Crónica de una fuga

A great movie. About the pain of truth and the fight against a regime. About the hope and the sin. About democracy and fear.All is perfect. Actors, lights, screenplay. Slice by slice, the movie becomes a testimony. Not about a piece of Argentina history but about a reality in which many of us, actors, victims, silhouettes, are crumbs. The story is basic. The scenes are stone rain. The end is not happy, not heroic. But saint full. A film about every regime for who democratic values are fiction. About the power and not authority. About lies and dark illusion. About limits and resistance. About Albania of Enver Hodja or Cambodgia of Pol Pot. Or, maybe, Belarus of Lukashenko. A lesson. About the force to be more than a mask, number or victim. And a homage to the people for who the moral victory is more important than all prizes. Must see! Foe understand.

One of the aspects of this excellent film from Argentina is the disturbing fact that it is based on actual events. Director Israel Adrián Caetano (with Esteban Student and Julian Loyola) created the screenplay from the main character's memoir - 'Pase libre' by Claudio Tamburrini - and in doing so bring a sense of immediacy and unfiltered truth to this tale of the 1977 military dictatorship in Argentina during the time of the 'Desaparecidos' or terminal evacuation/elimination of dissidents to the regime.

CHRONICLE OF AN ESCAPE (Crónica de una fuga) relates the capture of soccer goalie Claudio Tamburrini (Rodrigo de la Serna, remembered for his magnetic portrayal of Alberto in 'The Motorcycle Diaries') during a soccer game in 1977 when he was abducted, blindfolded, and taken to a house of detention as a suspected revolutionary. Claudio is beaten, interrogated, starved, and forced to live nude, blindfolded and in handcuffs chained to his palette along with other detainees - Guillermo Fernández (Nazareno Casero), El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and El Tano (Martín Urruty). Each of the detainees is repeatedly tortured and deprived of the 'necessities' of living until after four months the group decides to escape. The tension of their ingenious escape provides the film with a tense and riveting closure, and at the end of the film the destinies of each of the detainees is revealed.

Though the world knows some of the details of the military junta in Argentina that lasted from 1976 to 1985, observing the calamity in the form of real individuals who suffered pleads the case for understanding the atrocities better than simply reading media accounts. The manner in which Caetano directs his superb cast is enhanced by the extraordinary cinematography of Julián Apezteguía and the moody and creatively subtle musical score by Iván Wyszogrod. The cast is uniformly excellent: though the men who play the evil torturers have not been named in this review they are all very strong actors. This is a tough movie to watch and the audience should be aware that the prisoners appear in the nude throughout the film (if that is a problem for some viewers). In Spanish with English subtitles. Very strongly recommended, especially in this time when the concept of 'detainees' is so very much in the public eye once again! Grady Harp

In 1977, the goalkeeper of the Almagro team Claudio Tamburrini (Rodrigo de la Serna) is illegally kidnapped from his home, arrested by the government forces and sent blindfolded to Sere Mansion, a clandestine detention center. His acquaintance Tano (Martín Urruty), who had been tortured for a long period, had falsely accused Claudio of being a revolutionary. Along the months, Claudio is kept nude and handcuffed together with the prisoners El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and Guillermo Fernández (Nazareno Casero) and submitted to all sort of humiliations and tortures, until the night they decide to escape from their imprisonment in the old mansion.

The dramatic "Crónica de una Fuga" is a true recollection of a dark period of dictatorship in South America sponsored by USA to fight the communism, more specifically in Argentina. The story is very well acted but limited to the situation of Claudio and the other three prisoners in the Sere Mansion and their escape. However it omits, for example, that Tano and the other prisoners have been certainly dropped airborne from an Air Force airplane (the Jeep indicates Air Force Argentine, and this was a common practice in the dictatorship period). My vote is seven.

Title (Brazil): "Crônica de uma Fuga" ("Chronicle of an Escape")

"Crónica de una Fuga" is not only an objective journey through Argentina's shady past, but also an engaging thriller that will keep you at the edge of your seat.

Uruguayan director Adrian Caetano, proves himself to be on of the leading filmmakers among the flourishing Argentinean film industry. The director of "Bolivia" and "Un Oso Rojo" is very precise when it comes to dialogues, and has an ability to acknowledge violence only by showing its imminence -the most powerful and cruel moments are achieved by creating a meticulous balance with the sound fields-.

It is also worth mentioning Rodrigo de la Serna's performance, who after working opposite to Gael Garcia Bernal in "Motorcycle Diaries" managed to establish himself as one of the most talented Latin American actor of his generation.

Set to be released around Jan. 2007, "Cronica" is an insightful thriller that should not be missed.

Let's see. An American nation is threatened by terrorists. For seven years, the government is headed by people who believe that extraconstitutional measures are required. They detain people based on suspicion (often false accusations by enemies) and torture them because they MUST know something. These are specially created places outside the normal criminal system. It is funded and approved from the White House in the name of combating out a global movement, using soldiers and "contractors."

I've been watching movies based on this period. This is one made by Argentines, which adds something. Though the film-making is not particularly effective, it adds a genuine patina. What's disappointing about this is that though we get that the bad guys are genuinely evil men, we don't get the visceral impact of what happened. Really happened.

Ted's Evaluation -- 2 of 3: Has some interesting elements.