En la Cama

Despite presenting a situation that normally in any spectacle would become tedious, pointless, and plain claustrophobic - two strangers having sex and talking for just one night in a cheap motel room - "En la cama" succeeds for its authenticity and no holds barred approach, shining a light into two different individuals and the dynamics of men and women. The film is sexy, funny, and poignant.

Actors Blanca Lewin and Gonzalo Valenzuela give a bravura performance as the twenty-something couple who spend over 80 minutes mostly nude in bed baring more than just their bodies. Through their uninhibited lovemaking and conversation, the film explores the possibility of true communication, intimacy, and sexual fulfillment between perfect strangers; the fact that they may never see each other again can allow them to be themselves. From the powerful eroticism of their first coitus to the awkward moments that follow to their comical character flaws to the poignancy of their revelations as the night comes to an end, the film does not judge its characters nor indulges itself in haughty romantic notions or cheap sentimentality. Its clear-eyed, realistic approach provides the vision to sustain our interest.

Although "En la cama" presents a similar situation to the excellent film "Before Sunrise," which also portraits two young strangers sharing just one night, they are totally different and cannot be compared. In "Before Sunrise," hormones and the idea of anonymous sex is certainly not the primary force that brings the couple together while beautiful, classical Vienna shines magically around them creating an ideal romance - that once in a lifetime opportunity that brings you the love of your life, seize it or you'll live to regret it. On the contrary, the characters of "En la Cama" get together to have pure sex, after which they don't even remember their names, spend the whole movie in one nondescript motel room (other than it has a sign reading "sexit"), and there are no romantic possibilities for them. Yet, their revelations are deeper as their intellectual differences, emotional wounds, and flaws manifest through the course of the night.

Without a question, this film is a giant step in Latin America cinema, effortlessly combining the nudity and sexual frankness of a classic such as "I'm Curious - Yellow" or more recent "The Dreamers" with the philosophically-different buddy films such as "My dinner with Andre." A must-see for lovers of those genres.

I may have seen only one other film from Chile, and was pleasantly surprised by the interesting concept and fair execution of this one by director Matías Bize. Two strangers at the end of their 20s meet for a one night encounter of casual sex in a motel. They may have done it many times in the past, but this night will prove to be different. The film starts with the two having sex, this is where many other stories in movies end, but here this is just the pretext for a dialog and a possible relationship. A relationship that will probably not last beyond the night, but its temporary nature gives it the occasion of intensity and sincerity. These do not come instantly however, it takes several rounds of dialog (and more sex) to start peeling off the layers of convention and get to the intimate truth, insecurity, intimacy of each one of the two characters. Sex is only the external layer of a relationship, and the most superficial of all, it hides rather than it represents what the man and the woman in the couple really are, and it takes special circumstances and dialog for the truth to pop out - this is the essence of the story that is being told.

Such a movie cannot keep the interest of the viewers even for its about only 80 minutes without good acting, and we get indeed here two excellent actors that pass well the screen and the challenge of explaining their characters beyond the physical appearances, which as with the story is the principal acting problem they face. Playing almost at nude in the perimeter of one motel room and yet building complex and human characters is not an easy task for an actor. Both are more than OK, Bianca Lewis is even close to bright. Director Matias Bize succeeded to make an interesting and different film, I wonder if he will be able to avoid closing himself in the formula or format of experimental films and rather continue to follow the emotional dimension he brought to screen in 'En la cama'.

I watched this on Netflix streaming video with English subtitles because I was bored one night and the premise of the movie's description sounded intriguing. It is far more than I could have known! This movie is an amazing exploration into truths, relationships, and various layers thereof, and it gradually unfolds like layers of an onion.

The movie first begins with the couple in the throes of lovemaking resulting from mutual attraction at a party. They begin to dialog and note how they don't even know each other. As their personal life stories begin to unfold, so do layers of truths, jealousies, distrust, anger and all of the other emotions which tend to play out during many months, not hours, of relationships.

The movie fascinates if you enjoy the study of humanity and interpersonal relationships. The movie didn't simply end-- I'm still enjoying the food for thought which it left for me to ponder.

a woman. a man. in a hotel room. sex. talks. plains of silence, expectations, fears, desire. slices of past. small window of a future. I saw many times this film. and in each occasion, important was the fragile feeling to discover a parable in clothes of a meeting. a beautiful film about need of other and search to escape from yourself. fragility is its essence. its rule, axis and lead character. Bianca Lewin and Gonzalo Valenzuzuela are only its sculptors. their performance, delicate, precise, admirable makes things rolls. it is a delicate film. it is the virtue of director - and after years, not a surprise - to give force of a world who seems be only crumb of dream. to make a film like a silk carpet. to present a world, a state of soul, a crisis in a special manner because it becomes confession of viewer. a beautiful film. lesson. about each of us.

Alright, about my rating first: I realize that this movie is not 10/10 quality, for it is a good one, but we have all seen better. However, in it's own category, it shows some qualities, that are rarely seen at cinema.

Namely: Well done sex scenes.

People, seriously, why is it so hard to make them? In most movies you see, they're either toned down and flat, or over the top and out of place. This one's on the other way taking it to the extreme. The whole film is about two young people on a one night stand in a motel room. There are no other actors, and no other set. Just these two, who came to have sex. And to have it as many times as possible. The night is long, and they already paid for the room, so it's perfectly understandable.

The story is about the two getting closer and closer, until their relationship turns from 'total strangers' to 'uncomfortably close, for a one night affair'. And that's another interesting thing about this one. I bet everyone of you has memories of sitting through a movie with a larger audience, coming across an unexpected, kinkier scene, which makes all of you feel embarrassed. Well, this movie doesn't screw around, that's for sure, and maybe because you know what to expect, and because of this film is well written and executed, you'll never once feel that cringe. As a matter of fact, the dialog parts may be much more tense, and uncomfortable. Why? Because a one night affair is not about talking. One might bump into things he or she doesn't want to get involved, or let the other get involved in.

Let's get back to the sex. I really didn't count it, but they're having sex about five times throughout the movie! It's quite a big number for a 85 minutes movie, which tries to tell story actually. But all of them work just fine. It's due to the cast of course, both the actors come off as really likable, good looking, young and fresh, and a strange kind of chemistry is present. As they getting to know each other, slowly, their relationship changes. And here comes another reason why these scenes work so well: good timing and direction. See, it's not just a movie, where these two screw five times and then they talk. The sex scenes are fully integrated into the plot, the have reason to be where they are, and they're executed and played out in a manner that reflects to the actual mood, events and dialog. It means we get about five completely different sex scenes in one movie, on about every significant point of the plot, where they are more than needed.

Deepest regards to the director, for this is truly an accomplishment, not too many could've pulled off.