The Half Life of Timofey Berezin

This is what Indie films are all about. An excellent flick, acting, plot, script, and all else very well done. On HBO this movie is billed as PU-239 so keep an eye out for it, but be careful what you inhale while watching it!

Having been a physics major I can state that as far as the science goes the movie is loyal. Science, however, is just background. This movie is really about the human spirit continually battling against despair; the human condition and the lengths we will go to kill one another and to love one another; human ignorance and human intelligence, but without humility, and the trouble it will get us all into; and "in the end, everything decays into lead", like bullets, and the fact that no one gets out alive.

I also came across this movie as I channel surfed. Didn't even know the name of it, but was fascinated by it's authenticity, being filmed behind the former Iron Curtain.

Russia has always been a paradox, in many ways a 3rd world nation, yet a military superpower. The themes it dealt with, the worthlessness of the individual, the carelessness of dealing with unbelievably dangerous substances in such an offhand way, the ass-covering behavior of bureaucrats, the stupidity of the Russian mafia, all are classic and well developed in the film. All are characteristic of Russia, yet this story could have happened anywhere. Really scares you to think that, given the bell curve of any group of humans, the nuclear genie is actually in the hands of such oafs.

Worth watching, worth talking and thinking about.

AKA PU-239. A gem of a movie that deserves much more attention than (unfortunately) it's going to get. Honestly, I can't find any faults in this movie. OK, maybe, the mobster characters are a little bit over the top, but just a little, and it's a good thing. More entertaining. The script has obviously been written by someone who knows what he's talking about. Writing, acting, directing are all superb. It's the first intelligent "Russian" movie coming from Hollywood in ages. Too bad, not many people will see it due to the total lack of marketing from HBO. I got to watch it by accident while doing thoughtless channel flipping. Glad, I did.

I had great expectations for this movie. The story was promising and I thought that the great Paddy Considine as the protagonist would mean a compelling execution.

This is basically two different movies edited together. One part is great, the other not so much.

There are some great scenes in the first half of the movie. But the script is honestly a terrible mashup. It starts as a heartfelt dramatic depiction of a family cast into great troubles but then out of nowhere appears a bunch of thugs that even Guy Richie cut out for being too ridiculous. Considine together with parts of the cast are great, doing the best of the disjointed and sometimes plain stupid script. However, not even he can save this movie.

The writer/director very much would have needed a producer that could tell him to get his stuff together. Trying to combine drama and stupid dark comedy doesn't work unless the director is a genius. Scott Z Burns is not a genius.

Also, please lose the stupid "russian" accents.

PU-239 is one of those movies where you find yourself without much to say about it. Paddy Considine, Oscar Isaac, Stephen Berkoff, and Radha Mitchell give decent performances and the film is not badly directed, but what cinema should do that PU-239 does not is leave you with a passionate reaction. I found that after having watched it, it was more like it was something on a list that I could check off and move on rather than an experience or an entertainment. It isn't even boring. It just doesn't reach. That's the reason why one feels so indifferent towards it. The plot is interesting:

Considine plays a family man who works at a top-secret, worryingly shabby plutonium plant in a Russian town after the fall of the Soviet Union, and he's exposed to radiation while trying to stop a malfunction. The facility's managers try to convince Considine and also themselves that his exposure was a survivable 100 REMs, while accusing him of sabotage and suspending him without pay, but his colleagues help him discover the truth, which is that he was exposed to ten times the amount of radiation that the managers maintained he had. It's stated by one character in the movie that people in Hiroshima were exposed to less.

So, with only days to live, and not letting his wife, played by Mitchell, know of his fate, Considine goes to Moscow. He hooks up with a small-time gangster, played by Isaac, who is in a great predicament himself, in hopes of finding someone to whom he can sell a vial of weapons-grade plutonium he has stolen from his plant so that he can send money back to his family to secure their future, though he states various times that his town is not on the map, which makes it unfeasible to send his letter home, much less any money. What's interesting about the dynamic between Considine and Isaac is that they never really form a bond, one being earnestly cooperative in his final days of life and one being frantic for his own interests to survive an almost as likely fate. Yet, they both have the interests of a wife and child in mind and have the same drive under those circumstances.

But the Russian mobsters are too cinematic for a story as real and historical as this one. They do things only Guy Ritchie, Quentin Tarantino, and David Mamet characters do, especially Isaac's boss, who delivers a silly, unrealistic monologue when he first appears that in reality would have his listeners lost.

This is not a bad film. It just minimizes the effect it could've had.