The Air I Breathe

To begin with, there were times when people didn't care about the money, didn't cry about work, popularity or power.. However, those lovely times are way back in ancient civilizations, while nowadays the religion, the bank and pure emotions steal the scene. These are the subjects I were thinking about a lot lately and probably some of you did too. Therefore, this movie probably was the best movie I could have watched at this part of my life. I did, and now I am happy.

The story of this movie could be easily summarized by one exact quote of just a random-looking worker from the movie: "I need a way out". I couldn't agree more - in todays universe, even more in my country, there are people who live to work. They live to eat, they live to buy some goods and sometimes, they just live to give their problems away to other people... This is actually all covered in this movie by a director that I have never heard of, but it might be a time for me to start learning his name. I began loving this movie from very first fifth minute- to the very end.

The cast is amazing - both main and supporting actors gave me their best. Bacon, Whitaker, Gellar, Fraser, Garsia, Hirch - what a nice choice for this movie! However, if you are not really open minded, you may not like their characters, you may not like the plot, but still, you will love the acting. Persuasive, smart and well done. That's how I would rate the crew members of this movie.

This leads to n awfully understandable conclusion - "The Air I Breathe" is actually one of the best movies I have seen this year, only "25 Hour" moved me more.. Even after seeing Ed's "25 Hour" i was quick to state that crime/drama is from now on my most favorite genre of the movie. Didn't take long to prove that it actually is - thanks to the amazing "The Air I Breathe"

overall it's not bad. you could come away with the impression it was a good film but along the way it employs various means in the script that detract significantly from it. in order to further a story line set forth the characters are at times made artificially stupid or forced to make choices that doesn't seem credible. it's always a shame when that's done because it pulls you out of the suspended disbelief somewhat and let's you see it as construct rather than experience it. apropos :). the acting is not a problem and it's a long list of celebs in the cast but it isn't always believable. it's OK but tarnished a bit by those faux pas.

A clumsy clerk (Forest Whitaker) overhears the conversation of three coworkers in the toilet about a fix in a horse race, and bets a large amount. He loses the bet and owes the money to the dangerous and powerful mobster Fingers (Andy Garcia). A gangster (Brendan Fraser) has the ability of foreseeing the future and works for Fingers; he is assigned to collect money for the boss with his troublemaker nephew Tony (Emile Hirsch) and is beat up by a gang. The manager of the pop-star Trista (Sarah Michelle Gellar) loses her contract to Fingers without her agreement and she is threatened by the gangster. A doctor (Kevin Bacon) seeks a blood donor that might have a rare blood type to save the life of his passion (Julie Delpy).

The weird and overrated "The Air that I Breath" uses four tales – named "Happiness", "Pleasure", "Sorrow", "Love" - that entwines characters and situations around the powerful and omnipresent gangster Fingers. The stories are unpleasant and the power of Finger is exaggerated – how could a famous pop-star be intimidated by a criminal the way Trista is? The attraction of this forgettable movie is the non-linear screenplay that hides a poor and boring story and the great cast. My vote is six.

Title (Brazil): "O Ar Que Eu Respiro" ("The Air that I Breath")

I just watched The Air I Breathe on one of those "cheesey" cable channels. It showed 2 out of 4 stars but it sounded interesting. I looked it up on here and thank goodness I did. I watched it and I liked it for a multitude of reasons.

I have to say IMHO this is probably the best "serious" ~ non comedic performance I have seen from Brendan Fraser. AlI the way around good acting. Sarah Michelle Gellar's performance is stellar and Kevin Bacon's performance in this movie is terrific.

So thank you to everyone who wrote the good reviews. They steered me in the right direction and I'm glad I watched this movie.

First-time director Jieho Lee has brought us the next installment of the multiple stories genre threaded together as though fate and coincidence are the name of the game. This type of narrative has been around for a long time, most definitely before Robert Altman's Short Cuts, but at least there is an example from 15 years ago, and I can't rack the brains for an earlier one at this time. The most well known to those out there today is of course Oscar-winner Crash. Lee's The Air I Breathe, based on an ancient Chinese proverb that life can be broken down into the four emotional cornerstones of Happiness, Pleasure, Sorrow, and Love, is not as good as Haggis' film, and I think even that one is overrated. It's not that I disliked this one, I actually found a lot that I really loved, unfortunately, there's more that feels overdone, overwritten, and absolutely unrealistic. One thing you can't fault it for, however, is the superb cast and acting.

Some of the dialogue is almost too obvious, at times having answers repeat all the words in the question…just a bad redundancy as though the audience might not comprehend a short answer. These characters are so important in the scheme of each other's lives that everything out of their mouths needs to be so well crafted that it becomes stiff. The delivery, though, is almost consistently superb. Brendan Fraser is great in a rare serious role, the kind of stuff that began his career. Very stoic and deliberate in all he does, you begin to feel for him as the stone façade starts to falter. Due to the story-structure going out of order, we see some of this emotional evolution before the catalyst for it, but once that event occurs, it makes everything before it make more sense and I actually think it was handled well as a result. Even his ability to see the future was utilized in a realistic way that it never felt like a gimmick, just a skill he had and used. The best actor, again as almost always, is Forest Whitaker as a by-the-books successful man who has finally realized that his pristine life is devoid of true happiness. No material needs can fill the void of actually living, whether living wealthy or poorly, it is the act of adventure and excitement that is necessary to enjoy. His final reaction of pure adulation is the best part of the film and it happens about twenty minutes in.

One would think that a story as involving as this would have pretty equal billing for all roles, but that is not true. Whitaker and Kevin Bacon are underused while Fraser is involved at almost every turn. Andy Garcia, however, is the one that stays the most constant throughout. As a hardnosed bookie/gangster, nicknamed "Fingers," Garcia shines, something that usually doesn't occur with him of late. He is good at this type of role and it was nice to see him sink his teeth into it. Even Sarah Michelle Gellar had her moments, although few, to show that maybe she can do more than Scooby-Doo and every year's Japanese horror remake. Mention also needs to go to Clark Gregg in a small, but funny role, and Emile Hirsch as Garcia's nephew, appearing to be a pawn to the plot, but in actuality becomes a role with payoff.

As far as the style went, I can't complain too much. The correlations between each thread is well conceived if not totally contrived to benefit the story. I enjoyed the transitions, especially at the start with multiple layers and progressions. I can't quite recall if that is the only part in which it was used, though. The music was also a help; very Explosions in the Sky-like, the score enhanced each moment it was used. In the end, the film just couldn't keep its bloated, heavy-handed script up. Even utilizing the four emotions as vignette titles (something used similarly in the superior The Dead Girl) was so obvious that it became laughable. Each instance made you know first thing that they will be the exact opposite of that title despite the lead thinking they were—happiness was really depression, pleasure was really regret, sorrow was really vanity, and love was desperation. Every emotion is more of a backhanded overview that is manipulated in order to serve the tale, rather than allowing the tale to serve the emotions that are supposed to be back-boning it.