The Dukes

Saw this film at the DGA, great performances, heart warming, and very funny. Some classic moments, great chemistry between Chazz Palminteri, Robert Davi and Peter Bogdanovich. Miriam Margolyes is great as Aunt Vi, a role she normally would not be thought of. Elya Baskin is hysterical. Frank D'amico, who i have not seen before, is terrific. Eloise DeJoria combines sensitivity with a subtle comedic quality. Melora Hardin, from The Office,hits just the right tone as Danny's(Robert Davi)ex-wife.Bruce Weitz,Elaine Hendriks and Joyce Westergaard are all terrific. This is Robert Davi's first time directing and he does a fantastic job. The film has many twists and I could not predict where things were going ,which I normally do very easily.I laughed as hard in a few places as I ever had. The blending of pathos, humor and believabilty are rare these days..A MUST SEE

"The Dukes" written and directed by Robert Davi was a nice slice of life movie in which I admire in European films. The characters were well defined with all the defects that make us all human. I was touched by their friendship and how they bumbled through life much like most of us. Davi approached the female characters with a surprised sensitivity. The tone of the film would seem very predictable, but I was surprised at how unpredictable it was. The film left me with a nice feeling about what is really important in life. If there was anything missing in this film, it would be there was not enough of the Dukes singing. I applaud Robert Davi writing and for his achievement in his directorial debut.

In this day and age of computer generated imagery and stunts above and beyond belief it is so very refreshing to see a film where the actors are allow to act. In this timeless turn by Mr. Davi nothing was placed in front of telling a good story and telling a good story well. Put on top of a good story some fantastic music that does not overwhelm but enhance and you have the recipe for success. This film follows that recipe to a "T". It would be a wonderful turn to see Hollywood take a lesson from Mr. Davi and get back to the art of story telling, and out of the business of shocking us into forgetting that there is no story. Kudos to the actors for their excellent performances and Bravo Mr. Davi for getting the job done and turning a good idea into a brilliant film.

"The Dukes" is as warm-hearted -- and big-hearted -- as a movie can be.

The Dukes, a doo-wop vocal group, had a couple of hits just before the Beatles tsunami swept a great many pop groups somewhere beyond the sea.

these days there are teeth that need fixing, other health emergencies, an ex-wife and an elderly aunt who are as tired of overwork as they are of men who won't grow up, legal bills, and an expired liquor license. there's no money to pay for any of it -- and oldies are now free on the internet.

should The Dukes swallow their pride and do tacky TV commercials? or, cast aside their core values and commit a burglary? or, maybe a little of both?

in one of this film's many fine performances, Danny (producer/director/co-writer Robert Davi, whose own voice sings the lead in the final acappella number) wrestles with his conscience while arguing with his cousin George (Chazz "A Bronx Tale" Palminteri) about whether to pull off a heist.

at a backyard party hosted by the very successful new man in his ex-wife's life (and thus his young son's life as well), Danny deals with his jumble of emotions as subtly and as movingly as any work i've seen.

"The Dukes" has its share of sentimentality (it's a nostalgia movie, after all). and, like the vast majority of movies, a little less might have been a little more. but, it also has plenty of thrills and spills, ups and downs, and some gritty realism thrown in for spice.

so, what's not to like about this movie? well, to read The New York Times's mean-spirited review, you'd think that seeing "The Dukes" might expose the viewer to salmonella poisoning.

sample: "... it tastes like pasta sauce that has sat on the shelf long after the expiration date on the can."

the group's manager, Lou, is described as "{a} miscast Peter Bogdanovich". miscast? Bogdanovich is himself a former supernova director who soon became just another journeyman. it's perfect casting.

about Danny and George's salt-of-the-earth Aunt Vee: "... Miriam Margolyes, wildly overacting..." uh, this part did not call for Judy Dench; Margolyes was excellent just the way she was.

regarding several supporting actresses who have very ripe figures (as in HOT), there's this misogynistic bit of nastiness: "...grotesque, Fellini-size women..."

sad.

but, there's no need for the reader to be sad -- see this movie!

What a great film - it was evocative of the sixties - stylish - and the feel was one that grabbed you from the first frames - there's a wonderful story and secondary stories that are hilarious - saw it last night at the Newport Beach Film Festival - what a cast - Hollywood stalwarts Robert Davi and Chaz Palmenteiri star as over the hill Doo Wop stars who are running out of money and work, but they earn their kudos up against Joe Campanella and Peter Bogdonavich - and the music, a Doo Wop background set with a crazy crime caper - it will hook you and give you two hours of pure pleasure. Pure enjoyment, this is so classy and well done! I didn't know that Robert Davi had directed this, but what a debut - the style of the cinematographer was evocative of the glossy old school, which was the heart of the story, and all effects worked to push the story and the mood. This is sure to be a surprise winner of the Festival that also birthed the premieres of "Crash" and "The Illusionist."