IMDb रेटिंग
4.7/10
3.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA college co-ed is brutally raped and struggles alone to rebuild her life.A college co-ed is brutally raped and struggles alone to rebuild her life.A college co-ed is brutally raped and struggles alone to rebuild her life.
Jonathan Neil Schneider
- Archaeology Professor
- (as Jon Schneider)
Aisleagh Jackson
- Construction Girl
- (as Aislaegh Jackson)
Jacqueline Duprey
- Celeste
- (as Jaqueline Duprey)
फ़ीचर्ड समीक्षाएं
Love Rosario Dawson, think she's one of the finest actresses of the modern era.
Descent seems to be more about self-empowerment than anything else. It's the consistent undertone in everything in the film. The dialog is flat, the characters seemingly intentionally bland and one sided. The only consistency is the representation of self-empowerment in the characters and Rosario's journey from self empowerment to loss of empowerment and back again.
Pitching this as a rape classic isn't appropriate, and that's probably why so many people don't enjoy the film. The standard 'rape' audience wouldn't particularly like this film, and maybe that's the point? The film asks more questions than it answers, and it does confront it's target audience, whether they like it or not. There's a compelling relationship between the characters and the target audience and while the film doesn't slap the audience across the face with self-righteous audacity it does engage the viewer for what may or may not be, all the wrong reasons.
Descent is a good film which IMHO is severely under-rated.
Descent seems to be more about self-empowerment than anything else. It's the consistent undertone in everything in the film. The dialog is flat, the characters seemingly intentionally bland and one sided. The only consistency is the representation of self-empowerment in the characters and Rosario's journey from self empowerment to loss of empowerment and back again.
Pitching this as a rape classic isn't appropriate, and that's probably why so many people don't enjoy the film. The standard 'rape' audience wouldn't particularly like this film, and maybe that's the point? The film asks more questions than it answers, and it does confront it's target audience, whether they like it or not. There's a compelling relationship between the characters and the target audience and while the film doesn't slap the audience across the face with self-righteous audacity it does engage the viewer for what may or may not be, all the wrong reasons.
Descent is a good film which IMHO is severely under-rated.
It's excruciating experience to see "Descent" in one single watch. It shows how much humanity we sacrificed for the sake of vengeance. Just like a great companion "Hard Candy", this movie can easily teared down your emotion and left it as open-wounded.
Rosario Dawson is Maya, a shy college student who, just like any hopeful young girls, wishes to meet a perfect man. At the party, she met Jared (Chad Faust), a passionate young man. He quickly makes a move to Maya. With all beautiful words and gestures he used, Maya finally let her guard down and completely trust that, this is the man whom she can spend a life with.
Then, horror happened. Maya was brutally raped by Jared. Her ideal world seemed to crumble right in front of her face. Maya delved into the darkness as she spends her life in her own silent world. She works in a clothing shop where she just ignores everybody else. Spending time in dance club where drugs, boozes and stranger intimacy are her new friends.
Months later, the story comes to last act when Maya and Jared meet again in the classroom. As insured, she has a plan. And it's a plan that Jared couldn't possibly think of. Strangely, he plays along with it. What we have here in the last 20 minutes is the most disturbing, depraved, twisted act that anybody couldn't possibly imagine.
One can think of how cheerfulness to see our heroic trio in "Death Proof" got their revenge. The result is comedic-like, ultra-surreal ending that sure to satisfy by fans of exploitation films. "Descent" ignores the whole concept of exploitation thing and stick it firmly to the ground with its truthfulness. It's an act of vengeance in its purest form. And it goes on and on and on and nobody seemed to be happy about it.
First time director, Talia Lugacy did an admirable job to explore this twisted world. One might think that she's overdone with Maya's downfall by putting excessive madness into the protagonist that almost overkill it. But with this powerful opening and ending, It's obvious that she has a rightfulness to tell this story straight.
One can also admire the lead (and first time producer), Rosario Dawson, to put herself into an interesting career path. It's the role that any praises for her acting overshadowed by its controversial. But it's also a role that will re-define her body of work and create a significant part in her life. As she feels that she's capable to do everything from now on.
In the final moment where the film just simply captures at Maya's face, it's effective. As they're both haunting and yet, strangely beautiful. There's not a single moment to show our protagonist satisfied in what she did, even she just thought so. It shows how much we wrong thought about "Revenge is a dish best served cold". Because it's ain't.
Rosario Dawson is Maya, a shy college student who, just like any hopeful young girls, wishes to meet a perfect man. At the party, she met Jared (Chad Faust), a passionate young man. He quickly makes a move to Maya. With all beautiful words and gestures he used, Maya finally let her guard down and completely trust that, this is the man whom she can spend a life with.
Then, horror happened. Maya was brutally raped by Jared. Her ideal world seemed to crumble right in front of her face. Maya delved into the darkness as she spends her life in her own silent world. She works in a clothing shop where she just ignores everybody else. Spending time in dance club where drugs, boozes and stranger intimacy are her new friends.
Months later, the story comes to last act when Maya and Jared meet again in the classroom. As insured, she has a plan. And it's a plan that Jared couldn't possibly think of. Strangely, he plays along with it. What we have here in the last 20 minutes is the most disturbing, depraved, twisted act that anybody couldn't possibly imagine.
One can think of how cheerfulness to see our heroic trio in "Death Proof" got their revenge. The result is comedic-like, ultra-surreal ending that sure to satisfy by fans of exploitation films. "Descent" ignores the whole concept of exploitation thing and stick it firmly to the ground with its truthfulness. It's an act of vengeance in its purest form. And it goes on and on and on and nobody seemed to be happy about it.
First time director, Talia Lugacy did an admirable job to explore this twisted world. One might think that she's overdone with Maya's downfall by putting excessive madness into the protagonist that almost overkill it. But with this powerful opening and ending, It's obvious that she has a rightfulness to tell this story straight.
One can also admire the lead (and first time producer), Rosario Dawson, to put herself into an interesting career path. It's the role that any praises for her acting overshadowed by its controversial. But it's also a role that will re-define her body of work and create a significant part in her life. As she feels that she's capable to do everything from now on.
In the final moment where the film just simply captures at Maya's face, it's effective. As they're both haunting and yet, strangely beautiful. There's not a single moment to show our protagonist satisfied in what she did, even she just thought so. It shows how much we wrong thought about "Revenge is a dish best served cold". Because it's ain't.
Some genre films need to be dressed up. This one was an exception. Taken on its own merit, it's a dressed down version of the horror genre film. With minimal special effects, it manages to be a psychological study of sorts, with a simple yet existential theme - who gets hit by the bus, and why her? It's not a great film, yet because there is little contrived about it, the story works. Subtle, and all about the interactions of the characters. Actually, there is one contrivance in the opening scenes, but it may have been placed there to simply set the tone for what's to come. I very much appreciate the balance of male and female energy, and would not recommend this story to anyone interested in more than people reacting to a physical and psychological challenge. You will enjoy the film if you have some empathy, value the need for a bit of adventure in your life, and wonder "What would I do in this situation?"
The plot for Descent, if it actually can be called a plot, has two noteworthy events. One near the beginning - one at the end. Together these events make up maybe 5% of the total movie time. Everything (and I mean _everything_) in between is basically the director's desperate effort to fill in the minutes. I like disturbing movies, I like dark movies and I don't get troubled by gritty scenes - but if you expect me to sit through 60 minutes of hazy/dark (literally) scenes with NO storyline you have another thing coming. Rosario Dawson, one of my favorite actresses is completely wasted here. And no, she doesn't get naked, not even in the NC-17 version, which I saw.
If you have a couple of hours to throw away and want to watch "Descent", take a nap instead - you'll probably have more interesting dreams.
If you have a couple of hours to throw away and want to watch "Descent", take a nap instead - you'll probably have more interesting dreams.
From word go the movies frustrating attempt at enigma drove me to almost turn it off. It was somewhat curious to begin with but with its depth constantly shaded until the explosive last moments it wasn't something to be watched with others. Although the character performances were intriguing i thought they were restricted somewhat and should have been a little more in your face. Don't get me wrong, i love plot hooks but this one had just a little too many and lacked a lot of explanation. Its one of those movies you want to see the end of, but you want it sooner rather than later. Powerful ending, I wouldn't recommend this film though IF you still insist on watching it then do watch it through till the end. Just Don't watch it with dad :)
क्या आपको पता है
- ट्रिवियाRosario Dawson, Tracie Thoms, and Vanessa Ferlito all worked together in the 2007 Quentin Tarantino film, "Death Proof".
- इसके अलावा अन्य वर्जनReleased on DVD in separate R-rated and NC-17 rated versions. The NC-17 DVD runs for around seven minutes longer.
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $15,233
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $8,411
- 12 अग॰ 2007
- दुनिया भर में सकल
- $15,233
- चलने की अवधि
- 1 घं 44 मि(104 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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