion. The emotions are all scattered. Not just one person can have one, and I think that is the point of the film. My first time seeing it, i thought it was just a GOOD film. After seeing it over three times, i can really say it is a very great film. The Acting is phenomenal, and Sarah Michelle Gellar gives her best performance to date. She really shows what she is capable of. She portrays the right signs of Sorrow. Andy Garcia was also great. The direction, from a first time director, was really amazing. The were a lot of beautiful scenes, great cinematography. It is a pleasure to watch. Some of the songs played, are kinda cheesy, but those songs go away fast. BUT the score is truly amazing. It totally captures the right feel that the film portrayed. The film should have been longer. It was only 90 minutes, it was very fast paced. They should have shown more screen time with Gellar and Bacon. The rushed feeling has a positive side to it. The film never gets boring. It grabs you completely(and for some people, that is what they want). Yes, the biggest problem is the screenplay, which at times seems silly, some of the dialogue, but the film also has powerful moments and some GREAT dialogue(sort of like the 2004 film Crash). Overall, I have fallen in love with it. It is very underrated, and some of the negative feedback it has received is not worth it. See it, expect flaws, but see it expecting something big, something about human complexity, and you will not be disappointed.

The Air I Breathe is stunning in many ways. It should be established right from the start that this is not a movie which allows you to check your brain at the door. It demands attention and thought. Director Jieho Lee and co-writer Bob DeRosa have crafted an intriguing work which leaves more questions than answers. And, after all, that is what art should aspire to do.

The film is based on a Chinese proverb which says that life consists of four emotions: Happiness, Pleasure, Sorrow, and Love. To be whole one must experience each emotion, and by doing so we are interconnected with all other human beings. The film itself is structured in the same fashion, with each of four segments focusing on those ideas. The lead actors portray those emotions one by one. Forest Whitaker is Happiness, Brendan Fraser is Pleasure, Sarah Michelle Gellar is Sorrow, and Kevin Bacon is Love. They anchor the four segments of the film, while the rest of the magnificent ensemble cast weaves in and out of the narrative.

The idea is somewhat fuzzy at first. This is an unconventional story with a similarly unique style. Unlike most films, the major characters don't really have major arcs in story line or performance. While some may find a couple of the actors a bit deadpan, they pretty much are solid throughout while consistent in their characterizations. Whitaker and Fraser especially fit that description. Both are quite stoic in their roles, but that's what the story demands. Sarah Michelle Gellar may be the exception. She is the one who has to display a wide range of emotions, more than the others. Her character is quite tortured and goes through a lot emotionally and physically. Gellar is a very brave actress who took risks and put her heart and soul into it. She is sure to surprise many people. Bacon is a delight and is perfectly cast as a would-be hero. Andy Garcia is a chilling and devilish nemesis throughout, while Emile Hirsch provides some comic relief in his brief appearance.

The script is filled with poetic statements, hearkening back to the Chinese proverb on which the story is based. Each segment's main character provides voice-over. And while the language is somewhat oblique, the dialogue is quite blunt and to the point.

Visually it is breathtaking, with broad sweeping images interspersed with numerous gritty close-ups of tragedy. The Air I Breathe has the look of a big budget film, although it is not. Watch for some fascinating visual effects. Hand-held with close-ups is used for some of the more chilling parts and creates tension. Hitchcock would be proud.

Surprises occur at every step of the way. One of the most startling aspects of this film is that there are moments when one may think, "No, that won't happen." And then it does. It's hard to watch at times and quite violent. There's sadness and tension. But there is also an amazingly clever use of humor in the film, and that is perhaps what is most surprising. But that's what life is. The soundtrack plays a major role in this movie, as if another character. It has an Asian feel, not just because of the filmmaker's background but because the film is based on that Chinese proverb. It was quite haunting.

The Air I Breathe is, at its heart, a character piece which follows a general theme. Seems simple. On the face of it, it plays out like a crime drama. But there's more to it, and it takes patience and thought to get to the point of it. Not everyone will be able to do that. But it is definitely worth the effort.

It's interesting. This film did receive a lot of bad reviews from most film critics. But then again, this film is not intended for the educated and demanding critics.

It's rather intended for the oblivious Generation X who is lost in chaos and holds on to the little bit of hope that is left in a bleak future yet to come.(you know who you are)

The Air I Breath tells a story of amazing yet globally recognizable incidences and displays numerous examples of clairvoyance, Deja-Vu, synchronicity and coincidence from a somewhat Zen/Jungian point of view, although far more pessimistic.

The plot is told from various perspectives that all intervene in one way or the other a la Magnolia/Pulp Fiction/etc. Those who enjoyed flicks like The Butterfly Effect and Donnie Darko will possibly possess the right view and the right questions to enjoy this film.

The film has a comic book/graphic novel taste to it, and those familiar with Neil Gaiman's work should be in for a treat. The photography vaguely reminded me of Sin City although it's not half as good. The major problem lies with the Asian Soap Opera dialog that gets cheesy after a while and easily evokes the narrow mindedness and irritation of the cynical viewers.

This film is more intended for the young, open minded New Serenity movement who seek answers and comfort in life.