Bondage

So... What the FAWK does it take to see this movie??? I'm a big fan of the lead character, Michael Angarano. And I suspect he was perfect for the part. Being a former staff person at several youth facilities myself, I would really like to see this movie, even if just to see this supposed true life story from the writer's eyes. From what I've heard, the CA system is pretty brutal, NOT like the facilities >I< worked at. It also seems like a lot of people put a lot of hard work and money into this. Just as a side note, Director and Producers might want to think about changing the name so this film doesn't come off sounding like some cheap porn flick. It would be nice to see this work finally get released somewhere, even IF it goes direct to video. Good Luck and Best Wishes to all involved.

So I work in this crazy business, the film business. And the word I've been hearing is that it is a "teenage Taxi Driver". So, I got my hands on a copy of the script. I can see why people are comparing it so much to "Garden State" because of it's sort of coming-of-age appeal. However, "Girl, Interrupted" was slow and introspective while I found this script to be a real page-turner. The story was non-traditional and very unpredictable. I also get the comment that somebody made about "Trainspotting". I can see that. However, the "Taxi Driver" comparison is the one that, to me, makes the most sense. It deals with a person who has been through too much, seen too much, and the only way they can express it is through rage, which comes out when you least expect it. At least, I never saw it coming. Nor could I have ever predicted the end for that matter. This movie is in competition at South By Southwest this year and I wish them all the luck in the world. The script reads confidently, like a movie that should be seen.

I think that is a more accurate summary because, even though "Girl, Interrupted does deal with someone who is institutionalized, "Bondage" has nothing in common with the style or feeling of that film. It has more of a pace and an edge like "Trainspotting" in my opinion.

This movie is so not the kind of thing you would see coming from a major studio. It isn't lame or predictable and it doesn't talk down to it's audience. This reminds me more of the kinds of stories that were being made into movies like in the late sixties and early seventies. I guess what I'm saying is it has like more of a soul.

Also the guy who wrote it and directed it and raised all the money to make it also lived it. And that has a power to it all its own.

This movie is totally original, and for that reason I think a lot of cynical types won't get it at all. I just know that the packed house at the premiere was filled with people who did get it. They loved the movie probably for the same reasons I do - I could relate.

I've never been through the experiences that the protagonist Charlie Edwards has, but I have certainly felt trapped and like my life was no longer my own. I think we all have and in the end I think that is why "Bondage" succeeeds.

Totally not what you expect it to be. Lot's of cool music and cool scenes. Michael Angarano might be the next Sean Penn. This guy Jose Pablo Cantillo is probably going to become a big star also off of this. The ending seems like it would be a great beginning for like an HBO series or something. How come so many movies these days totally suck? This is more like "Napoleon Dynamite" or "Garden State" but more serious. However, totally different from anything I've ever seen - and I haven't seen the whole film. I have a feeling it will probably get picked up by Lions Gate or Fox Searchlight. Seems like their kind of picture. The soundtrack is going to be awesome. I don't know why Mae Whitman isn't in more movies because she is really, really good. So is Micheal K. Williams from "The Wire". He plays a totally badass Juvy security guard.

I was lucky enough to see the world premiere of this film at SXSW just the other day. I knew little about the movie but wanted at least one screening under my belt at an actual film festival. The screening was in the morning, so I ended up talking about it to everyone around me the rest of the day. It's been the highlight of the trip, other than meeting the cast and director.

In the opening moments of Bondage, a first time feature for directer Eric Allen Bell, young Charlie Edwards is arrested for vandalism and arson. The corrections industry in California is uninterested in addressing his emotional trauma; they just want to store his body for the course of his four year sentence. To escape the harassment of the gangs and the corrections officers, Charlie feigns insanity and moves to a psychiatric hospital. The doctors push drugs on top of drugs to nullify everything in Charlie's world. And all Charlie wants for himself is to live his own life without the oppressive rules made up by other people.

The narrative flexes the sequence of events, seamlessly incorporating past, present and future moments into a coherent storyline. There are moments when the film explores the tactics Charlie's parents would use to enforce their standards of control, including a particularly harrowing sequence where they drag him into the bathroom and force his hands to scrub out the tub as he pleads for mercy. A character late in the film makes this observation: parents who box their teen into a corner with rules and emotional manipulation are so shocked when he comes out fighting, it's no wonder they call him crazy.

Michael Angarano in the role of Charlie had a formidable task carrying the film, and he excels at giving the character a sense of tragedy. By mere body posture and softly spoken lines, we see Charlie as a damaged and frightened person, who understands little about why he's so deeply interred in a system that cares little for his well being. Illeana Douglas and Eric Lange as Charlie's parents are haunting with the complexity they bring to what is essentially the forces of old and evil. The film does not forgive them, but it creates in them real people, who do both wonderful and terrible things. Just like Charlie. It would be an oversight not to mention the adorable Mae Whitman as another product of an abusive home. Her character may have the least amount of screen time, but her impact on the film's final thirty minutes could be felt for hours after the credits rolled.

There's a famous poem by Phil Larkin called "This Be The Verse." It ran through my head the entire time I sat in the theater. IMDb won't allow me to post it here due to the expletives it contains, but it's not hard to find after a quick search on Google.

Go see this movie.

• Jon