Asterix at the Olympic Games

Rarely I do feel so outraged, but this piece of mindless images-in-motion is positively a sacrilege. NOTHING remains of the bright and snappy Humor of Gosciny and Uderzo. The ONLY puns worth a half-smile are the meta-movie ones: Alain Delon mentioning guepards, samurais, Rocco's brothers and the Sicilians' clan, or Schumacher running in the race with a Ferrari battle-car - but even these are obsolete, old-fashioned and excessive. Further, the humor is admirable, sublime we can say, but totally amiss. ALL the gags are forced, painfully slow, grotesquely overdone. The script is an absolute mess - no convincing story-line, no dramatic structure, no sense of rhythm (all these being capital errors when doing a comedy; even more so, for such a difficult and ambitious comedy as Astérix: absurd, fantastic, cunningly warping history, childish in an intelligent way). All in all, as other comments rightly stated, this film-lenght is the worst of all three: definitely slow, much too long, outright boring and worse than amateurish - it's DILETTANTE! If you loved Astérix, avoid it - it will incense you. If you don't know the Gaul hero, avoid it harder - it will unfairly compromise him forever in your eyes. The ONLY Astérix remains the one in the toons and comic books.

I was really looking forwards to this: Whereas "Asterix & Cesar" wasn't great, they seemed to have found their stride with "Asterix et Cleopater" only to inexplicably throw it all away with this heap of rubbish. Where shall I start: The cast.

Clovis Cornillac - catastrophic. There isn't a hint of the quick wittedness and light footedness you expect of Asterix. Instead of being the mainstay of the film, he's a sideshow: Unfunny, uncharismatic. Bring back Clavier!

Alain Delon? I nearly wept! He's an all time legend. Cool, hard, dangerous. And here? A creepy buffoon. His worst role. Ever.

That's enough. Now the plot: In Asterix & Cleopatre, the writers (and director) managed to update the Goscinny original comic spirit and clever references very successfully in my opinion. That is, without sacrificing the flow of the narrative, and without over-emphasizing modern references. That is, they didn't get in the way nor did they hobble the Goscinny narrative.

These clowns seem to have completely missed the plot. The unsubtle references stick out like a sore thumb, and the things referred to will all be forgotten in a few years.

But more fatally for the plot: they've glued together episodes from different Asterix books with elaborate pastiches to try and re-establish some sort of story logic.

Then, they have seriously warped the actual olympic games narrative flow. The plot they've come up with leaves you constantly thinking "What? How ... why is this happening now? Where is such-and-such gone?" and most importantly "hmm, was that joke supposed to be ... funny?".

All in all, truly catastrophic. The only saving grace is - I supposed toddlers might find it exciting.

This is my first encounter with M. Depardieu as Obelix. I wasn't expecting much: French cinema has a habit on making poor nepotistic films on a regular basis (i.e. members of the typical film family keep scratching each other's back in circles...)

Asterix is both a French institution that has always been written to be understood at several levels by different age groups. The film is good in the sense that it doesn't try to replicate the book, it expands on it but still tries to capture this multi=layered humour. It's not always subtle but it works. A few examples:

• Alain Delon makes an impressive comeback while sending himself up and referencing the films that made his past glory

• Depardieu re-enacts scenes from his marvellous Cyrano, using virtually the same shots and lighting almost 20 years on

• The modernised Ben Hur chariot race is absolutely right for today's audience and manages to capture the spirit of the book while being much more sophisticated.

• The multiple cameos are very funny, especially if you can pick up some of the French dialogues. Others will simply be impressed by who appears on screen...

I also found that the special effects were used to carry humour and a cartoon-like spirit as opposed to being grandiose.

In summary 'The Third Man it ain't, but as thoroughly entertaining family film for all ages, it just works.

The movie has some very good parts, but unfortunately, it has more boring parts. It's big, and it made me wanna fall asleep a lot of times.. If they had cut all he stupid, with no reason, long parts, this would have been a great movie. I know that ASTERIX had always been a great comic. And it's a good reason to made me wanna see the movie. I expected something better for the movie, and so will you. The actors who play Astérix and Panroamix(druid) are different from the last two Astérix movies, and they are terrible. The don't feel like the original Astérix actors, but more like some random actors they picked up, and dressed in the right clothes. The humor is boring, because it's the same stupid "funny" thing all the time. It was pretty funny when Numérobis acted stupid at "Astérix & Obélix: Mission Cléopâtre", but at this movie it's not.

Gaul is entirely occupied by the Roman . Well not , entirely . One small village of indomitable Gauls holds out against the invaders . Life is not easy for the Roman legionaries who garrison the fortified camp . In the village are our friends, Asterix (Clovis Cornillac replacing Christian Claver) , he's a shrewd and cunning little warrior, his inseparable partner is Obelix (Gerard Depardieu , as always), he's ready to drop everything and go off on a new adventure with Asterix , Panoramix (recently deceased Jean Pierre Cassel) , the venerable village's druid who brews magic potions , his speciality is the potion which gives the drinker superhuman strength , without forgetting the chief Abraracourcix and the singer Bardo Cacofonix . Besides , a young villager enamored a beautiful Greek princess named Irina (Vanessa Hessler). Then our heroes decide participate in the Olympic Games in Olympia . There they must confront the Caesar's (Alain Delon substituting Gottfried John and Alain Chabat) son , named Brutus (Benoit Poelvoorde).

The picture captures outrageous adventures , tongue in cheek , anachronisms , feats and hilarious moments here and there. Packs sympathetic first appearance of Julius Caesar played by Alain Delon doing a self-homage with musical background from the Clan of the Sicilians . It appears several secondaries as Spaniards and French actors , such as Santiago Segura , Monica Cruz and Jean Pierre Castaldi ,Janel Debouzze repeating his role of Numerobix and the wrestling champion Nathan Jones as Humungus . However , this time doesn't appear the likable pirates and their sinking ships , being replaced by known football players in a silly ending with a balloon as plot . The motion picture was regularly directed by Frederic Forrestier , though it contains lively musical score and colorful cinematography by Thierry Argobast . This inferior third entry shot in live acting is preceded by ¨Asterix vs Caesar¨ directed by Claude Zidi and ¨Asterix and Cleopatra¨ by Alain Chabat with Monica Belucci.