अपनी भाषा में प्लॉट जोड़ेंAn elderly writer visits the small village where he grew up and as he walks through he catches a glimpse of the same woman he fell in love with in his youth but she has not aged at all! He f... सभी पढ़ेंAn elderly writer visits the small village where he grew up and as he walks through he catches a glimpse of the same woman he fell in love with in his youth but she has not aged at all! He follows her, but is not ready for what he findsAn elderly writer visits the small village where he grew up and as he walks through he catches a glimpse of the same woman he fell in love with in his youth but she has not aged at all! He follows her, but is not ready for what he finds
- Mujer 2
- (as Elena Castañeda)
- Marc
- (वॉइस)
- Hombre mirando estatua
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The underrated "Regreso a Moira" is one of the most beautiful, sensitive, stylish, touching and engaging movies that I have recently seen. The heartbreaking story is developed in a very slow pace disclosing a powerful drama of a man haunted by the remorse of his action in his adolescence. There is no horror in the story, only a psychological drama in the head of an elderly man and trigged after the suicide of his wife. The screenplay, the direction and the performances are awesome, and I was impressed with the beauty of the unknown (in Brazil) Natalia Millán. My vote is nine.
Title (Brazil): "Chamado do Passado" ("Call from the Past")
Its not a bad story and the actors are fine. It feels more like a Spanish mystery or telenovela than a creepy horror movie like the others in the series.
It is a love story in the end, with a hint of witchcraft.
Its a worthwhile watch for the story which takes place over 45 years and flashes back and forth. It is in Spanish with subtitles, so it is easy to follow There is minimal gore; most of the graphic scenes are brief. There are tastefully presented sex scenes.
I would recommend "To Let", and "The Baby's Room", as the two best films in this series.
A stylish, slow-paced but unnerving ghost story that combines M.R. James-style apparitions with an emotionally-driven story and some nicely handled, subtle twists. If you're looking for a "BOO!" shock movie, look elsewhere, though: this is a thoughtful, atmospheric and emotionally-engaging exploration of the effects of guilt, with a supernatural edge. You'll need patience to fully appreciate the movie, as the story unfolds at its own pace and those looking for outright shocks will need to look elsewhere (although when the scares come, they're handled well) but if you're looking for an intelligent, haunting drama, stick with it. You won't be disappointed.
Senior Tomás (Jordi Dauder) receives a tarot card, an indication he was supposed to go back to Spain where he used to grow up at after 44 years. As he is driving back, we're then see in flashbacks what he's reminiscent back in time when Tomás was a young teenager of about 16 (Juan José Ballesta) sitting with his two friends of Carlos Martinez (David Arnaiz) and Vicente (Adrián Marín) as they are talking about the lady who lives on the house on the hill with her cat. That since her arrival that the village had been receiving nothing but droughts and animal sickness. That she struts around nude around the house, and only comes out at night.
And by the time we do get to the end, i still could not make a determination whether Moira was indeed a witch or was she something else that is poorly explained.
क्या आपको पता है
- भाव
Moira: I am the spinner of your destiny, the ball of string where it comes from, and the scissor that cuts it. I am your house, your happiness, and your misery. I am the part that touches you. Now and forever, whatever you do or wherever you are, even if you can't see me, you can't forsake me anymore. United... further than death.