अपनी भाषा में प्लॉट जोड़ेंAfter a near-fatal car accident, smart, savvy, sharp-suited detective Sam is mysteriously transported back to 1973. Confused by his new surroundings, Sam tries to return to the present, but ... सभी पढ़ेंAfter a near-fatal car accident, smart, savvy, sharp-suited detective Sam is mysteriously transported back to 1973. Confused by his new surroundings, Sam tries to return to the present, but the police force of long ago needs his help.After a near-fatal car accident, smart, savvy, sharp-suited detective Sam is mysteriously transported back to 1973. Confused by his new surroundings, Sam tries to return to the present, but the police force of long ago needs his help.
- 1 BAFTA अवार्ड जीते गए
- 9 जीत और कुल 30 नामांकन
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This British series, which made it's trek to the States, Has proved to me to be one of the best series on BBC America this year (the other being Hex).
The commercials for the series don't do the justice of what the series entails. The commercial make you think that the show is basically your run of the mill Sci-fi series working with a weak plot. I have always said that marketing is just as....if not more...important than the actual subject.
You have probably already read the synopsis from other comments presented here, so I won't bore you with the background too much. However, as I watch this series (currently have watched the first 2 episodes) I can't help but be reminded of another British export from many years ago...The Prisoner.
During each case that our hero is involved in, things come into play about where he actually is. He has no idea whether he's delusional, transported in time, or in a coma. This twist, put into the plot line, is what sets this show apart from the others in a very refreshing way.
Overall, I was quite pleased with how this series has turned out and I hope to see much more of it as well as being able to buy the DVDs if they released here in the U.S.
The commercials for the series don't do the justice of what the series entails. The commercial make you think that the show is basically your run of the mill Sci-fi series working with a weak plot. I have always said that marketing is just as....if not more...important than the actual subject.
You have probably already read the synopsis from other comments presented here, so I won't bore you with the background too much. However, as I watch this series (currently have watched the first 2 episodes) I can't help but be reminded of another British export from many years ago...The Prisoner.
During each case that our hero is involved in, things come into play about where he actually is. He has no idea whether he's delusional, transported in time, or in a coma. This twist, put into the plot line, is what sets this show apart from the others in a very refreshing way.
Overall, I was quite pleased with how this series has turned out and I hope to see much more of it as well as being able to buy the DVDs if they released here in the U.S.
Stumbled on this series on BBC America and miss it terribly now that the first season is over.
Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.
Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.
It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.
Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.
Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.
It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.
If you have only seen the poor U. S. New York version then STOP! This is not a cult classic by an accident or some sort of snobbery this is a 2 series Drama that actually then expands into the 1980s sequel Ashes to Ashes ( yes David Bowie theme) the later also 10/10 and 3 series long.
It is just the kind of Drama you can as I am doing now watch again and again.
I was born in the 73 so this resinates with me somewhat but it is a show for all ages and as a whole host of quality actors.
Watch it all the way through to ashes to ashes last episode to find out true ending to this
It is just the kind of Drama you can as I am doing now watch again and again.
I was born in the 73 so this resinates with me somewhat but it is a show for all ages and as a whole host of quality actors.
Watch it all the way through to ashes to ashes last episode to find out true ending to this
The BBC have always been streets ahead of other stations when it comes to police dramas but this is one of the best ones for a long time. Young DI Sam Tyler is hunting a killer in 2006 when he is hit by a car and wakes up in 1973. The interesting thing about this show is how Sams modern police methods clash with the policing methods of the 70,s. Sams superior ,played superbly by Philip Glennister,is the sort of copper who arrests first and asks questions later.He cant quite get to grips with Sam's modern thinking and this often leads to fist fights between the two. This drama also has an interesting cast of supporting characters.They include the Jamacan barman who puts on the accent for the other coppers but speaks to Sam in proper language,the barman seems to know more than he is telling. There is the young WPC that seems to be a possible romantic connection but as of yet nothing has developed in that area, There is also the creepy little girl who comes out of the TV at night and tells Sam things. At certain times Sam can hear voices from the hospital in 2006 and this adds to the mystery.Is Sam really in a coma or are the voices in his head just his imagination. We have had three episodes so far and this drama is so compelling and addictive that i can't wait till the next episode to have more of my questions answered. Classic British drama deserves 9/10
Update- Coming up to the final episode and I wonder if this series will finish on a high note oo end up being a disappointment.Will just have to wait and see
Update- Coming up to the final episode and I wonder if this series will finish on a high note oo end up being a disappointment.Will just have to wait and see
Wow- yet another gem from the BBC after the brilliant Spooks and clearly taking a page from classic American sci fiction/police dramas. Simm looks perfect as the archetypal time travelling hero( he would have a good DR WHO!) and i cant believe that the viewing population would watch trash like reality TV shows featuring under sexed models with false noses and ex basketball junkie criminals. This already has my diary fixed for Monday evenings at 9pm and it is great to relive my past when i was at school- roll on Bowie, Slade ,The Glitterband and The Sweet- the age of glamorous rock bands, The SWeeney and Cortinas. A cracker! And will the BBC continue their great dramas in the months to come as there is very little on terrestrial TV to stimulate the cortices of my brain. I cant wait for the next episode- will Sam Tyler be remembered like Sam Beckett in Quantum Leap?
क्या आपको पता है
- गूफ़The bar scene: No beers cost 22p in 1973. Also, as the UK were still changing the money over, use and handing over of decimals would have been a lot slower than as shown in the film. Beer in Manchester would have been between 10np and 15np (or 2-3 shillings).
- इसके अलावा अन्य वर्जनWhile the version shown on BBC in the UK are 58 minutes in duration, the repeats on Bravo (UK) and the versions shown worldwide are cut down to about 42 minutes to make way for adverts and to cut down on the more adult material (particularly nudity and swearing). Much of the 1970s music is also replaced with public domain music due to rights issues.
- कनेक्शनFeatured in Timeshift: Creating 'Life on Mars' (2006)
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