Mulberry St

I'm not one for loving cheesy films a whole lot. Sure I can dig Troll 2 for it's insane cheese, or even Blood Freak and it's Turkey Murderer. I guess I'm a fan of the genre, but I can tell you I won't be paying more than 5 bucks for any of them. So whenever I hear of a movie like Mulberry Street, I tend to just shrug and see what good can come out of it. Mulberry Street is a rare breed, it takes a corny premise...Rats infecting people to become killer Rat People, but the movie works, surprisingly well. I'm not gonna get into specifics, because this movie especially, is one you where you shouldn't pay attention to details. If you let it fly, Mulberry Street brings you on a consistently entertaining ride. And with this being a low-budget film, movies of this caliber should only be applauded. If you're looking for a apocalyptic/zombie/vampire/mutant flick, look no further, Mulberry Street is easily good enough to satisfy your Rat Bastard needs.

"Mulberry Street" is basically just another forgettable and mediocre creature-feature flick, but I'm rewarding it with at least two extra points because director Jim Mickle and his enthusiast cast & crew clearly went through several harsh ordeals before they could finish their ambitious project. Mickle came to introduce his film at the Belgian Horror & Fantasy Festival and explained how they had to shoot essential footage in the middle of the crowded streets of Manhattan without any official permission to film there, and how all the actors in this film are friends or in some way related to the director, so none of them received any payments. Bearing all this in mind, plus the fact that "Mulberry Street" actually shows the courage and ambition to be a different and largely atmosphere-driven new horror film, I'd say it at least deserves the respect and appreciation of avid horror fanatics and amateur filmmakers all over the world. And the film itself really isn't that bad, neither. A handful of likable characters, all recently evicted tenants of a ramshackle apartment building in Mulberry Str; Manhattan, join together in order to survive a deadly virus that broke out in the city overnight. As a result of constant urban decay, pollution and unbearable heat, the sewer rats of Manhattan are quickly spreading a horrible disease that causes its victims to mutate into a ravenous and bloodthirsty rat-creatures. Once bitten, people rapidly turn into a zombies with the appearance and eating habits of rats, and they only look at their former friends and neighbors as rich sources of food. Clutch, a retired boxer, nervously awaits the homecoming of his soldier daughter, but first he has to protect the other tenants as the rat-zombies are quickly infesting the entire neighborhood. The engaging depiction of the inhabitants of 51, Mulberry Street unquestionably is the biggest advantage of this film. The characters admirably aren't empty-headed junkies or filthy scum, but a close community of hard working and respectable people that are prepared to sacrifice themselves in order to save the others. This is honestly the only film I remember portraying the typical New Yorkers as unsung heroes. Even though the script reveals very few details regarding the lethal rat-virus, the chaotic situation in downtown Manhattan is eerily plausible and the overall atmosphere of "Mulberry Street" is tremendously menacing. Jim Mickle and writer/lead star Nick Damici simultaneously grab the opportunity to process a whole cargo-load of social and political criticism into the screenplay, particularly emphasizing the the war in Iraq and the problematic housing accommodation in big cities. Despite of budgetary restrictions, "Mulberry Street" also features a satisfying amount of blood and gruesome images. The make-up effects on the victims of the rat-virus are quite nasty and the zombie-attacks are uncompromising. Unfortunately the pacing slows down a bit during the second half of the film and the dialogs begin to sound repetitive. But by then, personally, I was already too impressed to allow the minor & understandable flaws to spoil my viewing experience. I really liked this film, as it has real characters and displays a righteously unhappy world-perspective. I doubt "Mulberry Street" will become a film that is easily available, so if you have the opportunity to watch it some time, do not hesitate.

Life in the Big Apple is "as usual" on a day like any other day, when out of the sewers emerges a massive viral contagion...rats are aggressively attacking people who, in turn, become infected and undergo a grotesque metamorphosis. They become, quite literally, rodent-people, and as such scuttle in shadows, gnaw through walls, and greedily consume human flesh. Holed-up in a low-income apartment building are a variety of characters(all of them better written and portrayed than usual for a film of meager origins). They fight for their lives as radio and TV broadcasts denote the epic scale of this grim and rapidly mounting situation.

MULBERRY STREET is a great example of the way younger film industry hopefuls are taking old ideas and throwing them back at you as something entirely original...in truth, we've seen all this before, but the presentation is so different that it rarely feels like the same old 'sturm und drang'. It's surprisingly character-driven for a contemporary horror film, and the ending which seems rather unresolved actually makes sense as this is the story of the film's primary characters facing a situation, rather than being about the situation itself. Imaginative, creepy, and in a few spots even emotionally affecting, this is one which is likely to please horror hounds and might even recruit a few(it's also one of the most "New York" movies to pop up in quite awhile).

I enjoyed this film, and I suspect it will be a springboard for many of the talented members of the cast and crew...I, for one, will be eager to see what they can do with some legitimate financial resources.

7.5/10

In Mulberry Street rats in the subway system begin biting people causing them to turn into wererats. The story follows a group of apartment dwellers who try their best to survive. What I really liked about this movie is the way the characters all seem like real people instead of the bland teens we are usually supposed to care about in horror.

The effects aren't great but the monsters do look more or less like humanoid rats and the action zips along and you barely notice. What you do notice though is some nice camera-work that really puts you in the middle of the action. You'll probably also appreciate the clever use of television and radio to fill in the story, this isn't a new idea but it's done pretty well.

Overall I really enjoyed this movie. I noticed in a couple of other reviews people mentioned that they felt something when a character died, that's so rare in horror these days and is the sign of a well made horror movie!

New York City has a rat problem it seems. The little furry pests are crawling all over the place and you better hope they don't bite a chunk out of you because, when that happens, you start growing hair out of strange places and want to eat human flesh! "Mulberry Street" is an apocalypse movie which takes "28 Days Later" and filters it through a post 9-11 New York. It begins at a rundown tenement building on the titular street where we are introduced to several of those who live there including Clutch, a retired boxer, a bartender named Kay (living with her teenage son) and Coco who is Clutch's best friend. Meanwhile, Clutch's daughter Casey arrives in New York City after serving in the Middle East and begins making her way home. Unfortunately, there have been several reports of rats biting humans, a nasty virus spreading through the city and people suddenly turning on one another. This results in the subways being shut down and Casey is forced to make her way home on foot. Are all these events connected? You bet!

"Mulberry Street" begins slowly with the horrors kept in the background. A feeling of dread infects the first third of the movie; dark figures shamble around alleyways as the characters walk past, a man sits silently in Kay's bar sweating and acting strangely, rats scurry around nearby gutters and televisions begin reporting strange events. I actually quite liked this - it was nice to watch a horror movie where the characters were developed, allowing the audience to get to know them before the city fell into Hell. There aren't any stereotypes either which makes a nice change. The characters in this movie probably do exist somewhere in Manhattan; enabling you to care about whether they'll survive or not.

The movie was made for a very low budget and features a lot of shaky-cam, which is obviously used to hide some of the effects (although they were, in my opinion, pretty good - the rat people are appropriately gruesome and deformed) but it doesn't hurt the film. In addition, the visuals have a dark and very dirty look to them. For a movie which revolves around rats, this adds to the atmosphere and makes it appear more gritty and realistic.

I really enjoyed "Mulberry Street". The acting was great all round, the storyline was interesting and it was nice to see a movie of this type that didn't use zombies for once! The squealing noises made by the rat people as they flood through corridors and streets was suitably disturbing. If you enjoyed "28 Days Later" or are a horror fan in general then you should certainly check out "Mulberry Street". Jim Mickel is definitely a director to watch out for in the future. If he can produce something this entertaining with such a low budget, who knows what he'll be capable of with more money?