21

A great young cast tell a whirlwind story that zips in places, but drags slightly in others. Kevin Spacey steals the show as the mastermind behind the MIT card-counting team (who are all remarkably glamorous - wonder if they were in real life?) The cinematography captured the bright lights of Vegas particularly well and the sheer fun and excitement of what they were doing was well communicated to the audience. It plays the twists and turns in a similar way to the Ocean's series and there was a flavour of those here. My 12 year-old son thought it was great and although there were some adult themes it was played in an easy-going harmless style.

This film is about a group of mathematical geniuses trying to make lots of money from Las Vegas by playing Black Jack.

The start of "21" is too slow, and I think they could have cut out a lot of scenes to make the pace quicker. Black Jack is a fast pace game, but the film does not give that pressing pressure during the game. I would also have liked to know why everyone in the team is in this business venture, but the film only explains why Ben is in. This would give the other members of the team more development and depth. In the film, Kianna and Choi are nothing more than mannequins that give signals one in a while. It's a pity that their characters are not explored.

Though they explain the communication codes well, they have not explained the points system that is central to the whole plot. I was so lost about those +15 and +16's that it killed my enjoyment.

It's also annoying that they keep going to the same casino, which causes their downfall. If they were so smart, why did they not think about this?

Considering the risky pleasure generally associated with gambling and the seductive thrill of watching a heist or scam unfold, it should come as no surprise that 21, a film which combines the two aforementioned premises should excel at being enjoyable. And while the film may be very familiar ground to anyone with in any experience with Ocean's Eleven style crime capers, and the majority of the film's plot points verge on being almost laughably predictable, it is executed with enough exuberant flair to make it worthwhile in the midst of its formula.

A slow start gives the necessary exposition as to how a thoroughly ethical young MIT student (Sturgess)'s desperate need for money to attend Harvard medical school leads him to join a team of mathematical geniuses trained in blackjack card counting who routinely rip off Las Vegas casinos during weekends between class. However, this opening proves overlong, overly predictable, and largely unnecessary, dragging far too much before plunging into the film's real fun as Sturgess and his team are engulfed by the seductive glamour of Vegas and the thrill of the huge monetary takes. Some judicious editing, clearing away such unnecessary subplots (such as a robotics competition with Sturgess' tiresomely stereotypical nerdy friends) could have resulted in a far more streamlined and faster paced film.

Some viewers may take offence to the "Hollywoodizing" of the MIT team, with team members of different ethnicity largely shoved to the background in favour of the typically gorgeous Caucasian leads, a disconcertingly common practice in modern day cinema. However, the flashy MTV style cinematography and editing ably capture the engrossing spectacle of Vegas, and once the film gets going, it would be difficult to deny the sheer enjoyment of being swept up in the heady rush of quick wealth and all of its hedonistic trappings.

The film's quality cast add credulity to the frequently underwritten characters they portray. Jim Sturgess once again impresses as the ethical math prodigy slowly corrupted by a world of superficial glamour, his endearing charm putting an intriguing enough take on the "troubled but well meaning hero" archetype. As one might expect, Kevin Spacey effortlessly steals the show as the charismatic but ruthless professor managing the MIT card counting team, and Spacey's easygoing yet commanding presence is a profound boost to the film. Kate Bosworth contributes a typically flat performance, but given her token 'inevitable love interest' role, she fails to detract much from the film's overall quality. Lawrence Fishburne adds class, much needed dramatic weight and moments of grim humour to his antagonistic burly head of casino security, gradually catching on to the MIT team's scamming.

While the age old adage of 'style over substance' certainly holds true here, 21 may essentially epitomize the modern Hollywood crime caper film, but the formula hasn't quite run dry enough to overly detract from the enjoyment factor. The film's snappy visuals and strong casting are mostly enough to make up for a largely uninspired and frequently weak script. However, fans of similar works will not be disappointed, and for those willing to forgive the film's frequent delving into the wells of convention and accept entertainment over profundity, 21 should prove an ideal watch.

-7/10

21 is a movie about game, money and greed and also about how someone can lose his self control when it's all about making "easy money"…

In the materialistic world we live nowadays money is the center of many things, even those which were supposed to have nothing to do with it, like love or friendship; so making "easy money" is a real temptation even if you have to lie, forget your old friends or to do schemes to achieve it! The main character of this movie can tell it very well…

It's a nice movie about this subject and it shows us the frightening world of Las Vegas casinos'. The plot is quite interesting and appealing and the cast is also good. I score it 7/10.

Slick camera work and some good performances rev up the technical quality of this fact-based story about a 21 year old MIT student named Ben Campbell (Jim Sturgess) who, along with his brainy Ivy League chums, travels to Vegas to win tons of money at the blackjack tables. Their sleazy math professor, Micky Rosa (Kevin Spacey), leads the group. Rosa has devised an elaborate and conspiratorial card counting scheme that consists of code words and hand gestures. With all that preparation, the group's scheme does work ... for a while. And in the process, the shy, cautious Ben, who only wants the money for tuition costs, morphs into his alter ego, a person quite unlike his original self.

The film's pace starts off leisurely, then alternates between fast-paced Vegas casino action and periods of downtime wherein Ben and his girlfriend, fellow conspirator Jill (Kate Bosworth), talk shop and take in the high life. The story does have a villain, but it may not be who you think it is.

The script's dialogue is snappy and hip, and contains minimal tech jargon. "Variable change" is one such math term, and it has thematic implications toward the end, as the story twists and turns in ways that may surprise you. And "winner winner, chicken dinner" is the group's lingo for gambling success.

Production design is realistic and lavish; this is a big budget film. Color cinematography, by DP Russell Carpenter, is polished and slick. There are lots of elaborate camera dissolves and close-ups. The best parts of the film are the close-ups of the characters at the blackjack tables. Film editing coincides with plot pacing, and ranges from slow to super fast. Acting is all-around good. Kevin Spacey gives his usual topnotch acting job; Sturgess and Bosworth also give fine performances.

It's not a perfect film. Background music was noisy and rather nondescript for my taste. And I could have wished for more card playing, and less time spent on Ben's college buddies in the first Act; the result is that the film gets off to a slow start. Still, the script is credible, and stays close to its book source "Bringing Down The House" by Ben Mezrich.

Thematically relevant in today's world of greed and materialism, "21" is a terrific film, one that has greater import than other films, because the events in "21" really happened. And the fine performances and polished visuals enhance the overall look and feel, to create a film that is both engaging and entertaining.