En la Cama

a woman. a man. in a hotel room. sex. talks. plains of silence, expectations, fears, desire. slices of past. small window of a future. I saw many times this film. and in each occasion, important was the fragile feeling to discover a parable in clothes of a meeting. a beautiful film about need of other and search to escape from yourself. fragility is its essence. its rule, axis and lead character. Bianca Lewin and Gonzalo Valenzuzuela are only its sculptors. their performance, delicate, precise, admirable makes things rolls. it is a delicate film. it is the virtue of director - and after years, not a surprise - to give force of a world who seems be only crumb of dream. to make a film like a silk carpet. to present a world, a state of soul, a crisis in a special manner because it becomes confession of viewer. a beautiful film. lesson. about each of us.

I watched this on Netflix streaming video with English subtitles because I was bored one night and the premise of the movie's description sounded intriguing. It is far more than I could have known! This movie is an amazing exploration into truths, relationships, and various layers thereof, and it gradually unfolds like layers of an onion.

The movie first begins with the couple in the throes of lovemaking resulting from mutual attraction at a party. They begin to dialog and note how they don't even know each other. As their personal life stories begin to unfold, so do layers of truths, jealousies, distrust, anger and all of the other emotions which tend to play out during many months, not hours, of relationships.

The movie fascinates if you enjoy the study of humanity and interpersonal relationships. The movie didn't simply end-- I'm still enjoying the food for thought which it left for me to ponder.

I recently saw this at the 2007 Palm Springs International Film Festival and five minutes into the film I noticed several people walking out on it. I guess they didn't realize that it's title In Bed was a film about two people in bed. This is no bed-in with John and Yoko though. It's a nice character study of two people out for a one night stand in a hotel room after meeting at a party. Lots of lovemaking and small talk turns into confessions of the soul. It's a darkly lit room and only takes place in one room with no additional scenery so it has a little of a claustrophobic feel to it at first but the fairly weak script is delivered well in word and expression from it's two talented and attractive cast members Blanca Lewin as Daniela and Gonzalo Valenzuela as Bruno. Lewin is clearly the star here and I would like to see more of her. Well, I've seen about as much of her as nature created but I would like to see her acting again. I can't believe this film had two costume designers in the credits since there are only three items, one bra, one pair of panties and one pair of men's underwear in the entire film. Two set decorators seem a little excessive too unless they created this set from scratch but it looks like an actual hotel room that they simply brought their cameras into. This is a very small low budget film and has it's flaws but it worked for me and I liked it. I would give it a 7.5 out of 10.

First I would like to say I really enjoyed this movie. I don't mean to diminish it, but it was very obvious to me how it was strongly based on Richard Linklater's movies: Before Sunrise, Before Sunset (and Tape, because the whole movie takes place in one room).

There is a scene that is a clone of the famous Before Sunrise scene where the protagonists hear the song "Come Here", by Kath Bloom, and exchange furtive looks towards one another. In "En la Cama" they hear a song an exchange looks in the exact same way. Unfortunately, I think this scene is very pale (the acting and the setting) if compared to the Before Sunrise one, and is a bit out of the context of the movie (it definitely doesn't make sense in a motel bed right after the two made passionate wild sex). I prefer to think it was made as a tribute to Before Sunrise, rather than a shallow copy, a way for the director to say "This is really inspired by Before Sunrise, I love it too!". I strongly believe the director watched those movies and asked himself, "what if I did this with the protagonists in a motel bed, during a one night stand?".

But it doesn't mean this movie has nothing to add. It feels like an antithesis of Before Sunrise/Sunset, and shows the concept of the movie (= deep communication) applies in other contexts as well. It is also shows a great irony in today's society, where people will go to bed without knowing each other (and this probably happened even before one night stands even existed...). Sex is trivial, while reaching each other's inner thoughts, feelings and truths is the unexpected, obtrusive and life altering act.

The acting is very good and realistic. The dialogs are great and keep you enticed to the movie. The plot is good and has a lot of depth, but I think it has some minor flaws (no big deal, though). The sex scenes are very artistic, but I wouldn't take my kids to watch it.

If you like Before Sunrise/Sunset, you will enjoy this movie a lot (but don't worry, it won't replace them in your shelf). If you liked this movie dialogs or any part of it (besides the sex scenes), you should watch Before Sunrise as soon as possible.

I may have seen only one other film from Chile, and was pleasantly surprised by the interesting concept and fair execution of this one by director Matías Bize. Two strangers at the end of their 20s meet for a one night encounter of casual sex in a motel. They may have done it many times in the past, but this night will prove to be different. The film starts with the two having sex, this is where many other stories in movies end, but here this is just the pretext for a dialog and a possible relationship. A relationship that will probably not last beyond the night, but its temporary nature gives it the occasion of intensity and sincerity. These do not come instantly however, it takes several rounds of dialog (and more sex) to start peeling off the layers of convention and get to the intimate truth, insecurity, intimacy of each one of the two characters. Sex is only the external layer of a relationship, and the most superficial of all, it hides rather than it represents what the man and the woman in the couple really are, and it takes special circumstances and dialog for the truth to pop out - this is the essence of the story that is being told.

Such a movie cannot keep the interest of the viewers even for its about only 80 minutes without good acting, and we get indeed here two excellent actors that pass well the screen and the challenge of explaining their characters beyond the physical appearances, which as with the story is the principal acting problem they face. Playing almost at nude in the perimeter of one motel room and yet building complex and human characters is not an easy task for an actor. Both are more than OK, Bianca Lewis is even close to bright. Director Matias Bize succeeded to make an interesting and different film, I wonder if he will be able to avoid closing himself in the formula or format of experimental films and rather continue to follow the emotional dimension he brought to screen in 'En la cama'.