एक टेक्सास कांग्रेसी चार्ली विल्सन का अफगानिस्तान में कवर किया गया व्यवहार, जहां सोवियत संघ के साथ उनके युद्ध में विद्रोहियों की सहायता करने के उनके प्रयासों के कुछ अप्रत्याशित और लंबे समय त... सभी पढ़ेंएक टेक्सास कांग्रेसी चार्ली विल्सन का अफगानिस्तान में कवर किया गया व्यवहार, जहां सोवियत संघ के साथ उनके युद्ध में विद्रोहियों की सहायता करने के उनके प्रयासों के कुछ अप्रत्याशित और लंबे समय तक चलने वाले प्रभाव हैं.एक टेक्सास कांग्रेसी चार्ली विल्सन का अफगानिस्तान में कवर किया गया व्यवहार, जहां सोवियत संघ के साथ उनके युद्ध में विद्रोहियों की सहायता करने के उनके प्रयासों के कुछ अप्रत्याशित और लंबे समय तक चलने वाले प्रभाव हैं.
- 1 ऑस्कर के लिए नामांकित
- 5 जीत और कुल 24 नामांकन
- Marla - Charlie's Angels
- (as Mary Bonner Baker)
फ़ीचर्ड समीक्षाएं
Philip Seymour Hoffman as usual is scintillating and brilliant - here playing a damaged but ultra-smart CIA manipulator, and it is in the exchanges between Hanks and Hoffman's characters where the comedy soars. Rarely is movie humour laugh-out loud and also smart... This hits the spot time after time with a biting satirical edge that makes you both laugh and weep at the state of the world (often simultaneously).
One other major plus is the length of the picture. The film is based on George Crile's fat book of the same title. The temptation for screenwriter Aaron Sorkin (his claim to fame is "The West Wing") must have been to make a fat movie, but what we get is a breath-taking 90 odd minutes of great story with sweeping implications.
This film deserves to be seen and to be recognized for finding an extraordinary balance between the darkest of dark subject matter and the lightness of touch of it's sparkling witty script - even if it does flunk the obvious link between the help that Herring and Wilson provide and the ultimate consequences (9/11).
First off the acting was above average. I love Phillip Seymour Hoffman in this movie and I liked Tom Hanks. Hoffman was the glue to this movie. If it were not for him this movie would have crumbled and hit rock bottom. His performance was by no means stunning but absolutely necessary. He gave a good witty, cynical performance in what most other actors could have easily made his character into a cliché. Tom Hanks really gave a nice loose performance and did not disappoint but he certainly did not impress. What I could not stand was that Julia Roberts was involved in this movie. She was as big of a miscast as I have ever seen. For one she is a bad actress, at least to me, she was to young for her character and was to phony even for the character she was playing.
The directing was average to me. I'm not really a big fan of the recent Mike Nichols movies and I'm not exactly impressed by this one either. It was made with such a Hollywoodish, cartoonish touch hat I could not stand. The worst part about it was that he tried make it be a really meaningful movie at the end. I love meaningful movies but not when a movie tries to rush a scene or two at the end and show something that tries to justify the rest of the garbage spread throughout the whole movie. That is something that Mike Nichols has seemed to have done a lot in his recent track record.
The one impressive part of this movie was the writing. The dialog was put together very well and was able to let the story play out. The writing was what was able to really able to take this movie to an above average level. In so many scenes I found myself laughing in part by the writing.
Well that is some of what we saw at least. A lot of the scenery was good in the movie if you get what I mean but not a lot other than that. I did like that this movie did not glorify everything America had done. It is obvious that during this whole war in Afghanistan the U.S. gave weapons to the people who are now against us. This movie kind of show we are too blame for that. It shows that what may seem good in the short term may turn into something horribly wrong in the future. This movie did have a good original message but it just did not deliver it right. Overall though it was entertaining.
Although certainly not a serious Oscar contender for Best Picture, 'Charlie Wilson's War' is probably one of the best of the many political films of the year. Academy Award Winner Mike Nichols provides solid directing as to be expected while Emmy Award Winner Aaron Sorkin (Sport's Night, The West Wing) provides a remarkable screenplay that near-flawlessly balances comedy and drama. The acting is great for the most part as well. Tom Hanks delivers his best and most enjoyable performance since his 2000 Oscar-nominated turn as a FedEx worker stranded on a tropical island in 'Cast Away'. Hanks takes a slimy character like Wilson and with his trademark charm turns him into a likable guy. Amy Adams and Ned Beatty are reliable as always, but the real stand-out performance of the film is from Philip Seymour Hoffman. Arguably the finest actor working in the film industry today, Hoffman takes a small supporting role and upstages everyone around him. From his first scene where he's screaming at his boss before violently breaking his window, Hoffman sucks you in. The only disappointing cast member is unsurprisingly overrated Hollywood starlet Julia Roberts. Hamming her way through yet another movie, Roberts' overbearing and over-the-top portrayal of a rich Texas oil woman hits all the wrong notes and is at most times flat-out annoying. At 97 minutes, the movie is short and sweet, and that isn't to say it doesn't drag at some points but when it does drag it's for a very brief amount of time.
In conclusion, 'Charlie Wilson's War' is not a perfect film by any means, but it's certainly worth a look. Grade: B+
George Crile's 2003 best seller, CHARLIE WILSON'S WAR, is a fascinating and eye-opening account of the most unlikely "difference maker" imaginable. A relatively obscure Congressman from the Second District of Texas, "Good Time Charlie" was known more for his libertine lifestyle than his libertarian legislation. Likable and licentious (even for a politician), Charlie Wilson served his constituency well since the good folks of Lufkin only really wanted two things, their guns and to be left alone. It's Easy Street replete with his bevy of beltway beauties known, appropriately enough, as Charlie's Angels.
When asked why his entire office staff was composed of attractive, young aides his response is a classic, "You can teach 'em to type, but you can't teach 'em to grow tits." No argument there.
But even the most rakish rapscallion has a conscience lurking somewhere underneath, and for Charlie Wilson the unimaginable atrocities being committed in Afghanistan moved him to muster his entire political savvy toward funding the utter, humiliating defeat of the Russian military and, possibly, to even help hasten the end of the Cold War as a result. Fat chance, huh?
Under the skillful direction of Mike Nichols and a smart, snappy screenplay by Adam Sorkin, CHARLIE WILSON'S WAR is a sparkling, sophisticated satire that chronicles the behind-the- scene machinations of three colorful characters comprising "Charlie's Team."
The on-screen "Team," is composed of three marvelous actors with four (4) Academy Awards and nine (9) nominations between them. Charlie is beautifully portrayed by Tom Hanks in a solid, slightly understated fashion that is among his best work in years. He's aided, abetted and abedded by Joanne Herring, a wealthy Houston socialite played by the still-slinky Julia Roberts. Hey, why else have the bikini scene than to let the world know this? By all accounts Ms. Roberts looks good and holds her own, but the screenplay never gives us even a hint why Kabul and country is so important to her character. Maybe the two Afghan hounds usually by her side know -- but we as an audience never do. As for the third member of the "Team," Philip Seymour Hoffman steals every scene he appears in as Gust Aurakotos, a smart, street- wise (i.e. non Ivy League graduate) CIA malcontent who knows the score -- both in the Agency's boardroom and in Wilson's bedroom.
For the Mujahideen to succeed, the most important assistance the U.S. can provide is the ability to shoot down the dreaded MI-21 helicopter gunships which rule the skies. This takes money, lots of money, and eventually "Charlie's Team" covertly coerces those in Congress to fund the effort to the tune of $1 billion dollars for advanced weaponry to arm the Afghan rebels. This includes top-of-the-line, state-of-the-art anti-aircraft and anti-tank rockets as well as other highly sophisticated killing devices. Nasty, nasty stuff.
That this kind of multi-billion dollar illicit activity can and does take place behind Congressional doors is truly alarming. Every American should see this movie or read this book because it reveals a truly frightening aspect of the business-as-usual political scene rarely seen outside the walls of our very own government. Oh momma, I wish it weren't so...
Even though the initial outcome for "Team Charlie" was an unqualified success, the unimaginable, unanticipated final result is that these sophisticated weapons are now used against our troops by the Taliban and others. Since the funding was entirely "covert," the young generation in this part of the world has no idea the fall of Soviet oppression and the end to Russian barbarity was the direct result of American intervention. Yes, once the Russkies left, so did our aid -- zip for schools, zip for infrastructure, zip on maintaining meaningful relationships with the Afghan people. As a result, the overall consequence is an unmitigated disaster -- it's like the forerunner to "Mission Accomplished."
As Nichol's film so pointedly points out, "The ball you've set in motion can keep bouncing even after you've lost interest in it." Mike Krzyzewski knows this, Eva Longoria Parker knows this, little Lateesha in Lafayette knows this, but the typical American politician doesn't. So we go from good guys to bad guys because we couldn't let the world know we were the good guys. Talk about a Catch-22 (another Mike Nichols film).
Perhaps Charlie Wilson said it best, "We f&%ked up the end game."
Again.
Julia Roberts Through the Years
Julia Roberts Through the Years
क्या आपको पता है
- ट्रिवियाThough recuperating from heart transplant surgery, the real Charlie Wilson made it to the red carpet premiere of the film.
- गूफ़The Texas flag in Charlie Wilson's office is upside down; the white field should be at the top.
- भाव
Gust Avrakotos: There's a little boy and on his 14th birthday he gets a horse... and everybody in the village says, "how wonderful. The boy got a horse" And the Zen master says, "we'll see." Two years later, the boy falls off the horse, breaks his leg, and everyone in the village says, "How terrible." And the Zen master says, "We'll see." Then, a war breaks out and all the young men have to go off and fight... except the boy can't cause his legs all messed up. and everybody in the village says, "How wonderful."
Charlie Wilson: Now the Zen master says, "We'll see."
- क्रेज़ी क्रेडिटThis film is carbon neutral with NativeEnergy
- साउंडट्रैकNever, Never Gonna Give You Up
Written and Performed by Barry White
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- बजट
- $7,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,66,61,095
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $96,56,250
- 23 दिस॰ 2007
- दुनिया भर में सकल
- $11,94,83,446
- चलने की अवधि1 घंटा 42 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1