Hyeongsa

This movie is disguised as historical action,romance and detective film. It has every element of any Asian action genre film.

Underneath it, this movie is very self-conscious and experimental film. Of course, there is a compromise between mainstream movie and director's personal movie. That is "having narrative" in this movie.

Director expresses his visual vision which is loosely based on detective story.However if you try to follow story in this movie,you will be utterly disappointed.

This is almost another form of alienation effect. There is narrative but narrative can not handle its grandized style. It is not style for narrative but narrative for style. Director almost challenges you what movie is and means to you. In this grossly capitalized movie making world, can movie be presented as an art form or a painting. is it even possibility of discussion?

If you like this kind of geeky challenge(almost Brecht like) or exploration, this is movie for you. If not, I say still give a shot and focus on style and rhythm and visualization and do not waste to spend too much time to follow the "story". If you are interested in this director, you can google it and will be able to find interviews. I think this movie Lee expressed more his personal vision and visual challenge than previous one and he is definitely pushing it.

Movie is based on comic book characters and stories written by Bang Hak-gi.Korean soap opera "Damo (female detective)" also is based on this comic book story.

Female leading lady(Ha ji won) played similar role in drama "Damo". Damo was great hit series drama in Korea.

This movie did not do well in korean box office but there is a cult following for this movie. When you try to buy DVD, make sure that it is quality you want because director did several digital enhancement on this movie after release.That is what I heard anyway and you do not want to miss gorgeous visual in this movie.

I saw this film at the opening night of the Hawaii International Film Festival, as an unannounced special screening. Outrageously colorful and stylized, it's a tale of a girl trained as a sword-fighter who works as a cop, and a mysterious masked swordsman who may or may not be in league with a gang who is flooding the country with counterfeit money. The plot is confusing enough, but it really doesn't matter: it's just an excuse for some amazing set- pieces involving crowds of sword-fighters, fighters chasing through markets and dye factories, barroom brawls, and over the top humor. And swordplay as foreplay. Not likely to get a US release, but a lot of fun. Modern Korean cinema, in my opinion, is leading the world in terms of set and scenic design, and innovative cinematography. Catch this film to see what I mean.

I just saw this at the Toronto Film Festival. I really looked forward to it, after watching the trailer. The cinematography was no doubt a visual feast, beautiful composition and choreography, a lot of the time it resembles a comic book, the mysterious "sad eyes" and the exaggerated Namsoon, but the entire film just feels like a big loop of artistic sequence, a bit of story, artistic sequence, etc etc. After a while, it seems that a lot of it are just there for eye candy, didn't really do much in terms of contributing to the story, eventually it just became tiresome and repetitive. I can't say it was bad at all, but just the cinematography wasn't engaging enough, it was a sharp contrast of gorgeous visuals and an insipid story.

I cannot feel the love betwen them, but i love the action scenes

You're probably wondering what the heck my title means.

There's a memorable scene where the soundtrack features a hard rock thrash song and a quiet piano sonata ...playing simultaneously! How the audio engineer pulled this off without it sounding like a train wreck is beyond me. But you can distinctly make out the two clashing pieces of music.

The whole movie is much like this phenomenon. First of all, it boldly crosses the line between "art house" and "martial arts flick". If you're looking exclusively for either, you'll be disappointed. But if you're sharp enough to follow the jumps, you'll love this picture.

Almost every other reviewer has criticized the plot for being too thin. I think they're missing the point. The classic Japanese film SEVEN SAMURAI can also be said to have a weak plot, if you're get right down to it. But the point is not to look for an intricate Alfred Hitchcock weave; the point is to enjoy how expertly the visuals can bring a fairy tale to life. And this is a great fairy tale, at times leaving you wondering what is a dream and what is real.

And then suddenly you're holding your sides because you're laughing so hard at the comic routines. Like I said, this film mixes it all. You gotta be quick to keep up.

Visually, I can't praise this film enough. Vivid colours, smooth camera motion, graceful movements (to the point where a mob scene looks choreographed) and gorgeous sets give this movie a fantasy quality that few directors have been able to achieve. And the computer animation (if even there was much at all) was not noticeable, unlike a lot of modern films that use CGI for everything. Instead, the director uses very creative lighting and shadows to accentuate the swordplay. At times it looks like a Star Wars light sabre duel, but so realistic.

Enjoy this film for what it is. Expect nothing, drop all preconceived notions, and I guarantee you'll have a great time.

Oh, I also thought I'd mention... no nudity or gratuitous sex, no blood splattered across the screen, no animal cruelty. Fun for everyone.