Metal: A Headbanger's Journey

METAL: A HEADBANGER'S JOURNEY is probably the best documentary EVER on the Heavy Metal scene. It encompasses virtually all of metal sub-genres like Hard Rock, Glam, Black, Power (although I have trouble with defining this sub genre in particular), death, prog and thrash. The film's mastermind, 31 year old Sam Dunn, does an excellent job dissecting the genre, from its classical and blues origins, to why the Scandinavian black metal scene is so evil. He even goes out of his way to set up a genealogical tree for metal! For the metal fan who enjoys or enjoyed some of the metal sub genres presented here, he/she will be full of ecstasy and for the uninitiated, this is a good place to start. Interviews with SLAYER, MOTLEY CRUE, EMPEROR, IRON MAIDEN, MAYHEM, DIO, BLACK SABBATH, RUSH, SLIPKNOT, KORN, ARCH ENEMY, TWISTED SISTER, etc. will only leave you wanting for more and more. There's a nice flow to the documentary and, in my humble opinion, wasn't bored in the least.

What I didn't like too much was the fact that Sam Dunn barely talks about thrash metal. Yeah, he mentions METALLICA, MEGADETH, and there's the SLAYER interview, but this sub genre is the one that gets least mentioned (taking into account today's biggest metal band, METALLICA, arose from the thrash movement).On the other hand, black metal and death metal receive more film time. Maybe Sam Dunn wanted to leave the thrash part less explored due to the upcoming thrash documentary, "GET THRASHED", which has been in the making for at least 4 years.

Minor complaints aside, this documentary rocks and if you're a fan of the genre you'll do no wrong in getting this essential film in your DVD library. Thrash on!!!

I don't like heavy metal music; in fact I hate most heavy metal music. I loved Metal: A Headbanger's Journey. It had all the best components of a good documentary, one of the best released in a long time and a good companion piece on a par with Metallica – Some Kind of Monster.

Co-director Sam Dunn is both a metal aficionado and a student of anthropology. He knew how and where to delve into the culture with a healthy reverence for his subject matter, but with the objectivity to examine in a way that outsiders could glean appreciation. I found it fascinating.

In a systematic, well-structured manner, heavy metal's origins and history were examined, as was the disparity between its followers and detractors. Fans, band members and industry experts were interviewed. The questions and answers were intelligent. Historic file footage was used. The culture and its many sub-genres was analysed. The relationships between heavy metal and gender, sex, religion, Satanism and violence were all covered in a most interesting and enlightening manner.

It was shot on location, including at various concerts, across North America, UK and Europe. I found Dee Snider of Twisted Sister, Tony Iommi of Black Sabbath and Ronnie James Dio of Dio (accredited as the inventor of the devil horn sign) the most compelling interviewees, though there were many others too numerous to mention. The sum of the whole turned out a rich result.

Unlike many documentaries of late, where the primary goal appears to be light entertainment using celebrity heads, this film is truly insightful, intelligent, balanced, educational, funny and entertaining! Whatever your taste in music, I highly recommend it.

I saw the film today and was mighty impressed. The film captured the buzz in the '80s when heavy metal became the biggest thing going. It was good to see Iron Maiden and Judas Priest contrasted to current bands such as Slipknot to show how the spirit of the genre is thriving. Tony Iommi, Dee Snider and Ronnie James Dio all give standout interviews with Dio's digs at Gene Simmons being especially revealing. It was also great to see '80s curiosities Accept and Quebec's own Voivod being represented. The segment contrasting the grunting, leather-clad bands such as Man O War with the lace-wearing bands such as Poison and Cinderella was unexpected and fascinating. Showing the closeted Rob Halford performing in full cruising gear for a rabid hetero audience was quite poignant. I especially like how the film stresses how the music let its fans dream, cope and find solace. Those like myself, whose interest in metal may have flagged in the intervening years would do well to view it and remind themselves what all of the fuss was about.

Actually, to say that heavy-metal music is just a genre of music is almost insulting in some circles. As someone who's too eclectic to really be solely a metal-head, but has been in the realm of the metal world to see how it goes, I can empathize with Sam Dunn's main intention with the documentary; this music should not be seen as just some goofy, crude, offensive, or dangerous off-shoot of old-time rock n roll (not that the last one doesn't apply in one or two cases). It's to show how personal this music, and how this 'way of life' can be for a person, and how it affects personality but not necessarily in the perceived negative light. Dunn, of course, has his head totally together, which is how he can go head-to-head with metal legends &/or notorious sorts like Tony Iommi, Bruce Dickinson, Lemmy, Alice Cooper, Dee Snider, Dio and Rob Zombie (Geddy Lee is also among the big known interviewees, though it's strange to see him here when he's not really 'metal', at least in league with these guys).

But through him and his collaborators, he is able to get inside not just the off-shoots and specifics of the world of heavy-metal. The look, the style, the attitude, the controversies both domestic (i.e. Dee Snider's battle with Tipper Gore) and foreign (a superlatively done look at the Norwegian black-metal scene, which is both tense and hilarious), the women bands in the world, and how it helps some people really get better on with life either to hear it or play it or, of course, both. Dunn's look is good if, by necessity perhaps too, too brief, as he at one point lists a kind of heavy-metal family tree of sorts- all too quickly to really see every single one- and barely scratches the surface in the 96 minute running time. Maybe there is only so much that can be covered in a feature-length film, but the subject matter serves to be even more looked into; VH1 had also done a heavy-metal documentary, and it lasted four hours. On the other hand, Dunn and his people actually do get some material here that is more precious, and more enlightening. The juxtaposition of the 'true believers' and horrors in Norways black-death-metal scene with a band like Slayer, who are bad to the bone and have fans who go toe limit, is interesting.

It's the kind of documentary that really does work for that it's worth, but not enough of a good thing is explored for fans. Non-fans may get just enough that they can handle, a mix of the basic facts and key points (i.e. the coining of the term 'metal', the roots in the blues, the devil horns, and a look at outrageous album covers). It's good subjective film-making, though edging a little much on trying to get enough history along with the personal history.

Opening with the age-old question of what was the first heavy metal song before launching into a metal head's history of the genre this fascinating documentary is a must. With interviews from rock greats like Lemmy, Tomy Iommi, Alice Cooper and Vince Neil to name but a few and concert footage of various heavy bands from Black Sabbath to Slipknot this is a sweaty, mosh pit inducing, bleeding ears look at what heavy metal music is and means to thousands of fans the world over. It is well made, surprisingly funny and brilliantly paced. There were moments in the film when the hairs on my neck stood up as memories were evoked by what I was watching. Seeing Rage Against the Machine performing killing in the name of and all the fans singing along reminded me of when I saw them fourteen years ago in room with no more than a hundred people. You can't beat the feeling of seeing a massive rock concert and the film manages to capture that feeling with the sights and sounds it is almost like you can smell the sweat. The makers also don't shy away from the controversy that has been levelled at the music over the years and delves into the various court cases and why so many believe it's the devils music. Overall it is a thoroughly engaging look at heavy metal and all that encompasses, made by a fan for fans but open to anyone, are you ready to rock?