रॉकी बैलबोआ

As far as the Rocky franchise goes, nothing really comes close to the original in terms of its intimate scope and epic grandeur on a low-budget (not to mention top-notch and near iconic cast). In terms of the sequels, while it's not always looked upon as the "best", I have a fondness for part 3, if only for its balance of drama and comedy and that it bridges the gap between the early part of the franchise and latter part. And yet in this final installment, Rocky Balboa, Stallone goes back to the roots: the dark and rundown streets of South Philadelphia, and while his film starts as a kind of eulogy for the series (not least of which for the character Adrian), it quickly kicks into gear as a celebration of what Rocky is all about. It's essentially a story of rising to a challenge, proving your worth to nobody in-particular except yourself, and also sticking close as possible to those you care about, family and friends... and the occasional awesome training montage doesn't hurt.

In this segment Rocky is in his 50s and runs a restaurant called Adrian's where he reminisces with the patrons with old stories. He also befriends a woman whom he used to walk home many years ago (she may have been a character in the original Rocky, I can't recall) who also has a son named "Stephs" for Stephen. But with his son unsure about what his father's legacy has on him, and Rocky's own unsure feelings about the "basement" inside of himself, of pain over Adrian dying, he decides to get back into fighting again. In typical "movie" style (and I mean this as a compliment to the conventional wisdom of the writing), a challenger comes forward, young Mason Dixon, who is undefeated and has come under scrutiny due to a computer simulation that shows Rocky, in his prime, could kick his ass. So, training commences, speeches of inspiration/hope delivered, and it all leads up to the big bout in Vegas.

The script, as mentioned, is perhaps the strongest thing here. Stallone shines as usual in his quintessential role, and seeing people like Paulie and Apollo Creed's former trainer played by Tony Burton are nice touches too. Little flaws: Milo Ventimiglia Jr, despite having the same "jaw" as Stallone put it, is not a very good actor here. I'm not sure if it was the direction he was given for the character or just how he is, but he was constantly stiff and then when called upon to get big in a dramatic scene like the confrontation with Rocky outside the restaurant (one of those "Don't do this!" scenes), it falls totally flat. There's also a beef one can have with the way inspiration is summoned in the climactic bout. When we see Rocky and Dixon fighting with just the normal camera angles it's riveting and taut, but then Stallone piles on the clips, the flashbacks, the slivers of nostalgia, and it just gets a little too much and almost (key word 'almost') spoils the momentum of one of the best fights in the entire franchise.

Sure, some of its humor is a little corny, and some of the line deliveries by Stallone aren't always given the biggest "umph" one would want (hey, it's Stallone, waddaya want), but it is a true-blue Rocky movie, and makes a fine sort of comeback note to a franchise that had its ups and downs over the 70s and 80s. It's nothing if not from the heart, in its craft and in its performances, and it should be admired as one of those final bows to an audience that knows this is the end, as opposed to dragging it out even further.

It all started way back in 1976 when Sylvester Stallone - who wrote the script and took the leading role - created the character of the Philadelphia low-grade boxer who managed, against all the odds, to go the distance with world heavyweight champion Aollo Creed and give the world a new kind of underdog to support. In "Rocky II" (1979), after 15 brutal rounds, he defeats Creed and takes the title. In 1982, "Rocky III" sees our hero lose to Mt T before Apollo helps him bounce back. By the time of "Rocky IV" (1985), the franchise had acquired an international dimension as the Cold War is acted out in the ring with Rocky squaring up to the Russian Ivan Drago. Another five years passed before Stallone felt that he had to return to the iconic role - in "Rocky V", he adopts a young fighter who turns on him.

That really should have been it - but, as the tagline for "Rocky Balboa" puts it, "It ain't over till it's over" so, 16 year after the last film and an amazing 30 years after the original movie, he's back. It seems that Rock is so missing his wife Adrian that, in spite of running a successful restaurant named after her, he finds that he has something "luking in the basement". On this sixth outing, the narrative arc is just the same as first time round - again a complete no-chancer facing a world champion after a gruelling training routine involving the same frozen meat, the same one-armed press-ups, and of course the same race up the Museum of Art steps - and the same music.

What's different is the advanced years of Rocky and of course Stallone himself - but he looks good, the film looks good, and you'll feel good at the final bell. As the man says: "It ain't about how hard you hit, it is about how hard you can get hit and keep moving forward, how much can you take and keep moving forward. That's how winning is done!"

It's tough growing old, but even though the body starts to crumble and the mind slowly fades, the fight should go on; this message, which will resonate with long-time fans of the series, is at the heart of Rocky Balboa, and makes for an emotional return for America's greatest fictional sporting hero.

In the years since returning to his old Philly stomping ground, Balboa (Sylvester Stallone) has lost his beloved wife Adrian to cancer, and settled into retirement from boxing, the heavyweight champ now running a restaurant called Adrian's. His son Robert (Milo Ventimiglia) has very little time for his old man, bitter that he has lived for so long in his father's shadow. Feeling lonely, Rocky befriends bar-woman Marie (Geraldine Hughes) and her son Steps (James Francis Kelly III), who support the ageing boxer when he decides that what he really wants to do is return to the ring.

Stallone returns to the directing chair for this sixth film in the long-running franchise, and he does a great job, carefully balancing the sentimentality with the action, never letting things get too schmaltzy or too cheesy. Rocky's fight to pick up the pieces and keep moving forward is inspirational, his kind nature is heart-warming, and his motivational speech to his son is frank yet touching. The final 'exhibition' match between Balboa and current heavyweight champion Mason 'The Line' Dixon (Antonio Tarver) proves that the film's star still has what it takes in the ring, the fight being just as hard-hitting and tense as those against his opponents in parts one to four (the less said about Tommy Gunn the better).

While I could have done without all of the fancy visual touches during the closing fight (rapid cuts between full colour and black and white), Rocky V ably proves that comebacks are possible, even this late in the day.

In Philadelphia, the retired former champion Rocky Balboa (Sylvester Stallone) misses his beloved deceased wife Adrian; tries to get closer to his son Robert (Milo Ventimiglia) and has a routine life helping people, running his restaurant telling his past glories to clients and taking pictures with his fans. When the television shows a virtual fight between Rocky and the unappreciated undefeated heavyweight titleholder Mason Dixon (Antonio Tarver) wined by Rocky, he feels the need to return to the ring to practice boxing in little fights as a sport. However, Mason's managers see the chance to promote their non-charismatic champion in a fight in Las Vagas in a charity event and invite Rocky for "the fight of the century". And fighters fight…

I was reluctant to see "Rocky Balboa", but fortunately the high IMDb Rating convinced me to see this great movie, if not the best of the "Rocky" franchise. The plot is very well constructed, but the most important are the messages in the lines of the simple Rocky. His speech to his son is amazing and his attitudes are great examples to be followed. I have recently seen the last "Rambo" and together with "Rocky Balboa" I dare to write that Sylvester Stallone proves that "the last thing to age in some body is their heart". Congratulations to him! My vote is seven.

Title (Brazil): "Rocky Balboa"

Rocky now retired lives from records his deceased wife(Talia Shire in archive footage). Again he deals with alcoholic Paulie(Burt Young),and his estranged son(Milo Ventiglimia, substituting to Sage Stallone), a cocky executive. He's owned a restaurant where is homaged as one of the greatest boxing champions in the history. Meanwhile he knows a single mother(Geraldine Hughes)and falls in love with her. But Rocky comes out from retirement to combat strongest, youngest and faster contender ; he's Mason 'The line'Dixon(Anthony Taver). Rocky attempts to prove himself and his son.Then he's trained by veteran boxer named Duke(Tony Burton, as Burguess Meredith had dead).

This agreeable predictable entertainment displays splendidly the 'formula Rocky'. The movie works at usual manner, fitting appropriately to franchise. Writer-director-actor Stallone new outing is surprisingly entertaining and packs good feeling. Usual and nostalgic musical score by Bill Conti and atmospheric cinematography by Clark Mathis. The motion picture is lavishly financed by the producers complete saga, Robert Chartoff and Irwin Winkler and well directed by Stallone who along with John G Avildsen made the six Rocky.

While here the opponent is an invincible young boxer,champ of the world, in former entries the contenders were the following : Rocky 1, a corpulent Carl Weathers; Rocky II again Carl Weathers through a rematch; Rocky II against Mr T from A Team; Rocky IV against a massive Russian boxer played by Dolph Lundgren; and Rock 5 against an ingrate young fighter who he trained played by Tommy Morrison.