The Treatment

the trailers for "The Treatment" were kinda crappy but the movie is something else entirely this is a movie that is much better than its trailer suggest it's Light hearted and funny with a lot of substance it isn't at all cheesy or dark . the acting is truly amazing we have three unmatchable leading actors Chris Eigeman ,Ian Holm and Famke Janssen all three give some of their best work here..the movie is smart and funny and the ending leaves the Dr Morales bit open is he real or just a figment of Chris Eigeman's imagination? watch this one in theatres fans of any Famke , Ian and Chris will not be disappointed no matter how high their expectations.

Somewhere between adaptation and shooting, the magic leaped out of this film. The synopsis looked promising and it could have delivered, but it seems that poor casting choices and spotty dialog made it fall short. The leading man isn't quite convincing on film. His technique feels more fit for stage, but when on screen you see an actor and not a character. Famke Janssen and Ian Holm are the two bright spots in the nigh hour-and-a-half feature. Holm was the one actor who garnered a laugh. But they both seem out of place, heavy hitters in a smaller film. It could be that a bigger star was set to play Chris, but dropped out, leaving the film with less studio support while Famke and Ian stayed on. This film has gone on to win some festival awards, which makes me wonder if I missed something, or was simply not in the right mood for the film. Nevertheless, it could have been much, much better.

It involves romance between romantically experienced people. They are intelligent, articulated, educated and their greatest concerns are more complex than just "getting together". They are above 35, they have children and past baggage, complicated lives and still they crave love, like any other primate.

Ian Holm is the spice of the movie. I would venture to say that without him the entire thing would have been a fiasco. It's not that the other actors don't act well, but their roles are so bland and uninteresting. Even the obvious intelligence of the lead male character has only an intellectual academic form and the emotional chemistry is rather poorly expressed.

Overall it is above the average romcom, but average towards weak in its category. Since the target audience is older educated people, it should have had more spunk and a lot more brains.

"The Treatment" is a very well acted romantic comedy that relies on clever dialogue rather than outlandish set-pieces to deliver the laughs.

The story is simple enough - Teacher Jake befriends the young widowed mother of a student and then falls for her. Things are complicated by their different social standings, the fact that Allegra is still grieving for her recently dead husband, and Jake's visits to his psychoanalyst.

The lead actors are all excellent, but Ian Holm's character gets all the best lines in the movie as a nasty psychoanalyst trying to 'help' Jake Singer (Chris Eigeman) stop undermining his own relationships.

Famke Janssen is very, very good in this movie and her performance was my favourite of the piece. Considering the other works I've seen her in I was blown away to discover she was such a good actress.

This is a warm, funny movie that I could happily watch again.

The Treatment describes itself as 'a serious romantic comedy about life and love in NYC.' The main characters are Jake Singer, an anxious young schoolteacher who has broken up with his girlfriend and seems resigned to a life of mediocrity; his shrink, Dr Ernesto Morales (Ian Holm), who describes himself as the last great Freudian - 'in a line stretching from Moses to Aristotle;' and Allegra Marshall, a beautiful young socialite that takes a fancy to him.

The film aims at a serious note with the unrelenting, intrusive and almost sadistic treatment meted out by Dr Morales. Jake's baggage is all too obvious and (although there must be easier routes) the 'treatment' does show signs of working, even when Jake starts wondering if he has maybe just 'hallucinated' the encounters. A sub-plot about adoption tries to bring in some emotional ballast to fill the chasm left by Jake and Allegra's lack of on-screen chemistry.

The Treatment meanders along like an episode of Sex and the City or Frasier - only where nothing much happens. At first captivating, the endless litany of inconsequential detail and forced humour soon begins to wear. "I thought he was supposed to make you feel more comfortable in your own skin," says Allegra about Jake's analyst. "No, he's more the exfoliating type." In discussing one of Jake's favourite books, Allegra quotes a comment about the author re-drawing the landscape to place equal emphasis on what's not said. Sadly, this film has too much that is said; and that which is not said has too little substance to justify the barely relevant meanderings of school sports halls or Dr Morales' questions about sexual positions. Ian Holm delivers a fine performance, but the script, while not completely without merit, has too little to for such a great actor to get his teeth into. We are told that the lover in Jake is under-nourished and the self-pitying side over-fed: much the same could be said of this bloated, drawn-out and not particularly engaging film.