कहते हैं अंतर होता है तो आकर्षण होता है. कामचोर बेन (सेथ रोगन) और अभिलाषी एलीसन (कैथरीन हेगल), के साथ यही होता है--- कम से कम एक नशे में धुत शाम के लिए. दो महीने और कई गर्भावस्था परीक्षण के ... सभी पढ़ेंकहते हैं अंतर होता है तो आकर्षण होता है. कामचोर बेन (सेथ रोगन) और अभिलाषी एलीसन (कैथरीन हेगल), के साथ यही होता है--- कम से कम एक नशे में धुत शाम के लिए. दो महीने और कई गर्भावस्था परीक्षण के बाद बेन और एलीसन का मजेदार, चिंता भरा और दिल को छूने वाला सफर शुरू होता है जो बहुत हँसाता ... सभी पढ़ेंकहते हैं अंतर होता है तो आकर्षण होता है. कामचोर बेन (सेथ रोगन) और अभिलाषी एलीसन (कैथरीन हेगल), के साथ यही होता है--- कम से कम एक नशे में धुत शाम के लिए. दो महीने और कई गर्भावस्था परीक्षण के बाद बेन और एलीसन का मजेदार, चिंता भरा और दिल को छूने वाला सफर शुरू होता है जो बहुत हँसाता है और साल की सबसे बढ़िया कॉमेडी है!
- पुरस्कार
- 8 जीत और कुल 26 नामांकन
फ़ीचर्ड समीक्षाएं
Much of what is wrong with Knocked Up is simply an over-reliance on Seth Rogen to deliver the laughs. To be sure, Rogen is a funny guy - he handled the jump from second-tier supporting actor (a la 40 Year Old Virgin) to leading man surprisingly well, appearing confident and charismatic. The problem is that as the film goes on, he just doesn't get a whole lot to work with from his supporting cast. Rogen doesn't have enough in him at this point to carry an entire film on his shoulders, but often he is forced into that role, providing the only humor in many scenes (especially in the second half of the movie). At times it almost seems as if Rogen has landed in the wrong film, delivering clever quips and laughs while the barely-likable characters around him remain too serious. Paul Rudd manages to break this up, taking some of the burden off Rogen, but Katherine Heigl and Leslie Mann's unfunny and quasi-sympathetic characters drag them down.
To be sure, the first half of Knocked Up is great, but by the second half the script becomes mired in slow, cliché drama. Marital dissatisfaction and the loss of youth are interesting themes to explore, but in doing so, Knocked Up fails to establish a consistent tone. As the film trudges past the 90-minute mark, it is sometimes humorous, sometimes dour, often clichéd, all resulting in an awkward mix of styles.
Overall, Knocked Up was a good effort, but a little more editing of the script would have helped a lot. I don't mind long movies at all, but 20 minutes could have been trimmed from this film to good effect.
"Jessica Alba fell down!!! Ahahahahahaha!"
"He yelled 'sex' really loud!!! Pssshhahahahahaaheheheheeee!"
No. Die.
Knocked Up, on the other hand, is actually pretty clever most of the time. And even the movie's vulgarity isn't done in an over-the-top, simply-for-gross-out way (cite the fat bitch from Good Luck Chuck). It's what I guess you could call 'relevant vulgarity.' Anyway, the movie is extremely funny. Every joke is naturalistic, but not expected. The movie's characters are all convincing and multi-dimensional, and above all likable. Seth Rogan really does make the movie, though. He is hilarious, but he comes off more like a real nice, frank, down-to-Earth guy. Just the kind of guy you'd like to sit down and have a beer with. The kind of guy you'd more than like to get smashed with. The kind of guy you'd really like to have ill advised unprotected sex with. The kind of guy you'd love to raise a bastard child with. Needless to say, he's the reason the movie works.
"Knocked Up" is a funny comedy and an entertaining romance with a charming cast. Seth Rogen and the gorgeous Katherine Heigl show a perfect chemistry with their charismatic characters, very well supported by Leslie Mann and Paul Rudd, and I laughed a lot with the most hilarious situations. My vote is six.
Title (Brazil): "Ligeiramente Grávidos" ("Slightly Pregnants")
The story looks at the outset like your standard Hollywood opposites-attract rom-com as it centers on the burgeoning relationship between Ben Stone, the perfectly named definition of a slacker, and Alison Scott, the beautiful entertainment reporter. They meet at a trendy LA bar where she is celebrating her promotion to on-air personality. Ben buys her a beer, and she is impressed enough by his unexpected chivalry to keep him company. One thing leads to another, and you can guess the rest. But what you can't guess so easily is how these characters respond to the situation and to each other. There is also a surrounding gallery of characters offering their own opinions about what is developing, in particular, Alison's acerbic older sister Debbie, who is facing a crisis of her own as the control-freak wife of passively dissatisfied husband Pete. Their story intertwines nicely with the main plot line to the point where each makes the other more resonant.
Familiar faces from "The 40-Year-Old Virgin" return in this movie beginning with Seth Rogen, who proves he can carry a movie as Ben. Despite outward appearances to the contrary, his shaggy-dog demeanor and sometimes piercing self-deprecation provide much of the heart in the picture. As a last-minute substitute for Anne Hathaway, Katherine Heigl proves she can translate her natural likability on "Grey's Anatomy" to the big screen with ease. As Alison, she shows herself to be the rare actress who can be drop-dead gorgeous, smartly aware and genuinely non-judgmental. Apatow's wife Leslie Mann, who memorably demanded French toast while driving drunkenly through LA in "Virgin", is terrific as Debbie, an often-irritating mass of neuroses whom you somehow like despite herself. She has a great self-revelatory scene with a bouncer outside the same bar we see at the beginning. Paul Rudd plays Pete in his deceptively casual manner with a standout scene stoned in a Vegas hotel room.
Harold Ramis has a nice small scene as Ben's proud dad, while Ben's friends are an assortment of slacker-types played out like a well-tuned improv troupe. My one complaint about the film is just some of the sluggish pacing toward the last third of the film, the same problem I had with "Virgin". A running time of 129 minutes seems a bit long for the story being told here, though the birthing scene is hilariously executed, in particular, a scene-stealing bit by Ken Jeong as the passive-aggressive gynecologist called on to deliver the baby at the last minute. One other minor irritant are the deliberate references to "Virgin" in some of the dialogue between Ben and Pete. Regardless, this is one smart, heartfelt character-driven farce that far exceeded my expectations.
क्या आपको पता है
- गूफ़When Ben and Pete are in the Las Vegas hotel room, the Sands Hotel is seen out the window. The Sands was imploded in 1996 to make way for the Venetian.
- भाव
Debbie: I'm not gonna go to the end of the fucking line, who the fuck are you? I have just as much of a right to be here as any of these little skanky girls. What, am I not skanky enough for you, you want me to hike up my fucking skirt? What the fuck is your problem? I'm not going anywhere, you're just some roided out freak with a fucking clipboard. And your stupid little fucking rope! You know what, you may have power now but you are not god. You're a doorman, okay. You're a doorman, doorman, doorman, doorman, doorman, so... Fuck You! You fucking fag with your fucking little faggy gloves.
Doorman: I know... you're right. I'm so sorry, I fuckin' hate this job. I don't want to be the one to pass judgement, decide who gets in. Shit makes me sick to my stomach, I get the runs from the stress. It's not cause you're not hot, I would love to tap that ass. I would tear that ass up. I can't let you in cause you're old as fuck. For this club, you know, not for the earth.
Debbie: What?
Doorman: You old, she pregnant. Can't have a bunch of old pregnant bitches running around. That's crazy, I'm only allowed to let in five percent black people. He said that, that means if there's 25 people here I get to let in one and a quarter black people. So I gotta hope there's a black midget in the crowd.
- क्रेज़ी क्रेडिटBaby photos of the cast and crew are shown during the closing credits.
- इसके अलावा अन्य वर्जनIn the UK theatrical release, during the first scene where the guys work on their website, the material regarding Short Cuts was replaced by a skit on Total Recall and the three breasted lady, containing Jason's impression of Arnie saying "damn it Cohaagen, give dem di ayer". This scene is absent from both region 1 and 2 DVDs, and only the Short Cuts is included. The Total Recall bit doesn't even appear in deleted scenes, meaning it seems to have vanished.
- साउंडट्रैकAll Night
Written by Stephen Marley, Damian Marley (as Damian Robert Nesta Marley),
Coxsone Dodd, Jackie Mittoo
Performed by Damian Marley featuring Stephen Marley
Courtesy of Universal Records
Under license from Universal Music Enterprises
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Knocked Up
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $14,87,68,917
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,06,90,990
- 3 जून 2007
- दुनिया भर में सकल
- $21,99,22,417
- चलने की अवधि2 घंटे 9 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1