Puffball

First of all this is about a 6.5 I gave a 10 because obviously some people arent to bright. This was worth the watch. I was hesitant at first to watch it but it was a slow 4 days off and I thought what the hell. I enjoyed this flick. I dont know that I will watch it a second time but I certainly didnt feel my time was wasted either. Give it a watch.

I've seen the first screening on the Transsylvania Film Festival and I must say I was pleased. It strongly relays on Don't Look Now's and Straw Dogs' flavors (intellectual young couple in a new, strange place), but with more psychedelic and sometimes thriller elements. And it's got a really hot sex scene in it. It's old paced and sometimes quite nostalgic, but it's a treat for the eyes. There were a few unnecessary elements though, without which the movie could have been cut to, let's say, 15 minutes shorter and more quick-paced. Roeg could have easily put more emphasis on the scenery/landscape like he used to. But I'm happy to be one of the first people to ever see it.

Tedg summed this film brilliantly. Objections feel as if some viewers didn't really 'get it", were expecting something else and certainly aren't readers of Fay Weldon (Life and Loves of a she devil) I'm not faulting your take but golly gosh do you know the director?

Nic Roeg, Miranda Richardson, Rita Tushingham, Donald Sutherland - there were a lot of reasons to go and see this film. However, (and I'm holding back here) - this is the worst kind of unadulterated nonsense I've seen in a long time. It gives me no pleasure to slate this director and cast, but what were they doing? It's a complete mess of a film, highly insulting to it's audience's intelligence and I can't imagine what Nicolas Roeg was thinking of. Obviously these high caliber actors were well paid for the trip to Monaghan, Ireland - but what it was doing being shot there is anybody's guess. The original novel by Fay Weldon set the rural community as Somerset; the film screenplay by her son Dan Weldon doesn't even bother to adjust to it's Irish setting. A focal point is Odin's stone - a Norse god! This film looks set for minority interest; a once great director fallen on his sword, and for the dubious sexual scenes horribly overacted by the floundering cast.

Loath it or love it, once you've seen Nicolas Roeg's latest offering - Puffball - you'll probably never be able to forget it. Roeg has delved into the psyche of the male animal and returned with disturbing images of life, death, religion and sex. Puffball is as haunting and memorable as the best he has done before.

Kelly Reilly plays an architect who is refurbishing a derelict house in the wilds. When she arrives with her lover she is watched by an old woman who is possibly a witch and means the visitors no good. This almost familiar opening does not lead down a predictable path – Puffball takes myriad twists and turns and surprises and manages to remain original and engrossing. Supported by stunning and atmospheric photography in rural Ireland the plot twists and meanders to an exciting and satisfying conclusions. It is how Roeg waves his spell that is so fascinating and unforgettable. There is little erotic content – sex is brutal and cruel and ultimately a woman's body is the receptacle for hopes and ambitions that surpass the male lust for immediate satisfaction.

The cast is excellent. Miranda Richardson is convincing as the woman who aches to give birth, Rita Tushingham is compelling as the sinister old lady who weaves her spells and incantations and the always excellent Donald Sutherland makes a brief but significant appearance.

Not a film for screen slouchers, Puffball demands attention and rewards with a haunting tale of rebirth and redemption. The Screenplay is by Dan Weldon adapted from Fay Weldon's novel. Puffball is disturbing but rewarding. Nic Roeg has given us another great film and for that we should be thankful.