Ex Machina

Ex Machina, directed by Alex Garland, delivers a visually striking exploration of artificial intelligence that is elevated by exceptional acting and a hauntingly atmospheric score. Alicia Vikander's portrayal of Ava, alongside Oscar Isaac's enigmatic Nathan and Domhnall Gleeson's relatable Caleb, creates a compelling dynamic. The film's minimalist yet futuristic setting and deliberate pacing contribute to its thought-provoking nature, although some may find the pacing slow. While Ex Machina excels in posing profound questions about AI and humanity, it leaves room for deeper character development and a more engaging narrative, earning its 7/10 rating as a visually arresting and intellectually stimulating sci-fi thriller.

Ex Machina (2015)

*** 1/2 (out of 4)

A different sort of science fiction film, a programmer (Domhnall Gleeson) wins what is basically a lottery to go and spend a week with his company's owner (Oscar Isaac). The owner, Nathan, pretty much created a search engine but he's gone a step further by creating an artificial intelligent woman named Ava (Alicia Vikander) who the programmer is supposed to examine and question.

EX MACHINA pretty much came out of nowhere and became a good hit across the world and I'm rather shocked that it did. Usually dumb science fiction movies with a lot of mindless actions are the ones that make money and not those that features very little to no action and instead just dialogue and thought. What really sets this film apart is the fact that it asks more questions than anything else and it expects the viewer to think about those questions and the impact that certain actions could have.

The visual style of the film is quite impressive and it's certainly a very interesting film to just look at. The music score is quite haunting and perfectly captures the mood of the film. There's the terrific cinematography that pulls you into the setting. The special effects are also extremely impressive. I loved the set and the look of this compound but the special effects are the real star. If you didn't believe that you were really looking at and operating with real artificial intelligent creatures then the entire film just wouldn't have the same feeling.

Then there are the performances, which are a major plus. Gleeson pretty much plays the role that is typically a nerd but the film never lowers the character to that simple term and instead makes him a very interesting person. Even the role of the billionaire played by Isaac isn't what you'd typically see and the actor brings a certainly coldness to the part. Vikander is flawless and steals the picture in her role.

EX MACHINA certainly won't be a movie for everyone but it's good to think about the questions that it asks.

This is the kind of movie I really enjoy when I think about science fiction. Movies that make you think if we should continue trying to progress even more. Are we not already smart enough with everything we have? With all our daily gadgets that we can't miss for one second. Do we really need artificial intelligence? Because let's face it, once that will be concrete then we won't do a thing by ourselves anymore. We will send our robots to our job, we will chose and model our life partner like we want them to be. The story of Ex Machina might be futuristic but I certainly can imagine it like that in the future. All actors were good in their respective roles. For a movie that is filmed at the same spot all the time you certainly don't get bored for a second. Nice science fiction like there should be more of them.

"I am become death, the destroyer of worlds." Caleb (Domhnall Gleeson)

Ex Machina is a thoughtful science fiction about Artificial Intelligence, whereby, to no fan's surprise, the current female robot, Ava (Alicia Vikander), has human qualities that cause trouble for inventor, Nathan (Oscar Isaac), and visitor, young Caleb. If you know anything about these stories, you could write the screenplay, but you'd need these actors to make it the impressive sci-fi it is.

Poets and philosophers have been intrigued by just this story about AI gone astray after interacting with humans. The Frankenstein motif is alive and dangerous, and the spirit of Spike Jonze's Her, with the seductive operating system, is very much a part of Ava's approach to Caleb. The destructive force of Nathan's creation is more subtle than in Dr. Frankenstein's creation, but menacing nevertheless: "Isn't it strange, to create something that hates you?" Ava to Nathan

Brainy Nathan has a compound somewhere in an Alaskan refuge as modern as could be with ID cards and glass walls and doors to give the impression of peace and transparency. Caleb is chosen to help Nathan use the Turing Test to judge the quality of the AI-human experience.

As in real life, nothing is as it appears because neither Nathan nor Ava can refrain from lying. Yet, even Caleb is drawn into lies as he gets closer, even romantically, yikes! to Ava. Once again for science fiction, as soon as the robot gets to enjoy being like a human, trouble ensues. However, even if this film seems like a retread, say, of Never Let Me Go, very few filmmakers could match the ultra modern, yet still sexy, set design. And Isaac's character is so mercurial, at once comforting then tyrannical, that the film could be remembered if only for his star turn as the mad but charming scientist.

After all, Ex Machina is as much about a scientist playing God as it is about the bridge between robot and man. Each topic could, and has been, treated on its own. Here it is an exciting return to modern man as god and monster:

"I am God." Nathan

This movie is obviously allegorical, a fascinating tale about AI, but it is mainly about manipulation and power. It isn't for those wanting action or spectacular CGI, the movie is aimed at people who like to think, rather than passively wait to be entertained. There are themes here not only about AI, but also about surveillance, with excellent points about how data about us is collected by phone companies, search engine companies, commercial operating systems makers and so on. The plot seems simple but isn't, it's extremely clever, with the protagonist playing games, trying to stay one step ahead of one another. This is a movie with perfectly consistent internal logic that plays out perfectly. Don't go in expecting too much, however, as I can see most people will not be satisfied by this movie, but for me, it does what it sets out to do brilliantly. Therefore I give at least 9/10. And most recent movies have been getting 5/10 from me. This movie succeeds where another recent movie about AI, Transcendence, I think it is called, failed (but it was an interesting failure). A third movie about AI, a Spanish movie called Eva, was also brilliant. Eva was more moving and this movie more philosophical. But both movies were perfect in their different ways. The AI's name in this movie, Ava, seems to be a nod to the title of the Spanish movie. As an aside, it's nice that no "stars" appeared in "Ex Machina" and "Eva", the casting was great. Of course there are several aspects of this movie that are unrealistic and often absurd. But because this is an allegorical movie, these are acceptable, because the movie is making points, rather than striving for realism. It's more of a fairytale than accurate portrayal.