SPL: Kill Zone

.. when he called SPL the pinnacle of his martial arts choreography. It rocks. HARD. Not only are the fights are brutal, fast, and complex, but Donnie may have achieved the impossible: He made Brazillian ju-jitsu look exciting on film. Donnie's character repeatedly goes for takedowns, armbars, chokes, and all the moves that you might see in a UFC or Pride match (with Sammo countering attacks exactly how the big fighters do it in a real bout), while seamlessly combining them with the incredibly fast, complex punching and kicking exchanges you'd expect in a Hong Kong flick. Did I mention that the fights are bone-crunchingly brutal? There is a real nastiness to the punchups that should yield a great reaction from enthusiastic audiences. And then there is the spectacular Wu Jing vs Donnie Yen fight. It starts off very, very fast and complex, then at a certain point, the tempo changes and you suddenly realize that it's because they're just making it up ON THE SPOT and the damn thing becomes even more impressive. The long, unbroken takes should please fight purists, too.

The film itself also holds up. Director Wilson Yip really shows off his passion and skill in this film. It's an intense crime drama that doesn't have to pander to any teeny boppers, so he is free to finally let loose. The story is solid and Yip takes the opportunity to devise some great sequences. There's a scene that cuts between Donnie looking at photos of the policemen he's about to lead and footage of the same cops intensely doing their business that is pure cinema.. a scene that could have been plain on paper, but is made exciting purely through the director's vision - the way it's cut and scored and staged. In other words, there is a lot of obvious effort put into the drama. It isn't just some thrown together filler btwn fight scenes. This is a real film. Oh, and one comment about the audio: It's amazing. The music is superb and the sound effects are everything you could hope for in a kung fu film (ie, they accentuate every move and hit as you'd want them to). I hope the DVD has a great DD5.1 track and that you have the system to play it 'cause it'll make a big difference.

Complaints? I have only one: The fights should have been a little longer, but that's okay because they burn twice as bright as most.

What do you get when you pair two martial arts legends against each other, throw in a dark, gripping, sadistic story and a boat-load of action? Well, that's simple: you get one of the best Hong Kong action flicks of recent memory. "SPL" brings it all back home and it does in violent fashion. Donnie Yen leads a cast that also includes Sammo Hung, Simon Yam and Wu Jing. I loved everything about this movie. I thought all the actors were great. I thought the story was good. The action was just brilliant! Donnie Yen's fight choreography is some of the best work he's ever done (check out the alley fight scene against Wu Jing). He mixes traditional kung fu with a little UFC grappling which I thought was pretty cool. Seeing Donnie and Sammo face off for the very first time was quite astonishing. Some of you may agree, some might not, but I think Donnie Yen is the most underrated action actors of them all. I love Jackie Chan and Jet Li, but they're like Van Damme and Seagal. They play the same character in every film. Donnie, on the other hand, is a much more versatile actor who's willing to play supporting roles or even villainous roles. It's really a shame that he can't get the Hollywood leading roles that often go to Jackie or Jet. But that could change soon. In the mean time, check this movie out! You'll love it.

Set to retire due to a terminal brain tumor, detective Simon Yam knows there's only one way for him and his loyal squad to deal with triad kingpin Sammo Hung and his troops: force on force. But no matter how hard they press - and they press HARD - Sammo presses back harder, and usually after he walks free when it becomes apparent Simon and his boys have violated every police procedure and human right imaginable in an effort to secure an apprehension.

When a mentally deficient A/V geek arrives at the station with a video showing Sammo teeing off on the head of Simon's undercover operative and one of his henchman finalizing the deal with a bullet to the head, Simon and his crew first beat the henchman to within an inch of his life, sending him flying off a high-rise rooftop, and then hatch a plan to edit the tape and make Sammo appear to be the killer. Of course, there's always a backup tape, and the vicious crime kingpin again walks free, this time with a master plan to wipe out Simon's unit for good.

Into this raging carnival of payback is transferred Simon's replacement Donnie, a not-quite- by-the-book hot shot whose initial protestations to the group's dark pragmatism and exclusionary procedures are rescinded after he helplessly watches one of them get slit up a treat by Sammo's snickering, psychotic blade-for-hire Jacky Wu Jing (who's hardly the "newcomer" he's being touted as by both the opening credits and the internet gossip cycle). That these two will later settle up accounts in a ferocious bout of hand-to-hand combat in the alley leading to Sammo's club is a foregone conclusion: that the fight is one of the most beautifully constructed, relentlessly exhilarating setpieces of martial arts choreography in the history of Hong Kong cinema, one that practically INVENTS new ways of kicking ass, comes as a breath of minty freshness in this era of assembly line romances and computer-assisted Jackie Chan in silly helmets.

The sequence is rivaled in short order when Donnie finally takes on the Big Man himself, virtually trashing Sammo's opulent nightclub in the process just moments after Simon's abortive last attempt to kill his archenemy buys him a series of gaping stab wounds and a Great Big Knife through his hand.

But the film isn't just about combat, phenomenal though it is; it's about consequences, and the dark decisions of the soul that, in Hong Kong movies at least, routinely resulted in cataclysm in film after film of the golden era of the 80's and 90's. The kind of movie that used to be worthy of the title Heroic Bloodshed, and a textbook exercise in escalating nihilism. No one escapes fate in SPL, not that they try very hard: combatants on both sides of the battle have tunnel vision and live only to see the other side pushing up the daisies, their own deaths often appearing as surprising to them as they are to us.

SPL feels like the movie its director, Wilson Yip, wanted to make in the mid-1990's, back when folks like Danny Lee knew the value of a hammer and a phone book in extracting confessions, so it doesn't surprise that the film is set in 1997 (a fact seemingly lost on the majority of the audience at the Toronto Film Festival where this debuted): how else to justify the "shoot-first-f***-the-questions" cocaine bust flashbacked as newly arrived Donnie quietly acquaints himself with the vacant desks of his new charges, or the sight of weary veteran Liu Kai-chi slapping around a mental retardate and trashing the poor boy's pad?

Not that the film is all bleakness. With the exception of Jacky's smirky, nutjob assassin, all the primary leads are given small vignettes that show they're firing on more than one cylinder: Simon becomes godfather to a little girl whose parents, witnesses to Sammo's dirty dealings, were killed by Jacky. Liu Kai-chi discovers the fate of his estranged father just moments before fate points his way; Donnie secretly plays video games with a mentally challenged ex-thief he clocked a little too hard; and Sammo interrupts several tense moments AND his climactic Donnie-brook to take calls from his wife, who after several failed pregnancies has finally given him a child, albeit one who will figure prominently in one of the most brutal twist endings of all time. There's more authentic characterization on display here than in any five Hong Kong action thrillers of the past few years (barring the gorgeously grim procedural of Johnny To) - not for nothing is the film set on Father's Day - a fact not lost on the likes of Yip and Yen, who must have known respective talents such as theirs, coupled with an Asian cinephile's dream cast, could only result in something truly memorable.

With little argument, this is Yip's most refined, tightly-wound effort to date, a lean, dark, unsparing bastard of a movie that melds the satiny luster of 2002, with which it shares art director Jeff Mak, with the sinewy, stripped-down plotting of BIO-ZOMBIE (minus the comedy, of course). Easily one of the best, if not THE best Hong Kong picture of 2005 so far, and I doubt the rest of the year will produce anything its equal.

Inspector Ma Kwun (Donnie Yen) must make some difficult decisions when he discovers that Chan (Simon Yam), the police detective he is about to replace, and his loyal men have been bending the law in order to convict ruthless gangland boss Wong Po (Sammo Hung).

Donnie Yen first smashed his way onto my screen over twenty years ago in the excellent Hong Kong fight-fests In the Line of Duty 4 and Tiger Cage II; sadly, subsequent roles in some less than memorable films saw him slowly slipping off my radar during the 90s (with only Iron Monkey making any lasting impression on me). However, having just seen S.P.L. (AKA Kill Zone), a powerful crime drama enlivened by some amazingly brutal action, I'll be sure to track his every move from now on.

Admittedly, with both Yen and Hung on board, I would have loved to have seen a little more fight action, but I found the story compelling enough to hold my attention until the inevitable bad guys/good guy showdown, at which point all hell breaks loose and kung fu fans finally get to enjoy some blisteringly fast and bloody battles. Also serving to make S.P.L. slightly more memorable than your average Hong Kong cop drama are the inclusion of a really loathsome assassin (played by Jacky Wu) and writer/director Wilson Yip's relentlessly grim approach which offers little hope for any of the characters and culminates in a real downer of an ending that left me speechless.

7.5 out of 10, rounded up to 8 for IMDb.

This is a low budget movie about good intentioned cops taking the law into their own hands to take out the bad guys. With some kung-fu fighting mixed in. When it came to the cops trying to frame and wipe out the bad guys, it just wasn't all that interesting. Nor was it all that entertaining to watch. In another words it just wasn't one of the great Hong Kong crime syndicate movie or anything like that. So I just wanted to get to the fight scenes. Which is very very few in this movie. There is two main things that stands out about this movie. The first, is the fight between Donnie Yen and Wu Jing. The second is the ending, which I just didn't expect. Besides that this is a watchable flick, but not really a stand out movie.

6/10