Canada Russia '72

I think many of the 'actors' are gifted hockey players & lookalikes--there's not much on their resumé at IMDB. The photo of the guy playing John Ferguson is more like a Mugshot, which is fitting for the character! (Meant in a good way). Gerry Dee, though, plays an awesome chippy Wayne Cashman.

I am re-watching this amazing CBC production, from which the only thing I recall is 1) the Vancouver fans booed Team Canada from the beginning 2) Ferguson's later response to Bobby Clarke breaking Kharlomov's ankle: 'Hockey is a real tough game.'

A three-Cd set, with tons of insight & anecdotes you won't see on the package that has the 8 full games (yeah, I got that, too).

First, let me say I enjoyed this TV movie more than I thought. Like nearly every other Canadian over 40, I remember the Henderson goal and the drama leading up to it. So, I thought a drama about "the drama" would surely fall short. I was pleasantly surprised. The key characters are all well represented with their most memorable features intact. We have Eagleson the Shyster, Sinden the Skinflint, Espo the Braggart, Ferguson the Vulgar, Cournoyer the Shy, Dryden the Intellectual, and Henderson the Hero (sort of a Canuck 7 dwarfs). The period setting and feel is dead on, reminiscent of the movie TRUDEAU which took place roughly the same time. Like TRUDEAU, the true Canadian soundtrack helps immensely. The Poppy Family's "Evil Grows", Lighthouse's "One Fine Morning", Crowbar's "Oh, What A Feeling", and 2 tunes each from Five Man Electrical Band("Signs","Absolutely Right") and The Guess Who("No Sugar Tonight" and "No Time")punctuate the plot at appropriate times. The film ends with Leonard Cohen's haunting "Avalanche" playing as a sense of relief settles over the players. This 70s soundtrack serves to remind us that we've produced great musicians as well as great athletes. Personally, I prefer watching highlights of the original thing (Cournoyer, the Roadrunner who got the TYING goal was a bigger hero to me than Henderson at the time), but this movie's heart is in the right place and you can't fault them for that. This movie will have limited appeal to non Canadians and non hockey fans, but for the rest of us, it is a pure delight to be reminded of our MIRACLE, our shot heard around the world, at least this part of the world.

Watching this movie was difficult because of the shooting style used. Far too jumpy and with some pretty strange camera angles. I know they were trying to use a documentary style but the jumpiness of the cameras and the editing make it harder to watch and get a feel for what is going on. There wasn't a lot of flow, especially in the first of the two parts. The best parts of the film were the behind the scenes looks. The thoughts and actions of the players, coaches, politicians behind the scenes were definitely interesting. Unfortunately we don't know how much of it was accurate and how much of it was dramatised but hopefully they kept it as accurate as possible. Was The Big M (that's Frank Mahovlich) really that paranoid? Did Paul Henderson really just call Peter Mahovlich off and jump on the ice to score the winning goal in game 8? It would have been good if they had given some time to some of the other players who didn't play. There was no mention, for example, of Bobby Orr, yet he practised and travelled with the team but couldn't play because he was coming off knee surgery and didn't have medical clearance. Getting some insight into what he was thinking and how difficult it must have been to watch would have been interesting.

I am not sure the documentary feel worked because they kept cutting to actual footage. The stock did not match. I know they shot it super 16mm instead of 35mm to get closer to what a documentation would have looked like. However, I know they have a VERY tight budget, so were able to accomplish a lot with a little. I do not know if people who did not care about the hockey summit to begin with would get into it. It was a lot of fun to watch them make it. The guy who played Clarke (John Bregar) was pretty nice to the extras. The hardest part was getting the crew off the ice between takes. You throw these guys in a hockey rink and they are kids all over again. I rated it kinda high cause I took a couple of days off work to be an extra in Moscow. It was great that they used some New Brunswick people too. I know Jonathan Collicott was an Assistant Director, Glendon McKinney was working in the Art Department, and Glen Ross was taking pictures. There was also several NB Film Co-op members seen on screen as extras (Nik Mills, Chisholm Pothier, Jeff Combs, Sebastian MacLean just to name a few).

First of all, know this. My most vivid childhood memory is of classes being suspended on September 28, 1972 and everyone going to watch Game #8 of the Summit Series in the high school library. When Cournoyer scored the goal that tied things at five, I heard myself say aloud "They're gonna win" before several witnesses. Later, with 34 seconds left, Paul Henderson saved my hide and made me a seer.

I have always thought the '72 Summit Series was tailor-made for a movie, or TV mini-series. At last we have developed enough confidence in our Canadian film-making prowess to attempt something. The casting in this program is dead-on, with Booth Savage 'being' Harry Sinden, akin to Kurt Russell 'being' Herb Brooks in MIRACLE. I am reminded of Sinden's book 'Hockey Showdown' whenever Savage and Mark Owen (John Ferguson) perform together.

The interesting sub-plot about Frank Mahovlich's obsessive disdain for the Russians is something past documentaries have seen fit to gloss over. Does the storyline appear in this TV drama because Frank was appointed to the Senate and his life is now public domain? Alan Eagleson is portrayed with surprising sympathy despite his present incarceration for misappropriating NHL pension funds.

The kid who plays Esposito seems almost too handsome and clean for the role (Espo was exponentially more greasy, not to mention more arrogant and vulgar), although he did a great job with Phil's "speech" after Game #4 in Vancouver. The original play-by-play by Foster Hewitt and Brian Conacher still gives me goosebumps today - I'm glad they kept it in, particularly Hewitt's call of the historic climax.

The show isn't perfect, but it is a project that took kahunas to tackle and everyone involved should be proud to have been part of it.